This is a selected bibliography pertaining to the material covered in the text. Any attempt at a complete bibliography on Michelangelo and his work would have burdened this list beyond usefulness. Books and articles cited repeatedly in the notes are included here and are abbreviated in the notes by the author’s (and editor’s) name and a publication date if relevant. Books and articles cited only once are not included here but in the notes.
Acidini Luchinat, Cristina, Michelangelo scultore, Milan, Federico Motta editore, 2006.
Adams, J. H., The Latin Sexual Vocabulary, Baltimore, Johns Hopkins University Press, 1982.
Alberti, Leon Battista, Ten Books on Architecture, James Leoni, trans., Joseph Rykwert, ed., London, Alec Tiranti, Ltd., 1955.
Alberti, Leon Battista, On Painting, John R. Spencer, trans. and ed., New Haven, Yale University Press, 1956.
Albertini, Francesco, Memoriale di molte statue et Picture sono nella inclyta Cipta di Florentia Per mano di Sculptori & Pictori excellenti Moderni & Antiqui, Florence, Antonio Tubini, 1510; reprinted in Five Early Guides to Rome and Florence, Peter Murray, ed., Westmead, Gregg International Publishers Limited, 1972, unpaginated.
Amy, Michaël J., Michelangelo’s Commission for Apostle Statues for the Cathedral of Florence, Ann Arbor, University Microfilms International, 1997.
Amy, Michaël J., “The Revised Attributions and Dates of Two 15th Century Mural Cycles for the Cathedral of Florence,” Mitteilungen des Kunsthistorischen Institut in Florenz, XLII, 1998, 176–189.
Amy, Michaël J., “The dating of Michelangelo’s St. Matthew,” Burlington Magazine, CXLII, no. 1169, 2000, 493–496.
Amy, Michaël J., “Imagining Michelangelo’s St. Matthew in its Setting,” Santa Maria del Fiore: The Cathedral and its Sculpture, Margaret Haines, ed., Fiesole, Cadmo, 2001, 149–166.
Anglani, Marcella, “I luoghi dei David: la Loggia dei Lanzi, il Bargello, piazzale Michelangelo, piazza della Signoria,” and “Il Museo Michelangiolesco e l’evoluzione della Galleria dell’Accademia tra Ottocento e Novecento,” both in L’Accademia, Michelangelo, l’Ottocento, Franca Falletti, ed., Livorno, Sillabe, 1997, 28–36, 37–53.
Anglani, Marcella, and Franca Falletti, “Appendice documentaria,” L’Accademia, Michelangelo, l’Ottocento, Franca Falletti, ed., Livorno, Sillabe, 1997, 68–79.
Anon., “Notizie di belle arti intorno al collocamento del David di Michelangelo e del Ratto di Polissena di Pio Fedi,” Nuova Antologia, I, 1866, 597–605.
Attanasio, Donato, Rosario Platania, and Paolo Rocchi, “The marble of the David of Michelangelo: A multi-method analysis of provenance,” Journal of Archaeological Science, 32/9, September 2005, 1369–1377.
Baker, Nicholas Scott, “For Reasons of State: Political Executions, Republicanism, and the Medici in Florence, 1480–1560,” Renaissance Quarterly, LXII/2, Summer 2009, 444–478.
Baldini, Nicoletta, and Renato Giulietti, eds., Andrea Sansovino: I Documenti, Monte San Savino, Maschietto & Musolino, 1990.
Baldinucci, Filippo, Notizie dei professori del disegno da Cimabue in qua, Florence, Studio per Edizioni Scelte (S.P.E.S.), 1974–1975.
Balestracci, Duccio, “Il gioco dell’esecuzione capitale. Note e proposte interpretative,” Gioco e giustizia nell’Italia di Comune, Gherardo Ortalli, ed., Viella/Treviso/Rome, Fondazione Benetton, 1993, 193–206.
Bardeschi Ciulich, Lucilla, I Contratti di Michelangelo, Florence, Studio per Edizioni Scelte, 2005.
Bargellini, Piero, Michelangelo’s “David” Symbol of Liberty, Florence, Marietti, 1971.
Barkan, Leonard, Nature’s Work of Art: The Human Body as Image of the World, New Haven, Yale University Press, 1975.
Barkan, Leonard, Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture, New Haven, Yale University Press, 1999.
Barocchi, Paola, Kathleen Loach Bramanti, and Renzo Ristori, Il Cartegio indiretto di Michelangelo, Florence, Studio per Edizioni Scelte (S.P.E.S.), 1988.
Barolsky, Paul, Michelangelo’s Nose: A Myth and its Maker, University Park, The Pennsylvania State University, 1990.
Barolsky, Paul, “Machiavelli, Michelangelo, and David,” Source, XXIII/3, Spring 2004, 32–33.
Bellosi, Luciano, “L’attività giovanile di Donatello nel cantiere del Duomo di Firenze,” Santa Maria del Fiore: The Cathedral and its Sculpture, Margaret Haines, ed., Fiesole, Edizioni Cadmo, 2001, 205–220.
Bergstein, Mary, The Sculpture of Nanni di Banco, Princeton, Princeton University Press, 2000.
Billi, Antonio, Il Libro di Antonio Billi, Carl Frey, ed., Berlin, G. Grote’sche Verlagsbuchhandlung, 1892.
Bober, Phyllis Pray, and Ruth Rubinstein, Renaissance Artists and Antique Sculpture: A Handbook of Sources, New York, Oxford University Press, 1986.
Bonfante, Larissa, “Nudity as a Costume in Classical Art,” American Journal of Archaeology, 93, 1989, 543–570.
Borghini, Raffaello, Il Riposo, Florence, Appresso Giorgio Marescotti, 1584; reprint, Mario Rosci, ed., Milan, Edizioni Labor, 1967.
Boswell, John E., “Dante and the Sodomites,” Dante Studies, 112, 1994, 63–76.
Boucher, Bruce, The Sculpture of Jacopo Sansovino (2 vols.), New Haven/London, Yale University Press, 1991.
Bracci, Susanna, Franca Falletti, Mauro Matteini, and Roberto Scapigno, Exploring David. Diagnostic Tests and State of Conservation, Florence, Giunti, 2004.
Brown, Alison, “De-masking Renaissance Republicanism,” now republished in Medicean and Savonarolan Florence: The Interplay of Politics, Humanism, and Religion, Tournhout, Brepols, 2011, 225–245.
