Achinstein, Sharon. 1992. ‘The Politics of Babel in the English Revolution’, in James Holstun (ed.), Pamphlet Wars: Prose in the English Revolution (London: Routledge), pp. 14–44.
Achinstein, Sharon.1994. Milton and the Revolutionary Reader (Princeton University Press).
Aers, David. 1992. ‘A Whisper in the Ear of Early Modernists Writing the History of the Subject’, in Aers (ed.), Culture and History 1350–1600 (New York andLondon: Harvester Wheatsheaf; Detroit, MI: Wayne State University Press), pp. 177–202.
Agamben, Giorgio. 2005. The Time that Remains: A Commentary on the Letter to the Romans, trans. Patricia Dailey (Stanford University Press).
Andrewes, Lancelot. 1631. XCVI Sermons, 2nd edn (London: Richard Badger).
Andrewes, Lancelot.2005. Lancelot Andrewes: Selected Sermons and Lectures, ed. Peter McCullough (Oxford University Press).
Archibald, Elizabeth. 1991. Apollonius of Tyre: Medieval and Renaissance Themes and Variations (Woodbridge: D. S. Brewer).
Arnott, James Fullerton (ed.). 1975. Sales Catalogues of the Libraries of Eminent Persons, vol xii: Actors (London: Mansell).
Astington, John H. 1991a. ‘A Drawing of the Great Chamber at Whitehall in 1601’, REED Newsletter, 16: 6–11.
Astington, John H.1991b. ‘The “Messalina” Stage and Salisbury Court Plays’, Theatre Journal, 43: 141–56.
Aston, Margaret. 1988. England's Iconoclasts: Laws against Images (Oxford University Press).
Ayers, Tim (ed.). 2004. The Medieval Stained Glass of Wells Cathedral, Corpus vitrearum Medii Aevi (Great Britain) 4, 2 vols. (Oxford University Press).
Baker, Denise N. 1991. ‘Chaucer and Moral Philosophy: The Virtuous Women of the Canterbury Tales’, Medium Ævum, 60: 241–56.
Ball, Robert Hamilton. 1968. Shakespeare on Silent Film (London: George Allen & Unwin).
Barber, C. L. 1978. ‘On Christianity and the Family: Tragedy of the Sacred’, in Janet Adelman (ed.), Twentieth Century Interpretations of ‘King Lear’ (Englewood Cliffs, NJ: Prentice-Hall), pp. 117–19.
Barthes, Roland. 1970. S/Z (Paris: Éditions du Seuil).
Barton, Anne. 1994. Essays, Mainly Shakespearean (Cambridge University Press).
Bateson, Gregory. 1979. Mind and Nature (New York: Dutton).
Beadle, Richard (ed.). 1982. The York Plays (London: E. Arnold).
Beaumont, Francis. 1969. The Knight of the Burning Pestle, ed. Michael Hattaway, New Mermaids (London: A. & C. Black).
Beckett, Samuel. 1993. The Theatrical Notebooks of Samuel Beckett: Waiting for Godot, ed. Douglas McMillan and James Knowlson (London: Faber & Faber).
Beckwith, Sarah. 2007. ‘Medieval Penance, Reformation Repentance and Measure for Measure’, in McMullan and Matthews (eds.), pp. 193–204.
Beckwith, Sarah.2009. ‘Drama’, in Scanlon (ed.), pp. 83–94.
Beckwith, Sarah and James Simpson (eds.). 2010. ‘Premodern Shakespeare’, Journal of Medieval and Early Modern Studies, 40 (special issue).
Belsey, Catherine. 2007. Why Shakespeare? (Basingstoke and New York: Palgrave Macmillan).
Benjamin, Edwin B. 1965. ‘Bacon and Tacitus’, Classical Philology, 60: 102–10.
Berger, Jr, Harry. 1997. Making Trifles of Terror: Redistributing Complicities in Shakespeare, ed. Peter Erickson (Stanford University Press).
Berry, Lloyd E. (ed.). 2007. The Geneva Bible: A Facsimile of the 1560 Edition (Peabody, MA: Hendrickson).
Bevington, David. 1962. From ‘Mankind’ to Marlowe: Growth of Structure in the Popular Drama of Tudor England (Cambridge, MA: Harvard University Press).
Bevington, David 1968. Tudor Drama and Politics: A Critical Approach to Topical Meaning (Cambridge, MA: Harvard University Press).
Bevington, David 1981. ‘“Why Should Calamity Be Full of Words?” The Efficacy of Cursing in Richard III’, Iowa State Journal of Research, 56.1: 9–21.
Bevington, David(ed.). 1975. Medieval Drama (Boston, MA: Houghton Mifflin).
Bishop, Tom. 2010. ‘Shakespeare's Theatre Games’, Journal of Medieval and Early Modern Studies, 40.1: 65–88.
Blackburn, Bonnie and Leofranc Holford-Strevens. 1999. The Oxford Companion to the Year (Oxford University Press).
Bliss, Lee. 1987. ‘Don Quixote in England: The Case for The Knight of the Burning Pestle’, Viator, 18: 161–80.
Bloomfield, Morton W. 1952. The Seven Deadly Sins: An Introduction to the History of a Religious Concept, with Special Reference to Medieval English Literature (East Lansing: Michigan State College Press).
Boethius. 1973. Consolation of Philosophy, trans. S. J. Tester, Loeb Classical Library (Cambridge, MA: Harvard University Press; London: William Heinemann).
Bogdanov, Michael and Michael Pennington. 1990. The English Shakespeare Company (London: Nick Hern).
Bradley, A. C. 2007. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth, 4th edn (Basingstoke: Palgrave Macmillan; 1st edn 1904).
Bromberg, Murray. 1951. ‘Theatrical Wagers: A Sidelight on the Elizabethan Drama’, Notes & Queries, 196: 533–5.
Bullough, Geoffrey. 1957–75. Narrative and Dramatic Sources of Shakespeare, 8 vols. (London: Routledge & Kegan Paul).
Bunt, G. H. V. (ed.). 1985. William of Palerne: An Alliterative Romance (Groningen: Bouma).
Burckhardt, Jacob. 1960. The Civilization of the Renaissance in Italy, trans. S. G. C. Middlemore (London: Phaidon Press; 1st edn 1878; 1st German edn 1860).
