Book contents
- Frontmatter
- Dedication
- Contents
- Preface
- Acknowledgments
- 1 Make Beautiful Music: Involving Singularity of Tones in Succession and of Tones Sounding Simultaneously
- 2 Free the Mind, Hear Everything: Connecting the Open Consciousness to All the Sounds, All the Time
- 3 Free the Body: Involving the Necessity of Freeing the Body from Unnecessary Muscle Tensions
- 4 Be the Music: Applying the Free Body in the Service of a Maximally Beautiful Performance
- Addenda
- Bibliography
- Index
1 - Make Beautiful Music: Involving Singularity of Tones in Succession and of Tones Sounding Simultaneously
Published online by Cambridge University Press: 01 June 2021
- Frontmatter
- Dedication
- Contents
- Preface
- Acknowledgments
- 1 Make Beautiful Music: Involving Singularity of Tones in Succession and of Tones Sounding Simultaneously
- 2 Free the Mind, Hear Everything: Connecting the Open Consciousness to All the Sounds, All the Time
- 3 Free the Body: Involving the Necessity of Freeing the Body from Unnecessary Muscle Tensions
- 4 Be the Music: Applying the Free Body in the Service of a Maximally Beautiful Performance
- Addenda
- Bibliography
- Index
Summary
A space alien comes to town.
“Gee, Earth,” the alien says, “nice place you got here. What do you do for fun?”
“Well, um, we go to concerts,” you say.
The alien asks “What's a concert?”
“Well,” you say, “there's a big room, and a bunch of people go in and sit down. The lights go out, and in a corner of the room some people make noises.”
“How strange! Gosh, how long do you have to do that?” asks the alien.
“Oh, we do it for about two hours,” you answer.
“My goodness,” says the alien. “So they must pay you?”
“Oh no, we pay a handsome sum.”
“OK then, I have just one question …” the alien pauses,
“Why?”
Why indeed!
Experience of Beauty
The experience of beauty is an act of the consciousness. Ordinary acts of human consciousness are characterized by an inherent dichotomy between the “me” and the “not me.” There's a table there, and I’m not the table. There's a computer there, and I’m not the computer. I’m not the couch, the lamp, or the rug. I’m not the window, the shade, the light, or the heat. I’m not the revolving door, the Industrial Revolution, the Revolutionary War. I’m not détente, entente, Immanuel Kant, or Garamond font. I am not the innumerable phenomena—things and concepts—external to me.
Aesthetic experience—the experience of beauty—is different. I see a painting. I absorb the images. I take them in. I lose myself in the images. It is a magical, transcendent experience, one in which I transcend that duality between me and the images. Or I go to a concert. The sounds wash over me. I absorb the sounds. I take them in. I lose myself in the sounds. I become the sounds. In this literally transcendent experience, I transcend the duality that exists between me and the sounds. I have become the sounds, not in physical reality of course, but in this act of my consciousness there is no subject and no object.
So why do we go to concerts? Because under certain circumstances we can have a transcendent, life-affirming experience: just by absorbing sound we can transcend the duality that exists between the self and the external world.
- Type
- Chapter
- Information
- On the Principles and Practice of Conducting , pp. 1 - 21Publisher: Boydell & BrewerPrint publication year: 2016