Burke, Jill, “Republican Florence and the Arts, 1494–1513,” Florence, Francis Ames-Lewis, ed., Cambridge/New York, Cambridge University Press, 2012, 252–289.
Burke, Jill, “Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude,” Art History, 36/4, 2013, 715–739.
Bush, Virginia, “Bandinelli’s Hercules and Cacus and Florentine Traditions,” Memoirs of the American Academy in Rome, XXXV, 1980, 163–206.
Butterfield, Andrew, “New Evidence for the Iconography of David in Quattrocento Florence,” I Tatti Studies, 6, 1995, 115–133.
Cadogan, Jean K., “Michelangelo in the workshop of Domenico Ghirlandaio,” Burlington Magazine, CXXXV, 1993, 30–31.
Caglioti, Francesco, “Il David bronzeo di Michelangelo (e Benedetto da Rovezzano): il problema dei pagamenti,” Ad Alessandro Conti (1946–1994), Francesco Caglioti, Miriam Fileti Mazza, and Umberto Marrini, eds. (Quaderni del Seminario di Storia della Critica d’Arte, 6), Pisa, Scuola Normale Superiore di Pisa, 1996, 85–132 (Caglioti 1996a).
Caglioti, Francesco, “Il perduto ‘David’ mediceo di Giovanni Rustici e il ‘David’ Pulszky del Louvre,” Prospettiva, 83–84, July–October 1996, 80–101 (Caglioti 1996b).
Caglioti, Francesco, Donatello e I Medici: Storia del David e della Giuditta, Florence, Leo S. Olschki Editore, 2000.
Cambi, Giovanni, “Istorie di Giovanni Cambi,” Delizie degli Eruditi Toscani, Ildefonso da San Luigi, ed., Florence, Gaetano Cambiagi, 1786, vol. 22, 81–91.
Camille, Michael, The Gothic Idol: Ideology and Image-making in Medieval Art, Cambridge, Cambridge University Press, 1989.
Camille, Michael, “The Pose of the Queer: Dante’s Gaze, Brunetto Latini’s Body,” Queering the Middle Ages, Glenn Burger and Steven F. Kruger, eds., Minneapolis, University of Minnesota Press, 2001, 57–86.
Carlucci, Robert A., The Visual Arts in the Government of Piero Soderini during the Florentine Republic, dissertation, Columbia University, 1994.
Casalini, Eugenio, “L’Angelico e la Cateratta per l’Armadio degli Argenti alla SS. Annunziata di Firenze,” Commentari, XIV, 1963, 104–124.
Cavallucci, C. J., S. Maria del Fiore. Storia documentata dall’origine fino ai nostri giorni, Florence, Giovanni Cirri Editore, 1881.
Cellini, Benvenuto, Autobiography, London, Penguin Books, 1957.
Cianchi, Marco, David. Storia e mito di una statue/History and myth of a statue, Florence, Becocci Editore, n.d.
Cinelli, Carlo, Johannes Myssok, and Francesco Vossilla, The Statues of the Apostles in Florence Cathedral, Florence, Alinea Editrice, 2002.
Cisneri, Ilaria, L’Ingresso trionfale di Leone X in Firenze nel 1515, Florence, Leo S. Olschki Editore, 1990.
Clarke, Paula C., The Soderini and the Medici: Power and Patronage in Fifteenth-Century Florence, Oxford, Clarendon Press, 1991.
Cohen, Jeffrey Jerome, Of Giants: Sex, Monsters, and the Middle Ages, Minneapolis, University of Minnesota Press, 1999.
Comelli, Daniela, Gianluca Valentini, Rinaldo Cubeddu, and Lucia Toniolo, “Fluorescence Lifetime Imaging and Fourier Transform Infrared Spectroscopy of Michelangelo’s David,” Applied Spectroscopy, 59/9, 2005, 1174–1181.
Condivi, Ascanio, Vita di Michelagnolo Buonarroti, pittore, scultore, architetto e gentiluomo fiorentino, pub. mentre viveva dal suo scolare Ascanio Condivi, with a supplement by G. Ticciati and notes by Pierre Jean Mariette, Domenico Maria Manni, and Anton Francesco Gori, Florence, G. Albizzini, 1746.
Condivi, Ascanio, The Life of Michelangelo, Alice Sedgwick Wohl, trans., Hellmut Wohl, ed., Baton Rouge, Louisiana State University Press, 1976; reprinted College Park, Penn State University Press, 1976.
Condivi, Ascanio, Vita di Michelagnolo Buonarroti, Giovanni Nencioni, ed., with essays by Michael Hirst and Caroline Elam, Florence, Studio Per Edizioni Scelte (S.P.E.S.), 1998.
Coonin, A. Victor, From Marble to Flesh: The Biography of Michelangelo’s David, Prato, The Florentine Press, 2014.
Corazza, Bartolommeo di Michele del, “Diario fiorentino di Bartolommeo di Michele del Corazza Anni 1405–1438,” Archivio storico italiano, ser. V, 13–14, 1894, 233–298.
Crum, Roger J., “Letter to the Editor,” The Art Bulletin, LXXII, 1990, 132–135.
Crum, Roger J., and John T. Paoletti, eds., Renaissance Florence: A Social History, New York, Cambridge University Press, 2006.
d’Alessandro, Alessandro, “Il mito dell’origine ‘aramea’ di Firenze in un trattatelo di Giambattista Gelli,” Archivio storico italiano, CXXXVIII, 1980, 329–389.
Darré, René, Géants d’hier et d’aujourd’hui, Arras, Imprimerie de la Nouvelle Société anonyme du Pas-de-Calais, 1944.
Dati, Gregorio [Goro], L’Istoria di Firenze dal 1380 al 1405, Luigi Pratesi, ed., Norcia, Tipografia Tonti Cesare, 1902.
Dellepiane, M., M. Callieri, F. Ponchio, and R. Scopigno, “Mapping Highly Detailed Colour Information on extremely dense 3D Models: The case of David’s Restoration,” Computer Graphics Forum, 27/8, 2008, 2178–2187.
Del Piazzo, Marcello, and Laura Guidorizzi, “Gli artisti fiorentini del quattrocento nei catasti contemporanei,” Commentari, I, 1950, 189–192, 250–258; II, 1951, 127–129, 236–241.
De Maddalena, Aldo, “Les Archives Saminiati: de l’économie à l’histoire de l’art,” Annales: Économies, Sociétés, Civilisations, XIV/4, 1959, 738–744.
