Mozart's Chamber Music with Keyboard

doi:10.1017/CBO9780511751455

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Edited by Martin Harlow, Royal Northern College of Music, Manchester

Publisher:: Cambridge University Press
Online publication date:: May 2012
Print publication year:: 2012
Online ISBN:: 9780511751455
DOI:: https://doi.org/10.1017/CBO9780511751455

Subjects:: Music, Eighteenth-Century Music, Music Performance

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Internationally renowned scholars and performers present a wide range of new analytical, historical and critical perspectives on some of Mozart's most popular chamber music: his sonatas with violin, keyboard trios and quartets and the quintet with wind instruments. The chapters trace a broad chronology, from the childhood works, to the Mannheim and Paris sonatas with keyboard and violin, and the mature compositions from his Vienna years. Drawing upon the most recent research, this study serves the reader, be they a performer, listener or scholar, with a collection of writings that demonstrate the composer's innovative developments to generic archetypes and which explore and assess Mozart's creative response to the opportunities afforded by new and diverse instrumental combinations. Manners of performance of this music far removed from our own are revealed, with concluding chapters considering historically informed practice and the challenges for modern performers and audiences.

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Mozart's Chamber Music with Keyboard

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Contents

Mozart’s Chamber Music with Keyboard - Half title page
pp i-ii

Mozart’s Chamber Music with Keyboard - Title page
pp iii-iii

Copyright page
pp iv-iv

Contents
pp v-vi

Figures
pp vii-vii

Contributors
pp viii-viii

Preface
pp ix-ix

Abbreviations
pp x-xii

1 - The chamber music with keyboard in Mozart biography
pp 1-24

2 - Mozart’s early chamber music with keyboard:
pp 25-44

3 - Opus 1, take 2:
pp 45-68

4 - Mozart’s ‘Viennese’ sonatas for keyboard and violin according to Ferdinand David:
pp 69-103

5 - Mozart’s keyboard trios:
pp 104-122

6 - A winning strike:
pp 123-137

7 - An experiment in variation:
pp 138-153

8 - On instrumental sounds, roles, genres and performances:
pp 154-181

9 - Enlarging the musical discourse:
pp 182-197

10 - Action, reaction and interaction, and the play of style and genre in Mozart’s Piano and Wind Quintet, K.452
pp 198-219

11 - Inhabiting Mozart’s chamber music:
pp 220-234

12 - Reading between the lines:
pp 235-264

13 - Private and public forms of art:
pp 265-278

Index of Mozart’s works by Köchel number
pp 279-282

General index
pp 283-287

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