Burke, Peter. 1969. ‘Tacitism’, in T. A. Dorey (ed.), Tacitus (London: Routledge & Kegan Paul), pp. 149–71.
Butterfield, Ardis. 2009. The Familiar Enemy: Chaucer, Language and Nation in the Hundred Years War (Oxford University Press).
Camden, William. 1586. Britannia siue Florentissimorum regnorum, Angliæ, Scotiæ, Hiberniæ, et insularum adiacentium ex intima antiquitate chorographica descriptio (London).
Camden, William 1605. Remaines of a greater worke, concerning Britaine, the inhabitants thereof, their languages, names, surnames, empreses, wise speeches, poësies, and epitaphes (London).
Carnegie, David and Gary Taylor (eds.) 2012. The Quest for Cardenio: Shakespeare, Fletcher, Cervantes, and the Lost Play (Oxford University Press).
Carruthers, Mary J. 2008. The Book of Memory: A Study of Memory in Medieval Culture, 2nd edn (Cambridge University Press).
Cartwright, Kent. 2007. ‘Language, Magic, the Dromios, and The Comedy of Errors’, Studies in English Literature, 47.2: 331–54.
Cavell, Stanley. 2003. Disowning Knowledge in Seven Plays of Shakespeare, 2nd edn (Cambridge University Press).
Cervantes, Miguel de. 1612. Don Quixote, trans. Thomas Shelton (London).
Chambers, E. K. 1903. The Mediaeval Stage, 2 vols. (Oxford: Clarendon Press).
Chambers, E. K.1951. The Elizabethan Stage, 4 vols., rev. edn (Oxford University Press).
Chaucer, Geoffrey. 1984. Troilus and Criseyde: A New Edition of ‘The Book of Troilus’, ed. B. A. Windeatt (London: Longman).
Cicero. 1954. [Cicero] ad C. Herennium de ratione dicendi (Rhetorica ad Herennium), trans. Harry Caplan, Loeb Classical Library (Cambridge, MA: Harvard University Press; London: William Heinemann).
Chaucer, Geoffrey 1968. De oratore, trans. H. Rackham, Loeb Classical Library (Cambridge, MA: Harvard University Press; London: William Heinemann).
Clarke, Kenneth. 2011. Chaucer and Italian Textuality (Oxford University Press).
Coldiron, A. E. B. 2004. ‘Public Sphere/Contact Zone: Habermas, Early Print, and Verse Translation’, Criticism, 46.2: 207–22.
Coldiron, A. E. B.2005. ‘A Readable Earlier Renaissance’, Literature Compass, 3.1: 1–14.
Coldiron, A. E. B.2010. ‘Translation's Challenge to Critical Categories’, in Mona Baker (ed.), Critical Readings in Translation Studies (London: Routledge), pp. 339–58.
Cooke, William. 1804. Memoirs of Charles Macklin, Comedian (London).
Cooper, Helen. 1977. Pastoral: Mediaeval into Renaissance (Cambridge: D. S. Brewer; Totowa, NJ: Rowman & Littlefield).
Cooper, Helen 1991. ‘Gender and Personification in Piers Plowman’, Yearbook of Langland Studies, 5: 31–48.
Cooper, Helen 2004a. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford University Press).
Cooper, Helen 2004b. ‘“This worthy olde writer”: Pericles and other Gowers, 1592–1640’, in Siân Echard (ed.), A Companion to Gower (Woodbridge: D. S. Brewer), pp. 99–114.
Cooper, Helen 2006a. Shakespeare and the Middle Ages (Cambridge University Press).
Cooper, Helen 2006b. ‘Shakespeare and the Mystery Plays’, in Stuart Gillespie and Neil Rhodes (eds.), Shakespeare and Elizabethan Popular Culture, Arden Critical Companions (London: Thomson Learning), pp. 18–41.
Cooper, Helen 2010a. Shakespeare and the Medieval World, Arden Critical Companions (London: Arden Shakespeare).
Cooper, Helen 2010b. ‘Writing French in English’, London Review of Books, 32.19: 9–11.
Copeland, Rita. 1991. Rhetoric, Hermeneutics, and Translation (Cambridge University Press).
Crow, John and F. P. Wilson (eds.). 1956. Jacob and Esau, Malone Society Reprints (Oxford: Malone Society).
Cummings, Brian and James Simpson (eds.). 2010. Cultural Reformations: Medieval and Renaissance in Literary History (Oxford University Press).
Curran, John. 1999. ‘Geoffrey of Monmouth in Renaissance Drama’, Modern Philology, 97: 1–20.
Daniel, Samuel. 1999. Defence of Ryme, in Brian Vickers (ed.), English Renaissance Literary Criticism (Oxford: Clarendon Press), pp. 441–53.
Davidson, Clifford. 1988. The Guild Chapel Wall Paintings at Stratford-upon-Avon (New York: AMS Press).
Davis, Norman (ed.). 1970. Non-Cycle Plays and Fragments, Early English Text Society, Supplementary Text 1 (Oxford University Press).
Dawson, Anthony B. 2001. ‘The Distracted Globe’, in Dawson and Paul Yachnin, The Culture of Playgoing in Shakespeare's England: A Collaborative Debate (Cambridge University Press), pp. 88–110.
de Grazia, Margreta. 2007. ‘The Modern Divide: From Either Side’, Journal of Medieval and Early Modern Studies, 37.3: 453–67.
de Grazia, Margreta 2010. ‘Anachronism’, in Cummings and Simpson (eds.), pp. 13–32.
Dessen, Alan C. and Leslie Thomson. 1999. A Dictionary of Stage Directions in English Drama, 1580–1642 (Cambridge University Press).
Dillon, Janette. 2002. Performance and Spectacle in Hall's Chronicle (London: Society for Theatre Research).
Dillon, Janette.2004. ‘Chariots and Cloud Machines: Gods and Goddesses on Early English Stages’, in Lloyd Edward Kermode, Jason Scott-Warren and Martine van Elk (eds.), Tudor Drama Before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy (New York and Basingstoke: Palgrave Macmillan), pp. 111–29.
Dimmick, Jeremy. 2006. ‘Gower, Chaucer and the Art of Repentance in Greene's Vision’, Review of English Studies, 57: 456–73.
Dimock, Wai-Chee. 1997. ‘A Theory of Resonance’, PMLA, 112: 1060–71.