Donato, Maria Monica, “Hercules and David in the Early Decoration of the Palazzo Vecchio: Manuscript Evidence,” Journal of the Warburg and Courtauld Institutes, 54, 1991, 83–98.
Echinger-Maurach, Claudia, “Zu Michelangelos Skizze für den verlorenen Bronzedavid und zum Beginn der gran maniera degli ignudi in seinem Entwurf für den Marmordavid,” Zeitschrift für Kunstgeschichte, 61, 1998, 301–338.
Edgerton, Samuel Y., Jr., Pictures and Punishment: Art and Criminal Prosecution during the Florentine Renaissance, Ithaca, Cornell University Press, 1985.
Edme, Dom (Monseigneur; 41st Abbot of Clairveau), “Relation d’un Voyage à Rome commencé le xxiii du mois d’aout 1520 et terminé le xiv du mois d’avril, 1521,” Mémoires de la Société d’agriculture, des sciences, arts et belles-lettres du département de l’Aube, ser. 2, II (xv), 1849–1850, 143–255.
Emison, Patricia, “Grazia,” Renaissance Studies, 5, no. 4, 1991, 427–460.
Emison, Patricia A., Creating the “Divine” Artist: From Dante to Michelangelo, Leiden/Boston, Brill, 2004.
Ettlinger, Leopold D., “Hercules Florentinus,” Mitteilungen des Kunsthistorischen Instituts, 16, 1972, 119–142.
Fader, Martha Alice Agnew, Sculpture in the Piazza della Signoria as Emblem of the Florentine Republic, Ann Arbor, University Microfilms International, 1979 (1977 dissertation, University of Michigan).
Fairholt, F. W., Gog and Magog, the Giants in Guildhall: Their Real and Legendary History, with an Account of Other Civic Giants, at Home and Abroad, London, John Camden Hotten, 1859.
Faleni, Antonio, Notizie storiche del David del Piazzale Michelangelo e cenni biografici del Cav. Prof. Clemente Papi, Florence, Tipografia della Gazzetta dei Tribunali, 1875.
Falletti, Franca, “C’era una volta ... un pezzo di marmo. Storia delle vicende conservative del David di Michelangelo,” L’Accademia, Michelangelo, l’Ottocento, Franca Falletti, ed., Livorno, Sillabe, 1997, 55–65 (Falletti 1997a).
Falletti, Franca, ed., L’Accademia, Michelangelo, l’Ottocento, Livorno, Sillabe, 1997 (Falletti 1997b); published simultaneously in English as The Accademia, Michelangelo, the Nineteenth Century, Livorno, Sillabe, 1997.
Falletti, Franca, Michelangelo’s David, Livorno, Sillabe, 2002.
Falletti, Franca, “Historical Research on the David’s State of Conservation,” in Bracci et al., 55–95.
Falletti, Franca, “Il David dopo il restauro,” Governare l’arte: Scritti per Antonio Paolucci dalle Soprintendenze fiorentine, Claudio Di Benedetto and Serena Padovani, eds., Florence, Ministero per i Beni e le Attività culturali/Giunti, 2008, 104–110.
Falzone del Barbarò, Michele, Monica Maffioli, and Emanuela Sesti, eds., Alle origini della fotografia: un itinerario toscano 1839–1880, Florence, Alinari, 1989.
Fichard, Johann, “Italia,” Frankfurtisches Archiv für ältere deutsche Litteratur und Geschichte, J.C. von Fichard, ed., known as Baur v. Eyseneck, Frankfurt, Gebhard und Körber, 1815, III, 101–108.
Fontana, R, M. C. Gambino, M. Greco, L. Marras, M. Materazzi, E. Pampaloni, and L. Pezzati, “High-precision surface analysis of the roughness of Michelangelo’s David,” Proceedings: Spie, the International Society for Optical Engineering, 5146, 2003, 236–243.
Forlani Tempesti, Anna, “Il David di Michelangelo nella tradizione grafica bandinelliana,” Antichità viva, 28, 1989, 19–25.
Francini, Carlo, “Il basamento del David di Michelangelo,” Bollettino della Società di studi fiorentini, 0 [sic], 1997, 23–32.
Francini, Carlo, and Francesco Vossilla, Baccio Bandinelli’s Hercules and Cacus, Florence, Alinea Editrice, 1999.
Frangenberg, Thomas, “Decorum in the Magno Palazzo in Trent,” Renaissance Studies, 7, 1993, 352–378.
Frey, Carl, “Studien zu Michelagniolo Buonarroti und zur Kunst seiner Zeit,” Jahrbuch der königlich preussischen Kunstsammlungen, 16, 1895, 91–103; 17, 1896, 5–18, 97–119; 30, Beiheft, 1909, 103–180.
Gatti, Luca, “Displacing Images and Devotion in Renaissance Florence: the Return of the Medici and an Order of 1513 for the Davit and the Judit,” Annali della Scuola Normale Superiore di Pisa. Classe di lettere e filosofia, 23, 1993, 349–373.
Gatti, Luca, “‘Delle cose de’ pictori et sculptori si può mal promettere cosa certa’: la diplomazia fiorentina presso la corte del Re di Francia e il Davide bronzeo di Michelangelo Buonarroti,” Mélanges de l’Ecole Française de Rome, CVI, 2, 1994, 433–472.
Gaye, Giovanni, Carteggio inedito d’artisti dei secoli XIV, XV, XVI, Florence, presso G. Molini, 1839–1840.
Gilbert, Creighton, “A New Sight in 1500: The Colossal,” “All the world’s a stage...” Art and Pageantry in the Renaissance and the Baroque, Barbara Wisch and Susan Scott Munshower, eds., State College, The Pennsylvania State University Press, 1990, II, 397–413.
Gilbert, Creighton E., Caravaggio and his Two Cardinals, University Park, The Pennsylvania State University Press, 1995.
Gilbert, Creighton, “What Did the Renaissance Patron Buy?,” Renaissance Quarterly, LI, 1998, 392–450.
Giovannini, Prisca, “The ‘non-finished’ surfaces on the David: preliminary observations on the sculpting marks,” in Bracci et al., 104–115.
Gori, Pietro, Il David di Michelangiolo Buonarroti, Florence, Osvaldo Paggi & C. Editori, 1905.
Gotti, Aurelio, Vita di Michelangelo Buonarroti narrata con l’aiuto di nuovi documenti, Florence, Tipografia della Gazzetta d’Italia Editrice, 2 vols., 1875.
Grafton, Anthony, The Footnote: A Curious History, Cambridge, Harvard University Press, 1997.
Gross, Kenneth, The Dream of the Moving Statue, University Park, The Pennsylvania State University Press, 2006.
Guasti, Cesare, Le Feste di san Giovanni Batista in Firenze, Florence, R. Società di S. Giovanni Batista, 1908.
Guazzoni, Valerio, Michelangelo, Scultore, Milan, Jaca Book, 1984.
Gunn, David M., “Covering David: Michelangelo’s David from the Piazza della Signoria to my Refrigerator Door,” Imagining Biblical Worlds: Studies in Spatial, Social, and Historical Constructs in honor of James W. Flanagan (Journal for the Study of the Old Testament), David M. Gunn and Paula M. McNutt, eds. (Supplement Series 359), London, Sheffield Academic Press, 2002, 139–170.
Günther, Hubertus, “Michelangelo’s works in the eyes of his contemporaries,” The Beholder: The Experience of Art in Early Modern Europe, Thomas Frangenberg and Robert Williams, eds., Aldershot, Ashgate, 2006, 53–85.
Haines, Margaret, “La Colonna della Dovizia di Donatello,” Rivista d’arte, 37, 1984, 347–359.
Haines, Margaret, “Attorno a Santa Maria del Fiore: La conquista dello spazio per una cattedrale,” Bollettino dell’Istituto Storico Artistico Orvietano, XLVI–XLVII, 1990–1991 [actually published in 1997], 301–332; separately titled as La Piazza del Duomo nella città medievale (nord e media Italia, secoli XII-XVI), Lucio Riccetti, ed., Orvieto, 1997.
Haines, Margaret, “La stagione delle statue: l’Opera e la scultura del primo Rinascimento,” La Cattedrale e la Città. Saggi sul Duomo di Firenze: Atti del VII Centenario del Duomo di Firenze, Timothy Verdon and Annalisa Innocenti, eds., Florence, Edifir, 2001, I, part 1, 278–317 (Haines 2001a).
Haines, Margaret, ed., Santa Maria del Fiore: The Cathedral and its Sculpture, Fiesole, Edizioni Cadmo, 2001, 205–220 (Haines 2001b).
Hallett, Christopher H., The Roman Nude: Heroic Portrait Statuary 200 BC–AD 300, Oxford, Oxford University Press, 2005.
Hartt, Frederick, David by the Hand of Michelangelo: The Original Model Discovered, New York, Abbeville Press, 1987.
Hatfield, Rab, The Wealth of Michelangelo, Rome, Edizioni di Storia e Letteratura, 2002.
Heikamp, Detlef, “The Youth of Michelangelo: the New York Archers reconsidered,” Apollo, no. 460, June 2000, 27–36.
Herzner, Volker, “David Florentinus,” Jahrbuch der Berliner Museen, 24, 1982, 63–142.
Hessert, Marlis von, Zum Bedeutungswandel der Herkules-Figur in Florenz: Von der Anfängen der Republik bis zum Prinzipat Cosimos I (dissertation, Universität Hamburg, 1990), Cologne, Böhlau Verlag, 1991.
Hibbard, Howard, Michelangelo, New York, Harper & Row, Publishers, 1974.
Hildebrandt, Adolf von, “Michelangelos David und die Piazza della Signoria,” Frankfurter Zeitung, July 3, 1903.
Himmelmann, Nikolaus, “Nudità ideale,” Memorie dell’antico nell’arte italiana, Salvatore Settis, ed., Turin, Giulio Einaudi editore, 1985, II, 202–278 (208–220 on Michelangelo).
Hirst, Michael, “Michelangelo in 1505,” Burlington Magazine, CXXXIII, 1991, 760–766.
Hirst, Michael, “Michelangelo in Florence: ‘David’ in 1503 and ‘Hercules’ in 1506,” Burlington Magazine, CXLII, no. 1169, 2000, 487–492.
Hirst, Michael, and Jill Dunkerton, Making and Meaning. The Young Michelangelo, London, National Gallery of Art, 1994.
Hirst, Michael, and Jill Dunkerton, Michelangelo giovane, Scultore e Pittore a Roma 1496–1501, Modena, 1997.
Holsinger, Bruce W., “Sodomy and Resurrection: The Homoerotic Subject of the Divine Comedy,” Premodern Sexualities, Louise Fradenburg and Carla Freccero, eds., with the assistance of Kathy Lavezzo, New York/London, Routledge, 1996, 243–274.
Janson, H[orst] W., The Sculpture of Donatello, Princeton, Princeton University Press, 1957.
Janson, H[orst] W., “Giovanni Chellini’s ‘Libro’ and Donatello,” Studien zur Toskanischen Kunst, Munich, 1964, 131–138.
Janson, Horst W., “The Meaning of the Giganti,” Il Duomo di Milano. Congresso Internazionale (1968): Atti, Maria Luisa Gatti Perrer, ed., Milan, Edizioni La Rete, 1969, I, 61–76.
Keen, Catherine M., “Sex and the Medieval City: Viewing the Body Politic from Exile in Early Italian Verse,” Troubled Vision: Gender, Sexuality, and Sign in Medieval Text and Image, Emma Campbell and Robert Mills, eds., New York, Palgrave MacMillan, 2004, 155–171.
Keizer, Joost, “Giuliano Salviati, Michelangelo and the ‘David,’” The Burlington Magazine, CL, October 2008, 664–668.
Kellum, Barbara, “The Phallus as Signifier: The Forum of Augustus and Rituals of Masculinity,” Sexuality in Ancient Art, Natalie Boymel Kampen, ed., Cambridge, Cambridge University Press, 1996, 170–183.
Kemp, Martin, “‘Ogni dipintore dipinge da se’: A Neoplatonic Echo in Leonardo’s Art Theory,” Cultural Aspects of the Italian Renaissance. Essays in Honor of Paul Oskar Kristeller, C. H. Clough, ed., Manchester/New York, Manchester University Press/A.F. Zambelli, 1975, 311–323.
Lanckoronska, Karolina, “Antike Elemente im Bacchus Michelangelos und in seinen Darstellungen des David,” Dawna sztuka: czasopismo poswiecone archeologii i historii sztuki, I, 1938, 183–192.
Landucci, Luca, A Florentine Diary from 1450–1516, Iodoco del Badia, ed., Alice de Rosen Jervis, trans., London/New York, J. M. Dent & Sons Ltd./E. P. Dutton & Company, 1927; reprint, New York, Arno Press, 1969.