Dobin, Howard. 1990. Merlin's Disciples: Prophecy, Poetry, and Power in Renaissance England (Stanford University Press).
Dominik, Mark. 1991. William Shakespeare and ‘The Birth of Merlin’ (Beaverton, OR: Alioth Press).
Dorval, Patricia and Jean-Marie Maguin (eds.). 2001. Shakespeare et le Moyen Âge. (Paris: Société française Shakespeare).
Douglas, Audrey and Peter Greenfield (eds.). 1986. Cumberland, Westmoreland, Gloucestershire, Records of Early English Drama (University of Toronto Press).
Dowden, Edward. 1875. Shakespeare: A Critical Study of His Mind and Art (London: H. S. King).
Driver, Martha A. and Sid Ray (eds). 2009. Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings (Jefferson, NC and London: McFarland).
Dryden, John. 1667. An Essay of Dramatick Poesie (London).
Dryden, John 1821. Troilus and Cressida, or, Truth Found Too Late, ‘Preface’ and ‘Epistle Dedicatory to the Earl of Sunderland’ (1679), in Sir Walter Scott (ed.), The Works of John Dryden, Now First Collected into Eighteen Volumes, vol. vi (Edinburgh).
Duffy, Eamon. 2005. The Stripping of the Altars: Traditional Religion in England c.1400–c.1580, 2nd edn (New Haven, CT andLondon: Yale University Press).
École française de Rome. 1985. Lectures médiévales de Virgile: actes du colloque organisé par l’École française de Rome (École française de Rome).
Egan, Gabriel. 1998. ‘Reconstructions of the Globe: A Retrospective’, Shakespeare Survey 52: 1–16.
Elton, William R. 1966. ‘King Lear’ and the Gods (San Marino, CA: Huntington Library).
Emmerson, Richard K. 1998. ‘Eliding the “Medieval”: Renaissance “New Historicism” and Sixteenth-Century Drama’, in James J. Paxson, Lawrence M. Clopper and Sylvia Tomasch (eds.), The Performance of Middle English Culture: Essays on Chaucer and the Drama in Honor of Martin Stevens (Cambridge and Rochester, NY: D. S. Brewer), pp. 25–42.
Fabricius, Johannes. 1994. Syphilis in Shakespeare's England (London: Jessica Kingsley).
Farnham, Willard. 1926. ‘John Higgins’ “Mirror” and “Locrine”’, Modern Philology, 23: 307–13.
Fawtier, E. C. and R. Fawtier. 1919. ‘From Merlin to Shakespeare: Adventures of an English Prophecy’, Bulletin of the John Rylands Library, 5: 388–92.
Fehrenbach, Robert and Elisabeth Leedham-Greene. 1992–2009. Private Libraries in Renaissance England, 7 vols. (Binghamton, NY: Medieval and Renaissance Texts and Studies).
Ferguson, Arthur B. 1960. The Indian Summer of English Chivalry: Studies in the Decline and Transformation of Chivalric Idealism (Durham, NC: Duke University Press).
Feuillerat, Albert. 1908. Documents Relating to the Office of the Revels in the Time of Queen Elizabeth (Louvain: A. Uystpruyst).
Finke, Laurie A. and Martin B. Shichtman. 2004. King Arthur and the Myth of History (Gainesville: University Press of Florida).
Fitzpatrick, Tim. 1999. ‘Stage Management, Dramaturgy and Spatial Semiotics in Shakespeare's Dialogue’, Theatre Research International, 24: 1–23.
Fitzpatrick, Tim with Daniel Johnston. 2009. ‘Spaces, Doors and Places in Early Modern English Staging’, Theatre Notebook, 63: 2–19.
Fletcher, Alan J. 2008. ‘The N-Town Plays’, in Fletcher and Richard Beadle (eds.), The Cambridge Companion to Medieval English Theatre, 2nd edn (Cambridge University Press), pp. 183–210.
Foakes, R. A. 1985. Illustrations of the English Stage, 1580–1642 (Stanford University Press).
Foakes, R. A.(ed.). 2002. Henslowe's Diary, 2nd edn (Cambridge University Press).
Foulechat, Denis de. 2006. Le Policratique de Jean de Salisbury, Livre V, par Denis Foulechat, ed. Charles Brucker (Geneva: Droz).
Fox, Alistair. 1989. Politics and Literature in the Reigns of Henry VII and Henry VIII (Oxford University Press).
Foxe, John. 1570. The Ecclesiasticall History Contaynyng the Actes and Monumentes of Thynges Passed in Euery Kynges Tyme in This Realme, Especially in the Church of England Principally to be Noted, vol. i (London: John Daye).
Foxe, John 1973. Two Latin Comedies by John Foxe the Martyrologist, ed. and trans. John Hazel Smith (Ithaca, NY: Cornell University Press).
Foxley, Rachel. 2006. ‘“The wildernesse of Tropes and Figures”: Figuring Rhetoric in Leveller Pamphlets’, Seventeenth Century, 21.2: 270–86.
Frank, Marcie. 2003. Gender, Theatre and the Origins of Criticism from Dryden to Manley (Cambridge University Press).
Fusillo, Robert James. 1955. ‘Tents on Bosworth Field’, Shakespeare Quarterly, 6: 193–4.
Galbraith, Steven. 2008. ‘“English” Black-Letter Type and Spenser's Shepheardes Calender’, Spenser Studies, 23: 13–40.
Gardner, Helen. 1967. King Lear: The John Coffin Memorial Lecture, 1966 (London: Athlone Press).
Garrick, David. 1963. The Letters, ed. George M. Kahrl and David M. Little, 3 vols. (Cambridge, MA: Harvard University Press).
Gatton, John Spalding. 1991. ‘“There must be blood”: Mutilation and Martyrdom on the Medieval Stage’, in James Redmond (ed.), Violence in Drama (Cambridge University Press), pp. 79–91.
Geduld, Harry M. 1973. Filmguide to ‘Henry V’ (Bloomington: Indiana University Press).
Geoffrey of Monmouth. 1718. The British History, translated into English from the Latin of Jeffrey of Monmouth. With a large Preface concerning the Authority of the History, trans. Aaron Thompson (London).
Geduld, Harry M.1985–. The Historia regum Britannie of Geoffrey of Monmouth, ed. Neil Wright (Cambridge: D. S. Brewer).