Lapini, Agostino, Diario Fiorentino di Agostino Lapini dal 1252 al 1596, Giuseppe Odoardo Corazzini, ed., Florence, G.C. Sansoni Editore, 1900
Lavin, Irving, “Bozzetti and Modelli. Notes on Sculptural Procedure from the Early Renaissance through Bernini,” Stil und Überlieferung in der Kunst des Abendlandes. Akten des 21. Internationalen Kongresses für Kunstgeschichte in Bonn 1964, Herbert von Einem, ed., Berlin, Gebr. Mann, 1967, III, 93–104.
Lavin, Irving, “David’s Sling and Michelangelo’s Bow: A Sign of Freedom,” L’art et les Révolutions: Conférence plénières. XXVIIe congrès international d’Histoire de l’Art, Strasbourg, Société Alsacienne pour le Développement de l’Histoire de l’Art, 1990, 107–146.
Lavin, Irving, “David’s Sling and Michelangelo’s Bow,” Der Künstler über sich in seinem Werk: Internationales Symposium der Biblioteca Hertziana Rom 1989, Matthias Winner, ed., Winheim, VGH Verlagsgesellschaft, 1992, 161–190; reprinted with additions in Lavin 1993.
Lavin, Irving, Past-Present: Essays on Historicism in Art from Donatello to Picasso, Berkeley, University of California Press, 1993, 29–61, 268–274.
Levine, Saul, ‘Tal cosa’ Michelangelo’s David. Its Form, Site, and Political Symbolism, Ann Arbor, University Microfilms International, 1972 (dissertation, Columbia University).
Levine, Saul, “The Location of Michelangelo’s ‘David’: the Meeting of January 25, 1504,” Art Bulletin, LVI, 1974, 31–39.
Levine, Saul, “Michelangelo’s Marble David and the Lost Bronze David: the Drawings,” Artibus et Historiae, 9, 1984, 91–120.
Levine, Saul, “Michelangelo’s David: The Continuing Mythology,” Source, IV/4, Summer 1985, 15–20.
Levoy, Marc, Szymon Rusinkiewicz, Matt Ginzton, Jeremy Ginsberg, Kari Pulli, David Koller, Sean Anderson, Jonathan Shade, Brian Curless, Lucas Pereira, James Davis, and Duane Fulk, “The Digital Michelangelo Project: 3D Scanning of Large Statues,” SPIE, Proceedings of SPIE – the International Society for Optical Engineering, 5146, 2003, 1–14.
Lightbown, Ronald W., “Giovanni Chellini, Donatello, and Antonio Rossellino,” Burlington Magazine, CIV, 1962, 102–104 + illus.
Lowe, Kate J. P., “Patronage and territoriality in early sixteenth-century Florence,” Renaissance Studies, 7/3, 1993, 258–271.
Manca, Joseph, “Sacred vs. Profane: Images of Sexual Vice in Renaissance Art,” Studies in Iconography, 13, 1990, 145–190.
Mancusi-Ungaro, Harold R., Jr., Michelangelo: the Bruges Madonna and the Piccolomini Altar, New Haven, Yale University Press, 1971.
Mannini, Marcello, “Il ‘David’ di Piazza della Signoria,” Milleottocentosessantanove. Bollettino a cura della Società per la Biblioteca Circolante, Sesto Fiorentino, IX, September 1991, 25–28.
Marangoni, Matteo, “A proposito della ricollocazione del David,” Rivista d’arte, VII, 1910, 43–45.
Martines, Lauro, April Blood: Florence and the Plot Against the Medici, Oxford, Oxford University Press, 2003.
Matteini, Mauro and Agnese Parronchi, “Note tecniche,” L’Accademia, Michelangelo, l’Ottocento, Franca Falletti ed., Livorno, Sillabe, 1997, 66–67.
McHam, Sarah Blake, “Donatello’s Bronze David and Judith as Metaphors of Medici Rule in Florence,” The Art Bulletin, 83/1, 2001, 32–47.
McNiven, Timothy J., “The Unheroic Penis: Otherness Exposed,” Source, 15, 1995, 10–16.
Merback, Mitchell B., The Thief, the Cross and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe, Chicago, The University of Chicago Press, 1999.
Meyerson, Mark D., Daniel Thiery, and Oren Falk, eds., “A Great Effusion of Blood”?: Interpreting Medieval Violence, Toronto, University of Toronto Press, 2004.
Milanesi, Gaetano, ed., Le Lettere di Michelangelo Buonarroti, Florence, Coi tipi dei successori Le Monnier, 1875.
Milanesi, Gaetano, “Delle statue fatte da Andrea Sansovino e da Gio. Francesco Rustici sopra le porte di S. Giovanni di Firenze,” Sulla storia dell’arte toscana: Scritti varj, Soest, Davaco Publishers, 1973, 247–261.
Mills, Robert, Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture, London, Reaktion Books, 2005.
Mockler, Virginia Bush, Colossal Sculpture of the Cinquecento from Michelangelo to Giovanni Bologna, Ann Arbor, University Microfilms, 1973 (dissertation, Columbia University, 1967).
Mozzati, Tommaso, Giovanfrancesco Rustici. Le Compagnie del Paiuolo e della Cazzuola: Arte, letteratura, festa nell’età della Maniera, Florence, Leo S. Olschki Editore, 2008.
Mommsen, Theodor E., “Petrarch and the Story of the Choice of Hercules,” Journal of the Warburg and Courtauld Institutes, 16, 1953, 178–192.
Najemy, John M., “The Republic’s Two Bodies: Body Metaphors in Italian Renaissance Political Thought,” Language and Images of Renaissance Italy, Alison Brown, ed., Oxford, Clarendon Press, 1995, 237–262.
Nardi, Jacopo, Istorie della Città di Firenze, Lelio Arbib, ed., Florence, A Spesa della Società Editrice delle Storie del Nardi e del Varchi, 1842.
Neumann, Carl, “Die Wahl des Platzes für Michelangelos David in Florenz im Jahr 1504: zur Geschichte eines Maszstabproblems,” Repertorium für Kunstwissenschaft, XXXVIII, 1916, 1–27.
Osano, Shigetoshi, “Due ‘Marsia’ nel giardino di Via larga: la ricezione del décor dell’antichità romana nella collezione medicea di scultura antiche,” Artibus et Historiae, 34, 1996, 95–120.
Osborne, Robin, “Men Without Clothes: Heroic Nakedness,” Gender & History, 9, 1997, 504–528.