Geduld, Harry M.2007. History of the Kings of Britain, ed. Michael D. Reeve, trans. Neil Wright (Woodbridge: Boydell Press).
Gibbons, Brian. 1993. Shakespeare and Multiplicity (Cambridge University Press).
Gillespie, Alexandra. 2006. Print Culture and the Medieval Author (Oxford University Press).
Gilroy-Scott, N. W. 1971. ‘John Gower's Reputation: Literary Allusions from the Early Fifteenth Century to the Time of Pericles’, Yearbook of English Studies, 1: 30–47.
Gladwell, Malcolm. 2002. Tipping Point: How Little Things Can Make a Big Difference (Boston, MA: Back Bay Books).
Gooch, Jane Lytton (ed.). 1981. The Lamentable Tragedy of Locrine: A Critical Edition, Garland English Texts 7 (New York and London: Garland).
Goodland, Katherine. 2005. Female Mourning in Medieval and Renaissance English Drama (Aldershot: Ashgate).
Gower, John. 1901. Confessio amantis, in Works, ed. G. C. Macaulay, 2 vols., Early English Text Society (Oxford University Press).
Grantley, Darryll. 2004. English Dramatic Interludes, 1300–1580: A Reference Guide (Cambridge University Press).
Graziani, René. 1986. ‘M. Marcadé and the Dance of Death in Love's Labour's Lost, v.ii.705–11’, Review of English Studies, 17: 392–5.
Greg, W. W. (ed.). 1965. The History of King Leir, 1605, Malone Society Reprints (London: Malone Society; repr. of 1907 edn).
Greenblatt, Stephen. 1988. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (Berkeley: University of California Press).
Greenblatt, Stephen.2009. ‘Introduction: Fifty Years of The King's Two Bodies’, Representations, 106: 63–6.
Greene, Robert. 1592. Greene's Vision (London).
Greenwald, Michael L. 1985. Directions by Indirections: John Barton of the Royal Shakespeare Company (Newark, NJ: University of Delaware Press).
Griffin, Benjamin. 2001. Playing the Past: Approaches to English Historical Drama 1385–1600 (Woodbridge: D. S. Brewer).
Groves, Beatrice. 2007a. ‘“Now wole I a new game begynne”: Staging Suffering in King Lear, the Mystery Plays, and Grotius’ Christus Patiens’, Medieval and Renaissance Drama in England, 20: 136–50.
Groves, Beatrice 2007b. Texts and Traditions: Religion in Shakespeare 1592–1604 (Oxford: Clarendon Press).
Gurr, Andrew. 1992. The Shakespearean Stage, 1574–1642, 3rd edn (Cambridge University Press).
Gurr, Andrew 2009. Shakespeare's Opposites: The Admiral's Company 1594–1625 (Cambridge University Press).
Hale, David. 1971. ‘Death of a Metaphor’, Shakespeare Quarterly, 22: 197–202.
Hamilton, A. C. (ed.). 1990. The Spenser Encyclopedia (University of Toronto Press).
Hamilton, Donna B. 1993. ‘The Winter's Tale and the Language of Union, 1604–1610’, Shakespeare Studies, 21: 228–50.
Hannam, James. 2010. God's Philosophers: How the Medieval World Laid the Foundations of Modern Science, 2nd edn (London: Icon Books).
Happé, Peter (ed.). 1972. Tudor Interludes (Harmondsworth: Penguin).
Hardison, Jr, O. B. 1968. Review of Kolve, The Play Called Corpus Christi, Modern Language Quarterly, 29.1: 94–8.
Harvey, Gabriel. 1884. Letter Book, ed. Edward John Long Scott (London: Camden Society).
Hattaway, Michael. 1982. Elizabethan Popular Theatre: Plays in Performance (London: Routledge & Kegan Paul).
Hayles, N. Katherine (ed.). 1991. Chaos and Order: Complex Dynamics in Literature and Science (University of Chicago Press).
Hayles, N. Katherine 2003. ‘Translating Media: Why We Should Rethink Textuality’, Yale Journal of Criticism, 16: 263–90.
Helgerson, Richard. 1992. Forms of Nationhood: The Elizabethan Writing of England (University of Chicago Press).
Hellinga, Lotte. 1995. ‘Wynkyn de Worde's Native Land’, in R. Beadleet al. (eds.), New Science Out of Old Books (Aldershot: Scolar Press), pp. 342–59.
Henderson, Archibald. 1911. George Bernard Shaw, His Life and Works: A Critical Biography (London: Stewart & Kidd).
Heywood, Thomas. 1641. The Life of Merlin (London: J. Okes for Jasper Emery).
Heywood, Thomas 1978. The Escapes of Jupiter, ed. Henry D. Janzen, Malone Society Reprints (Oxford: Malone Society).
Hodgdon, Barbara. 1998. ‘Replicating Richard: Body Doubles, Body Politics’, Theatre Journal, 50.2: 207–25.
Hodgdon, Barbara and W. B. Worthen (eds.). 2005. A Companion to Shakespeare and Performance (Oxford: Blackwell).
Holinshed, Raphael. 1976. Chronicles of England, Scotland and Ireland, 6 vols. (1807–8), repr. with intro. by Vernon F. Snow (New York: AMS Press).
Hope, Jonathan. 2010. Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance, Arden Shakespeare Library (London: Arden Shakespeare).
Hosley, Richard. 1956. ‘More about “Tents” on Bosworth Field’, Shakespeare Quarterly, 7: 458–9.
Hosley, Richard 1964. ‘Shakespearian Stage Curtains: Then and Now’, College English, 25: 488–92.
Hough, Graham. 1962. A Preface to The Faerie Queene (London: Duckworth).
Hunter, Robert Grams. 1967. King Lear: The John Coffin Memorial Lecture, 1966 (London: Athlone Press).
Hunter, Robert Grams 1976. Shakespeare and the Mystery of God's Judgments (Athens: University of Georgia Press).
Ingram, R. W. (ed.). 1981. Coventry, Records of Early English Drama (University of Toronto Press).
Irvine, Martin. 1985. ‘Medieval Grammatical Theory and Chaucer's House of Fame’, Speculum, 60.4: 850–76.
Irvine, Martin 1994. The Making of Textual Culture: ‘Grammatica’ and Literary Theory 350–1100 (Cambridge University Press).
Irwin, Robert. 1994. The Arabian Nights: A Companion (London: Penguin).
Jackson, Peter. 1971. London Bridge (London: Cassell).
Jackson, Russell. 2007. Shakespeare Films in the Making (Cambridge University Press).
James, Mervyn. 1986. ‘English Politics and the Concept of Honour, 1485–1642’, in Society, Politics and Culture: Studies in Early Modern England (Cambridge University Press), pp. 308–415.
Jauss, Hans. 1982. Toward an Aesthetic of Reception, trans. Timothy Bahti (Minneapolis: University of Minnesota Press).
John of Salisbury. 1595. Policraticus: sive de nugis curialium, et vestigiis philosophorum, libri octo (Lugduni Batavorum).
John of Salisbury.1972. Frivolities of Courtiers and Footprints of Philosophers, ed. and trans. Joseph B. Pike (New York: Octagon Books; 1st edn Minneapolis: University of Minnesota Press, 1938).
Jauss, Hans 1963. The Statesman's Book of John of Salisbury, ed. and trans. John Dickinson (New York: Russell & Russell).
Jauss, Hans 1993. Ioannes Saresberiensis, Policraticus I–IV, ed. K. S. B. Keats-Rohan (Turnhout: Brepols).
Johnson, Samuel. 1765. Mr. Johnson's Preface to his Edition of Shakespear's Plays (London).
Johnson, Samuel 1968. Johnson on Shakespeare, ed. Arthur Sherbo, Yale Edition of the Works of Samuel Johnson, vols. vii and viii (New Haven, CT: Yale University Press).
Johnston, Alexandra F. and Margaret Rogerson (eds.). 1979. York, Records of Early English Drama, 2 vols. (Manchester University Press).
Jones, John. 1995. Shakespeare at Work (Oxford: Clarendon Press).
Jonson, Ben. 1925–52. The English Grammar, in C. H. Herford and Percy and Evelyn Simpson (eds.), Ben Jonson, 11 vols. (Oxford: Clarendon Press), vol. viii.
Jonson, Ben.1968. Volpone, ed. Philip Brockbank (London: Ernest Benn).
Jonson, Ben.2000. Bartholomew Fair, ed. Suzanne Gossett, Revels Student Editions (Manchester University Press).
Jussen, Bernhard. 2009. ‘The King's Two Bodies Today’, Representations, 106: 102–17.
Kantorowicz, Ernst. 1957. The King's Two Bodies (Princeton University Press).
Kastan, David Scott. 1982. Shakespeare and the Shapes of Time (Hanover, NH: University Press of New England).
Katzenellenbogen, Adolf. 1989. Allegories of the Virtues and Vices in Medieval Art from Early Christian Times to the Thirteenth Century (Toronto: Medieval Academy Reprints; 1st edn 1935).
Kean, Charles (ed.). 1857. Shakespeare's Play of King Richard II (London).
Kelly, Henry Ansgar. 1970. Divine Providence in the England of Shakespeare's Histories (Cambridge, MA: Harvard University Press).
Kendrick, Laura. 2005. ‘“In bourde and in play”: Mankind and the Problem of Comic Derision in Medieval English Religious Plays’, Études anglaises, 58.3: 261–75.
Kendrick, Laura 2009. ‘Games Medievalists Play: How to Make Earnest of Game and Still Enjoy It’, New Literary History, 40.1: 43–61.
Kendrick, T. D. 1954. British Antiquity (London: Methuen).
Kermode, Frank. 2000. Shakespeare's Language (New York: Farrar, Straus and Giroux).
Kerrigan, John. 1983. ‘Revision, Adaptation and the Fool in King Lear’, in Gary Taylor and Michael Warren (eds.), The Division of the Kingdoms: Shakespeare's Two Versions of King Lear (Oxford: Clarendon Press), pp. 195–245.
King, Pamela M. and Clifford Davidson (eds.). 2000. The Coventry Corpus Christi Plays (Kalamazoo, MI: Medieval Institute Publications, Western Michigan University).
Kinservik, Matthew. 1995. ‘A Sinister Macbeth: The Macklin Production of 1773’, Harvard Library Bulletin, n.s. 6: 51–73.
Kirkman, Francis. 1673. The Wits (London).
Kirschbaum, Leo. 1949. ‘Shakespeare's Stage Blood and Its Crucial Significance’, PMLA, 64: 517–29.
Knowles, Edwin B. 1958. ‘Thomas Shelton, Translator of Don Quixote’, Studies in the Renaissance, 5: 160–75.
Knowles, Richard. 2002. ‘How Shakespeare Knew King Leir’, Shakespeare Survey 55: 12–35.
2008. ‘The Evolution of the Texts of Lear’, in Jeffrey Kahan (ed.), ‘King Lear’: New Critical Essays (London: Routledge), pp. 124–54.
Kolve, V. A. 1966. The Play Called Corpus Christi (Stanford University Press).
Kortekaas, G. A. A. (ed.). 1984. Historia Apollonii regis Tyri, Mediaevalia Groningana 3 (Groningen: Bouma).
Kristeva, Julia. 1974. La Révolution du langage poétique (Paris: Éditions du Seuil).
Krug, Rebecca. 2009. ‘Shakespeare's Medieval Morality: The Merchant of Venice and the Gesta Romanorum’, in Perry and Watkins (eds.), pp. 241–62.
Kuskin, William (ed.). 2006. Caxton's Trace: Studies in the History of English Printing (University of Notre Dame Press).
Kuskin, William 2009. ‘Recursive Origins, Print History and Shakespeare's 2 Henry VI’, in Perry and Watkins (eds.), pp. 126–50.
Lakoff, George and Mark Johnson. 1999. Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought (New York: Basic Books).
Lancashire, Ian. 1984. Dramatic Texts and Records of Britain: A Chronological Topography to 1558 (Cambridge University Press).
Lanier, Douglas. 1997. ‘Now: The Present of History in “Looking for Richard”’, Post Script, 17.2: 39–55.
Laroque, François. 1991. Shakespeare's Festive World: Elizabethan Seasonal Entertainment and the Professional Stage (Cambridge University Press).
Lascelles, Mary. 1973. ‘King Lear and Doomsday’, Shakespeare Survey 26: 69–79.
Leech, Clifford and T. W. Craik (eds.). 1996. The Revels History of Drama in English, 8 vols. (London: Routledge).