Panofsky, Gerda S., Michelangelos Christus und sein römischer Auftraggeber, Worms, Weinersche Verlagsgesellschaft, 1991.
Paoletti, John T., “The Bargello David and Public Sculpture in Florence,” Collaboration in Italian Renaissance Art, Wendy Stedman Sheard and John T. Paoletti, eds., New Haven, Yale University Press, 1978, 99–111.
Paoletti, John T., “Michelangelo’s Masks,” Art Bulletin, LXXIV, 1992, 423–440; reprinted in Michelangelo: Selected Scholarship in English. vol. 5. Drawings, Poetry, and Miscellaneous Studies, William E. Wallace, ed., New York, Garland Publishing, Inc., 1995, 399–416.
Paoletti, John T., “‘... ha fatto Piero con voluntà del padre ...’ Piero de’ Medici and Corporate Commissions of Art,” Piero de’ Medici “il Gottoso” (1416–1469). Kunst im Dienste der Mediceer/Art in the Service of the Medici, Andreas Beyer and Bruce Boucher, eds., Berlin, Akademie Verlag, 1993, 221–250.
Paoletti, John T., “Strategies and structures of Medici artistic patronage in the 15th century,” Francis Ames-Lewis, ed., The Early Medici and Their Artists, London, Birkbeck College, University of London, 1995, 19–36.
Paoletti, John T., “Cathedral and Town Hall: Twin Contested Sites of the Florentine Republic,” La Cattedrale e la Città: Saggi sul Duomo di Firenze. Atti del Convegno Internazionale di Studi (Firenze 16–21 giugno 1997), Timothy Verdon and Annalisa Innocenti, eds., Florence, Edizioni Firenze, 2001, vol. I, part 2, 629–667.
Paoletti, John T., “Verrocchio’s David, Medici Patronage, and Contested Public Spaces,” Verrocchio’s David Restored: A Renaissance Bronze from the National Museum of the Bargello, Florence, Atlanta, High Museum of Art/Florence Giunti Gruppo Editoriale, 2003, 61–83.
Paoletti, John T., “Medici Funerary Monuments in the Duomo of Florence during the Fourteenth Century: A Prologue to ‘the early Medici,’” Renaissance Quarterly, 59/4, 2006, 1117–1163.
Paolucci, Antonio, Gary M. Radke, and Francesco Falletti, Michelangelo. Il David, Art e Dossier, 202, July-August 2004
Papini, Giovanni, “David colla Fromba,” Il Vasari, III/1, 1930, 3–16.
Pardo, Mary, The Colossus in L. B. Alberti’s De pictura, M.A. thesis, Bryn Mawr College, 1975.
Pardo, Mary, “On the Identity of ‘Masaccio’ in L. B. Alberti’s Dedication of Della pittura,” Perspectives on Early Modern and Modern Intellectual History: Essays in Honor of Nancy S. Struever, Joseph Marino and Melinda W. Schlitt, eds., Rochester, University of Rochester Press, 2001, 223–258.
Park, N. Randolf, “The Placement of the David: A Review of the Documents,” Art Bulletin, LVII, 1975, 560–570.
Parronchi, Alessandro, “Il modello michelangiolesco del ‘David’ bronzeo per Pietro di Roano,” Arte antica e moderna, 18, 1962, 170–180.
Parronchi, Alessandro, “Il ‘ghugante’ di Agostino di Duccio,” Prospettiva, 53–56, 1988–1989, 227–235.
Parshall, Peter, “Imago contrafacta: Images and Facts in the Northern Renaissance,” Art History, 16/4, December 1993, 554–579.
Pecchiai, Pio, “David con la Fromba e ...: Cupido con l’Arco?,” Il Vasari, III/2–3, 1931, 3–7.
Pequigney, Joseph, “Sodomy in Dante’s Inferno and Purgatorio, Representations, 36, Fall 1991, 22–42.
Pesman Cooper, Roslyn, “L’elezione di Pier Soderini a gonfaloniere a vita,” Archivio storico italiano, CXXV, 1967, 145–185.
Pesman Cooper, Roslyn, “Pier Soderini: Aspiring Prince or Civic Leader?,” Studies in Medieval and Renaissance History, I, 1978, 69–126.
Pfisterer, Ulrich, Donatello und die Entdeckung der Stile 1430–1445, Munich, Hirman Velag, 2002.
Pliny the Elder, The Elder Pliny’s Chapters on the History of Art, K. Jex-Blake, trans., E. Sellers, commentary, London, Macmillan and Co., Ltd., 1896.
Poggi, Giovanni, “Per il David di Michelangiolo,” Rivista d’arte, 1, 1903, 71.
Poggi, Giovanni, “La questione del ‘David,’” L’Arte, 5, 1909, 346–347 (Poggi 1909a).
Poggi, Giovanni, Il Duomo di Firenze, Berlin, Bruno Cassirer Editore, 1909; reprinted and edited by Margaret Haines, Florence, Edizioni Medicea, 1988 (Poggi 1909b).
Poggi, Giovanni, ed., Il Carteggio di Michelangelo, Paola Barocchi and Renzo Ristori, eds., Florence, Sansoni, vol. I, 1965.
Poggi, Giovanni, ed., Il Carteggio di Michelangelo, Paola Barocchi and Renzo Ristori, eds., Florence, Studio per Edizioni Scelte (S.P.E.S.)., vol. IV, 1979.
Polizzotto, Lorenzo, The Elect Nation: The Savonarolan Movement in Florence 1494–1545, Oxford, Clarendon Press, 1994.
Polizzotto, Lorenzo, “Iustus ut palma florebit: Pier Soderini and Florentine Justice,” Rituals, Images, and Words: Varieties of Cultural Expression in Late Medieval and Early Modern Europe, F.W. Kent and Charles Zika, eds., Turnhout, Brepols, 2005, 263–276.
Procacci, Ugo, La Casa Buonarroti a Firenze, Florence, Cassa di Risparmio di Firenze, 1965.
Radke, Gary M., ed., Verrocchio’s David Restored: A Renaissance Masterpiece in Bronze from the Museo Nazionale del Bargello, Florence, Atlanta, High Museum of Art/Florence, Giunti Gruppo Editoriale, 2003.
Radke, Gary M., “David a Firenze prima di Michelangelo,” Michelangelo. Il David, Art e Dossier, July-August 2005, 12–25
Randolph, Adrian W. B., “Il Marzocco: Lionizing the Florentine State,” Coming About ...: A Festschrift for John Shearman, Lars R. Jones and Louisa C. Matthew, eds., Cambridge, Harvard University Art Museums, 2001, 11–18.