Lewis, C. S. 1954. English Literature in the Sixteenth Century (Oxford: Clarendon Press).
Lewis, Rhodri. 2007. Language, Mind and Nature: Artificial Languages in England from Bacon to Locke (Cambridge University Press).
Locke, John. 1690. An Essay concerning Humane Understanding (London: Elizabeth Holt for Thomas Basset).
Lodge, Thomas. 1963. ‘The Complaint of Elstred’, in The Complete Works of Thomas Lodge, ed. E. W. Gosse, 4 vols. (New York: Russell & Russell; 1st edn 1883), vol. ii, pp. 59–84.
Lumiansky, R. M. and David Mills (eds.). 1974–86. The Chester Mystery Cycle, 2 vols., Early English Text Society (Oxford University Press).
Lydgate, John. 1901. Lydgate's Reson and Sensuallyte, ed. Ernst Sieper, Early English Text Society, e.s. 84 (London).
Lynes, Barbara Buhler. 1989. O’Keeffe, Stieglitz and the Critics, 1916–1929 (Ann Arbor, MI: UMI Research Press).
Machan, Tim William. 1996. ‘Thomas Berthelette and Gower's Confessio’, Studies in the Age of Chaucer, 18: 143–66.
Machan, Tim William.2003. English in the Middle Ages (Oxford University Press).
Macrobius. 1967. I Saturnali di Macrobio Teodosio, ed. Nino Marinone (Turin: Unione Tipografico-Editrice).
Macrobius 1969. Saturnalia, trans. P. Vaughan Davies (New York andLondon: Columbia University Press).
Mâle, Émile. 1985. The Gothic Image: Religious Art in France of the Thirteenth Century, trans. Dora Nussey (New York: Harper & Row; 1st edn 1913).
Maltzahn, Nicholas von. 1991. Milton's History of Britain: Republican Historiography in the English Revolution (Oxford University Press).
Marks, R. 1993. Stained Glass in England during the Middle Ages (University of Toronto Press).
Marlowe, Christopher. 1986–98. The Complete Works of Christopher Marlowe (Oxford: Clarendon Press).
Marlowe, Christopher 1998. Tamburlaine the Great, ed. J. S. Cunningham and Eithne Henson, Revels Student Editions (Manchester University Press).
Marshall, Cynthia (ed.). 2004. As You Like It: Shakespeare in Production (Cambridge University Press).
Maxwell, Baldwin. 1956. Studies in the Shakespeare Apocrypha (New York: King's Crown Press, Columbia University).
McCarthy, Jeanne. 2009. ‘Disciplining “unexpert people”: Children's Dramatic Practices and Page/Stage Tensions in Early English Theatre’, Shakespearean International Yearbook, 10: 143–64.
McDonald, Russ. 2006. Shakespeare's Late Style (Cambridge University Press).
McGinnis, Paul J. 1959. ‘Ben Jonson on Savile's Tacitus’, Classical Journal, 55: 120–1.
McKellen, Ian. 1996. William Shakespeare's Richard III: A Screenplay (London: Doubleday).
McKitterick, Rosamond. 2006. Perceptions of the Past in the Early Middle Ages (University of Notre Dame Press).
McLelland, Nicola. 2011. J. G. Schottelius's ‘Ausführliche Arbeit von der Teutschen HaubtSprache’ (1663) and Its Place in Early Modern European Vernacular Language Study, Publications of the Philological Society 44 (Oxford: Wiley-Blackwell).
McMillin, Scott. 1987. The Elizabethan Theatre and ‘The Book of Sir Thomas More’ (Ithaca, NY: Cornell University Press).
McMullan, Gordon and David Matthews (eds.). 2007. Reading the Medieval in Early Modern England (Cambridge University Press).
McRae, Andrew. 2009. Literature and Domestic Travel in Early Modern England (Cambridge University Press).
Mendyk, Stan A. E. 1989. ‘Speculum Britanniae’: Regional Study, Antiquarianism, and Science in Britain to 1700 (University of Toronto Press).
Meron, Theodor. 1998. Bloody Constraint: War and Chivalry in Shakespeare (New York: Oxford University Press).
Migne, J. P. (ed.). 1844–1903. Patrologia Latina. Patrologiae cursus completus, seu bibliotheca universalis…omnium SS. patrum, doctorum, scriptorumque ecclesiasticorum, 221 vols. (Paris: Migne).
Miller, Peter.
2009. ‘
The Ancient Constitution and the Genealogist: Momigliano, Pocock, and Peiresc's Origines Murensis Monasterii (1618)’,
Republics of Letters: A Journal for the Study of Knowledge, Politics, and the Arts,
1.1:
http://rofl.stanford.edu/node/37.
Milroy, James. 2000. ‘Historical Description and the Ideology of the Standard Language’, in Wright (ed.), pp. 11–28.
Milton, John. 1953–82. The History of Britain, That Part Especially Now Called England. From the First Traditional Beginning, Continu'd to the Norman Conquest, in Complete Prose Works, ed. Don M. Wolfe, 8 vols. (New Haven, CT: Yale University Press; London: Oxford University Press), vol. v, Part i1648–1671 and Part ii1649–1659.
Milton, John 1998. Paradise Lost, ed. Alastair Fowler, 2nd edn (London: Longman).
Morse, Ruth. 1991. Truth and Convention in the Middle Ages: Rhetoric, Representation and Reality (Cambridge University Press).
Morse, Ruth 1995. ‘Telling the Truth with Authority: From Richard II to Richard II’, Common Knowledge, 4: 111–28.
Morse, Ruth 2001. ‘Medium Aevum, Le Moyen-Âge, Middle Ages’, in Dorval and Maguin (eds.), pp. 129–48.
Morse, Ruth 2006. ‘Shakespeare's Ages’, Shakespeare Survey 59: 254–66.
Morton, Timothy. 2007. Ecology Without Nature: Rethinking Environmental Aesthetics (Cambridge, MA: Harvard University Press).
Muir, Kenneth. 1977. The Sources of Shakespeare's Plays (London: Methuen).
Mulcaster, Richard. 1582. The First Part of the Elementarie (London).
Mullaney, Steven. 1988. The Place of the Stage: License, Play, and Power in Renaissance England (University of Chicago Press).