Richa, Giuseppe, Notizie Istoriche delle Chiese Fiorentine Divise ne’ suo Quartieri, Florence, Nella Stamperia di Pietro Gaetano Viviani, 1757; reprinted, Rome, Multigrafica Editrice, 1972, 10 vols.
Risaliti, Sergio and Francesco Vossilla, Metamorfosi del David, Florence, Cult Editore, 2009.
Risaliti, Sergio, and Francesco Vossilla, L’altro David, Florence, Cult Editore, 2010.
Ristori, Renzo, “L’Aretino, il David di Michelangelo e la ‘modestia fiorentina,’” Rinascimento, 2, 1986, 77–97.
Rocke, Michael, Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence, New York, Oxford University Press, 1996.
Rondoni, Giuseppe, “I ‘giustiziati’ a Firenze (dal Secolo XV al Secolo XVIII),” Archivio storico italiano, ser. V, 28, 1901, 209–256.
Rosenauer, Artur, “Bemerkungen zu einem frühen werk Agostino di Duccios,” Münchner Jahrbuch der Bildenden Kunst, XXVIII, 1977, 133–152.
Rossi, Adamo, “Prospetto cronologico della vita e delle opere di Agostino d’Antonio scultore fiorentino con la storia e i documenti di quelle da lui fatte in Perugia,” Giornale di erudizione artistica, IV, fasc. I, January 1875, 3–25; fasc. II, February 1875, 33–50; fasc. III, March 1875, 76–83; fasc. IV, April 1875, 117–122; fasc. V, May 1875, 141–152; fasc. VI, June 1875, 179–184; fasc. VII, July 1875, 202–211; fasc. VIII, August 1875, 241–249; fasc. IX, September 1875, 263–275.
Rubinstein, Nicolai, The Palazzo Vecchio 1298–1532: Government, Architecture and Imagery in the Civic Palace of the Florentine Republic, Oxford, Clarendon Press,1995.
Ruggiero, Guido, “Constructing Civic Morality, Deconstructing the Body: Civic Rituals of Punishment in Renaissance Venice,” Riti e rituali nella società medievali, Jacques Chiffoleau, Lauro Martines, and Agostino Paravicini Bagliani, eds., Spoleto, Centro Italiano di Studi sull’alto medioevo, 1994, 75–190.
Ruvoldt, Maria, “Michelangelo’s Slaves and the Gift of Liberty,” Renaissance Quarterly, 65, 2012, 1029–1059.
Santini, E., “La protestatio de iustizia nella Firenze medicea del sec. XV,” Rinascita, X, 1959, 33–106.
Schwedes, Kerstin, Historia in statua: Zur Eloquenz plastischer Bildwerke Michelangelos im Umfeld des Christus von Santa Maria sopra Minerva zu Rom, Frankfurt am Main, Peter Lang, 1998, 109–128.
Scopigno, R., P. Cignoni, M. Callieri, F. Ganovelli, G. Impoco, P. Pingi, and F. Ponchio, “Using optically scanned 3D data in the restoration of Michelangelo’s David,” Proceedings: SPIE, the International Society for Optical Engineering, 5146, 2003, 44–53.
Sénéchal, Philippe, Giovan Francesco Rustici 1475–1554: Un sculpteur de la Renaissance entre Florence et Paris, Paris, Arthena, 2007.
Seymour, Charles Jr., Michelangelo’s David: A Search for Identity, Pittsburgh, University of Pittsburgh Press, 1967.
Shearman, John, Only Connect ...: Art and the Spectator in the Italian Renaissance, Princeton, Princeton University Press, 1992.
Shemek, Deanna, “Circular Definitions: Configuring Gender in Italian Renaissance Festival,” Renaissance Quarterly, XLVIII, 1995, 1–40.
Simons, Patricia, “Separating the Men from the Boys: Masculinities in Early Quattrocento Florence and Donatello’s Saint George,” Rituals, Images, and Words: Varieties of Cultural Expression in Late Medieval and Early Modern Europe, F. W. Kent and Charles Zika, eds., Turnhout, Brepols, 2005, 147–176.
Simons, Patricia, “Hercules in Italian Renaissance Art: Masculine Labour and Homoerotic Libido,” Art History, 31/5, November 2008, 632–664.
Smith, Graham, “’The Great Slinger was Himself Slung’: The Transfer of the David to the Academy in 1873,” Source, 18/3, Spring 1999, 27–33.
Solmi, Edmondo, “Il ‘David’ di Leonardo e il ‘David’ di Michelangelo,” Rassegna d’arte antica e moderna, 12, 1912, 128–132.
Spallanzani, Marco, and Giovanna Gaeta Bertelà, eds., Libro d’inventario dei beni di Lorenzo il Magnifico, Florence, Associazione “Amici del Bargello,” 1992.
Spini, Giorgio, “Politicità di Michelangelo,” Rivista storica italiana, 76, 1964, 557–600.
Stang, Raghna and Nicolas Stang, “Donatello e il Giosuè per il campanile di S. Maria del Fiore alla luce dei documenti,” Institutum Romanum Norvegiae, Acta ad archaeologiam et artium historiam pertinentia, I, 1962, 113–130.
Stephens, Walter, “‘De historia gigantum’: Theological Anthropology before Rabelais,” Traditio, 40, 1984, 43–89.
Stephens, Walter, Giants in Those Days: Folklore, Ancient History, and Nationalism, Lincoln, University of Nebraska Press, 1989.
Stewart, Susan, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection, Baltimore, The Johns Hopkins University Press, 1984.
Stone, David, “In Figura Diaboli: Self and Myth in Caravaggio’s David and Goliath,” From Rome to Eternity: Catholicism and the Arts in Italy ca. 1550–1650, Pamela M. Jones and Thomas Worcester, eds., Brill, Leiden, 2002, 19–42.
Summers, David, “David’s Scowl,” Collaboration in Italian Renaissance Art, Wendy Stedman Sheard and John T. Paoletti, eds., New Haven, Yale University Press, 1978, 113–123.
Summers, David, Michelangelo and the Language of Art, Princeton, Princeton University Press, 1981.
Thiele, Andrea, Michelangelos David im 20. Jahrhunderts, Masters thesis, Universität Hamburg, 1993.
Thode, Henry, Michelangelo: kritische Untersuchungen über seine Werke, Berlin, G. Grote’sche Verlagsbuchhandlung, 1908.
Tolnay, Charles de, Michelangelo. I. The Youth of Michelangelo, Princeton, Princeton University Press, 1947 (second edition); reprint 1969 (Tolnay 1947a).
Tolnay, Charles de, Michelangelo. III. The Medici Chapel, Princeton, Princeton University Press, 1947 (second edition); reprint 1970 (Tolnay 1947b).
Trexler, Richard C., The Libro Cerimoniale of the Florentine Republic by Francesco Filarete and Angelo Manfidi, Geneva, Librairie Droz, 1978.
Trexler, Richard C., “De la ville à la Cour. La déraison à Florence Durant la République et le Grand Duché,” Le Charivari: Actes de la table ronde organizé à Paris (25–27 avril 1977) par l’École des Hautes Études en Sciences Sociales et le Centre National de la Recherche Scientifique, Jacques le Goff and Jean-Claude Schmitt, eds., Paris/New York, Mouton/Le Haye, 1981, 165–176.
Trexler, Richard C., “Correre la terra: Collective Insults in the Late Middle Ages,” Mélanges de l’École Française de Rome: Moyen Age, Temps Modernes, 96/2, 1984, 845–902.
Vasari, Giorgio, Le vite de piu eccellenti architetti, pittori, et scultori italiani da Cimabue insino a’ tempi nostri, Florence, per i tipi di Lorenzo Torrentino, 1550; facsimile, New York, Broude International Editions, 1980.
Vasari, Giorgio, La Vita di Michelangelo nelle redazioni del 1550 e del 1568, 5 vols., Paola Barocchi, ed., Milan/Naples, Riccardo Ricciardi, 1962.
Vasari, Giorgio, Le Vite de’ più eccellenti pittori, sculptori ed architettori, 5 vols., Gaetano Milanesi, ed., Florence, G. C. Sansoni Editore, 1906.
Vasari, Giorgio, The Lives of the Most Eminent Painters Sculptors and Architects, 3 vols., Gaston Du C. de Vere, trans., with an introduction by Kenneth Clark, New York, Harry N. Abrams, 1979; reprint of de Vere’s original 10-vol. edition, London, Macmillan and Co and the Medici Society, 1912–1915.
Verspohl, Franz-Joachim, “Michelangelo und Machiavelli: der David auf der Piazza della Signoria in Florenz,” Städel Jahrbuch, n.f. 8, 1981, 204–246.
Verspohl, Franz-Joachim, Michelangelo Buonarroti und Leonardo da Vinci. Republikanischer Altag und Künstlerkonkurrenz in Florenz zwischen 1501–1505, Bern, Stämpfli Verlag AG, 2007.
Vlad Borrelli, Licia, “Un dono di Lorenzo de’ Medici a Diomede Carafa,” La Toscana al tempo di Lorenzo il Magnifico. Politica Economia Arte Cultura, Pisa, Pacini Editore, 1996, 235–256.
Waldman, Louis A., Baccio Bandinelli and Art at the Medici Court: A Corpus of Early Modern Sources, Philadelphia, American Philosophical Society, 2004.
Wallace, William E., “Michelangelo In and Out of Florence Between 1500 and 1508,” Leonardo, Michelangelo, and Raphael: in Renaissance Florence from 1500 to 1508, Serafina Hager, ed., Washington, D.C., Georgetown University Press, 1992, 54–88.
Wallace, William, Michelangelo: The Artist, the Man, and His Times, New York, Cambridge University Press, 2010.
Wallace, William, “How Michelangelo Made David into a Giant,” Art News, April 2014, 52, 53–54
Watkins, Renée, “Il Burchiello (1404–1448) – Poverty, Politics, and Poetry,” Italian Quarterly, 14, 1970, 21–47.
Watts, Barbara J., “Michelangelo’s David: Political Symbol or Religious Invocation?” Southeastern College Art Conference Review, 12, 1993, Issue 3, p. 217–238.
Weddingen, Tristan, “A Virtue of Necessity: Michelangelo’s ‘David’ difficilissimamente facile,” Daidalos, 59, March 1996, 80–91.
Weil-Garris [Brandt], Kathleen, “Bandinelli and Michelangelo: A Problem of Artistic Identity,” Art the Ape of Nature: Studies in Honor of H. W. Janson, Moshe Barasch and Lucy Freeman Sandler, eds., New York, Harry N. Abrams, 1981, 223–251.
Weil-Garris [Brandt], Kathleen, “On Pedestals: Michelangelo’s David, Bandinelli’s Hercules and Cacus and the sculpture of the Piazza della Signoria,” Römisches Jahrbuch für Kunstgeschichte, 20, 1983, 378–415.
Weissman, Ronald F. E., “The Importance of Being Ambiguous: Social Relations, Individualism, and Identity in Renaissance Florence,” Urban Life in the Renaissance, Susan Zimmerman and Ronald F. E. Weissman, eds., Newark, Del., University of Delaware Press/Toronto, Associated University Presses, 1989, 269–280.
White, John, “Personality, text and meaning in Donatello’s single figures,” Donatello-Studien, Monika Cämmerer, ed., Munich, Bruckmann, 1989, 170–182.
Wilde, Johannes, “The Hall of the Great Council of Florence,” Journal of the Warburg and Courtauld Institutes, VII, 1944, 65–81; reprinted in Creighton E. Gilbert, Renaissance Art, New York, Harper & Row, 1970, 92–132.
Winkler, John J., “Phallos Politikos: The Body Politic in Athens,” Differences, 2, 1990, 29–45.
Wood, Christopher S., “Indoor-Outdoor: The Studio around 1500,” Inventions of the Studio, Renaissance to Romanticism, Michael Cole and Mary Pardo, eds., Chapel Hill, The University of North Carolina Press, 2005, 36–72.
Zobi, Antonio, Del progetto di rimuovere del David celeberrima opera del Buonarroti dal sito in qui sita attualmente, Florence, n.p., 1854.
Zöllner, Frank, Christof Thoenes. and Thomas Pöpper. Michelangelo 1475–1564: Complete works Cologne, Taschen, 2007.
Zorzi, Andrea, “Le esecuzioni delle condanne a morte a Firenze nel tardo medioevo tra repressione penale e cerimoniale pubblico,” Simbolo e realtà della vita urbana nel tardo medioevo: Atti del V Convegno storico italo-canadese, Viterbo 11–15 maggio 1988, Massimo Miglio and Giuseppe Lombardi, eds., Manziana, Rome, Vecciarelli Editore, 1988, 153–253.
Loading metrics...