Munday, Anthonyet al. 1990. Sir Thomas More, ed. Vittorio Gabrieli and Giorgio Melchiori, Revels Plays (Manchester University Press).
Murphy, Andrew. 2010. ‘Shakespeare Goes Digital: Three Open Internet Editions’, Shakespeare Quarterly, 61: 401–14.
Murphy, Andrew(ed.). 2000. The Renaissance Text: Theory, Editing, Textuality (Manchester University Press).
Nash, Thomas. 1596. Have with You to Saffron-Walden (London: John Danter).
Nelson, Alan. 1992. ‘Hall Screens and Elizabethan Playhouses: Counter-Evidence from Cambridge’, in John Astington (ed.), The Development of Shakespeare's Theater (New York: AMS Press), pp. 57–65.
Newman, Barbara. 2003. God and the Goddesses: Vision, Poetry and Belief in the Middle Ages (Philadelphia: University of Pennsylvania Press).
Newton, Isaac. 1728. The Chronology of Ancient Kingdoms Amended: To which is prefix'd, a short chronicle from the first memory of things in Europe, to the conquest of Persia by Alexander the Great (London: J. Tonson).
Nievergelt, Marco. 2012. Allegorical Quests from Deguileville to Spenser (Cambridge: D. S. Brewer).
Norbook, David. 1996. ‘The Emperor's New Body? Richard II, Ernst Kantorowicz, and the Politics of Shakespeare Criticism’, Textual Practice, 10: 329–57.
Norbook, David 2002. Poetry and Politics in the English Renaissance, rev. edn (Oxford University Press).
Norden, John. 1625. An Intended Guyde For English Travailers (London).
O’Connell, Michael. 2000. The Idolatrous Eye: Iconoclasm and Theatre in Early-Modern England (New York: Oxford University Press).
O’Connell, Michael 2009. ‘King Lear and the Summons of Death’, in Perry and Watkins (eds.), pp. 199–201.
Olivier, Laurence. 1986. On Acting (London: Weidenfeld & Nicolson).
Olson, Glending. 1995. ‘Plays as Play: A Medieval Ethical Theory of Performance and the Intellectual Context of the Tretise of Miraclis Pleyinge’, Viator, 26: 195–221.
Padley, G. A. 1985. Grammatical Theory in Western Europe 1500–1700: Trends in Vernacular Grammar I (Cambridge University Press).
Parker, John. 2007. The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe (Ithaca, NY andLondon: Cornell University Press).
Parry, Graham. 1995. The Trophies of Time: English Antiquarians of the Seventeenth Century (Oxford University Press).
Patterson, Annabel. 1994. Reading Holinshed's Chronicles (University of Chicago Press).
Patterson, Lee. 1991. Chaucer and the Subject of History (Madison: University of Wisconsin Press).
Paxson, James J. 1994. The Poetics of Personification (Cambridge University Press).
Peacham, Henry. 1620. Thalia's Banquet (London: Nicholas Okes for Francis Constable).
Pearsall, Derek. 1983. ‘The Gower Tradition’, in A. J. Minnis (ed.), Gower's ‘Confessio amantis’: Responses and Reassessments (Cambridge: D. S. Brewer), pp. 179–97.
Perkins, William. 1607. The Arte of Prophecying, or A treatise concerning the sacred and only true methode of preaching, trans. Thomas Tuke (London: Felix Kyngston for E. E.).
Perry, Curtis and John Watkins (eds). 2009. Shakespeare and the Middle Ages (Oxford University Press).
Pettegree, Andrew. 2007. The French Book and the European Book World (Leiden: Brill).
Phythian-Adams, Charles. 1979. Desolation of a City: Coventry and the Urban Crisis of the Late Middle Ages (Cambridge University Press).
Pierce, Patricia. 2001. Old London Bridge: The Story of the Longest Inhabited Bridge in Europe (London: Headline).
PLRE. See Fehrenbach and Leedham-Greene.
Pocock, J. G. A. 1987. The Ancient Constitution and the Feudal Law: A Study of English Historical Thought in the Seventeenth Century: A Reissue with a Retrospect (Cambridge University Press).
Prescott, Anne Lake. 1978. French Poets and the English Renaissance: Studies in Fame and Transformation (New Haven, CT: Yale University Press).
Prescott, Anne Lake.1998. Imagining Rabelais in Renaissance England (New Haven, CT: Yale University Press).
Prescott, Anne Lake.2006. ‘Refusing Translation: The Gregorian Calendar and Early Modern English Writers’, Yearbook of English Studies, 36: 1–11.
Prescott, Anne Lake.2008. ‘Mary Sidney's Antonius and the Ambiguities of French History’, Yearbook of English Studies, 38: 216–33.
Prescott, Anne Lake.2009. ‘Hills of Contemplation and Signifying Circles: Spenser and Guy Le Fèvre de la Boderie’, Spenser Studies, 24: 155–83.
Preston, Thomas. 1975. A Critical Edition of Thomas Preston's ‘Cambises’, ed. Robert Carl Johnson (Salzburg: Institut für englishe Sprache und Literatur).
Proctor, Adrian and Robert Taylor. 1979. The A to Z of Elizabethan London (London Topographical Society).
Purchas, Samuel. 1625. Purchase His Pilgrimes (London: William Stansby for Henrie Fetherstone).
Puttenham, George. 2007. The Art of English Poesy by George Puttenham, ed. Frank Whigham and Wayne A. Rebhorn (Ithaca, NY andLondon: Cornell University Press).
Reiss, Edmund. 1966. Sir Thomas Malory (New York: Twayne).
Reiss, Timothy J. 1997. Knowledge, Discovery and Imagination in Early Modern Europe (Cambridge University Press).
Riddell, William Renwick. 1930. ‘Post-Reformation Burning at the Stake of Heretics’, Journal of the American Institute of Criminal Law and Criminology, 21.2: 254–6.
Ringler, William. 1988. Bibliography and Index to English Printed Verse 1475–1558 (London and New York: Mansell).
Roach, Joseph R. 1985. The Player's Passion: Studies in the Science of Acting (Newark: University of Delaware Press).
Rogerson, Margaret. 1977. ‘The Coventry Corpus Christi Play: A “Lost” Middle English Creed Play?’ Research Opportunities in Renaissance Drama, 36: 173–7.
Ross, Charles (ed.). 1979. Patronage, Pedigree and Power in Later Medieval England (Gloucester: A. Sutton).
Rutter, Carol Chillington. 1997. ‘Fiona Shaw as Richard II: The Girl as Player-King as Comic’, Shakespeare Quarterly, 48: 314–24.
Salen, Katie and Eric Zimmerman. 2004. Rules of Play: Game Design Fundamentals (Cambridge, MA: MIT Press).
Sawyer, Robert (ed.). 2010. Lives of Shakespearian Actors III, vol. i:Charles Kean (London: Pickering & Chatto).
Scanlon, Larry (ed.). 2009. The Cambridge Companion to Medieval English Literature 1100–1500 (Cambridge University Press).
Schoch, Richard W. 1998. Shakespeare's Victorian Stage (Cambridge University Press).
Seaward, Paul. 2005. ‘Clarendon, Tacitism, and the Civil Wars of Europe’, Huntington Library Quarterly, 68: 289–311.
ServiusGrammaticus. 1881–1902. Servii Grammatici qvi fervntvr in Vergilii carmina commentarii, ed. G. Thilo, 3 vols. (Leipzig: Teubner).
Shattuck, Charles H. 1962. William Charles Macready's ‘King John’ (Urbana: University of Illinois Press).
Shaughnessy, Robert. 1994. Representing Shakespeare (Hemel Hempstead: Harvester Wheatsheaf).
Sherman, Claire. 1969. The Portraits of Charles V of France (New York University Press).
Shewring, Margaret. 1996. King Richard II (Manchester University Press).
Simpson, James. 2007. ‘Diachronic History and the Shortcomings of Medieval Studies’, in McMullan and Matthews (eds.), pp. 17–30.
Skinner, Quentin. 2009. ‘Afterword’, in David Armitage, Conal Condren and Andrew Fitzmaurice (eds.), Shakespeare and Early Modern Political Thought (Cambridge University Press).
Smallwood, Robert. 1976. ‘Shakespeare Unbalanced: The Royal Shakespeare Company's King John, 1974–5’, Shakespeare Jahrbuch West, 112: 79–99.
Smith, Bruce R. 1988. Ancient Scripts and Modern Experience on the English Stage, 1500–1700 (Princeton University Press).
Smith, Bruce R.2005. ‘Ragging Twelfth Night: 1602, 1996, 2002–3’, in Hodgdon and Worthen (eds.), pp. 57–78.
Smith, Bruce R.2009. The Key of Green: Passion and Perception in Renaissance Culture (University of Chicago Press).
Smith, Bruce R.2010. Phenomenal Shakespeare (Oxford: Wiley-Blackwell).
Smith, Emma (ed.). 2002. Henry V (Cambridge University Press).
Smyth, Albert H. 1898. Shakespeare's Pericles and Apollonius of Tyre: A Study in Comparative Literature (Philadelphia: MacCallam & Co.).
Snow, Edward. 1997. Inside Bruegel: The Play of Images in ‘Children's Games’ (New York: North Point Press).
Southern, Richard. 1957. The Medieval Theatre in the Round: A Study of the Staging of ‘The Castle of Perseverance’ and Related Matters (London: Faber & Faber).
Southern, Richard.1973. The Staging of Plays before Shakespeare (London: Faber & Faber).
Spearing, A. C. 1985. Medieval to Renaissance in English Poetry (Cambridge University Press).
Spearing, A. C.2005. Textual Subjectivity: The Encoding of Subjectivity in Medieval Narratives and Lyrics (Cambridge University Press).
Spector, Stephen (ed.). 1991. The N-Town Play: Cotton Ms Vespasian D.8., 2 vols., Early English Text Society, s.s. 11–12 (Oxford University Press).
Spenser, Edmund. 1999. Shorter Poems, ed. Richard A. McCabe (London: Penguin).
Spenser, Edmund.2001. The Faerie Queene, ed. A. C. Hamilton, Hiroshi Yamashita and Toshiyuki Suzuki (London: Longman).
Spevack, Marvin. 1968–80. Complete and Systematic Concordance to the Works of Shakespeare, 6 vols. (Hildesheim: Georg Olms).
Spivack, Bernard. 1958. Shakespeare and the Allegory of Evil: The History of a Metaphor in Relation to His Major Villains (New York andLondon: Columbia University Press).
Spraggon, Julie. 2003. Puritan Iconoclasm in the Civil War (Rochester, NY: Boydell Press).
Stein, Robert M. 2006. Reality Fictions: Romance, History, and Governmental Authority, 1025–1180 (University of Notre Dame Press).
Stern, Tiffany. 1997. ‘Was “Totus mundus agit histrionem” Ever the Motto of the Globe Theatre?’, Theatre Notebook, 51: 122–7.
Stern, Tiffany.2009. Documents of Performance in Early Modern England (Cambridge University Press).
Stevens, Martin. 1987. Four Middle English Mystery Cycles: Textual, Contextual and Critical Interpretations (Princeton University Press).
Stevens, Martin and A. C. Cawley (eds.). 1994. The Towneley Plays, 2 vols., Early English Text Society (Oxford University Press).
Stredder, James. 1976. ‘John Barton's Production of Richard II at Stratford-on-Avon, 1973’, Shakespeare Jahrbuch West, 112: 23–42.
Summit, Jennifer. 2008. Memory's Library: Medieval Books in Early Modern England (University of Chicago Press).
Sutton-Smith, Brian. 1997. The Ambiguity of Play (Cambridge, MA: Harvard University Press).
Taavitsainen, Irma and Päivi Pahta (eds.). 2004. Medical and Scientific Writing in Late Medieval English (Cambridge University Press).
Taavitsainen, Irma and Päivi Pahta(eds.). 2011. Medical Writing in Early Modern English (Cambridge University Press).
Tate, Nahum. 1681. The History of King Lear (London: E. Flesher).
Tatlock, J. S. P. 1950. The Legendary History of Britain (Berkeley: University of California Press).
Taylor, Jeremy. 1989. Holy Dying, ed. P. G. Stannard (Oxford: Clarendon Press).
Thomson, Peter. 1975. ‘The Smallest Season: The Royal Shakespeare Company at Stratford in 1974’, Shakespeare Survey 28: 137–48.
Thomson, Peter.
2004–. ‘
Richard Tarlton’, in
Oxford Dictionary of National Biography (
Oxford University Press),
www.oxforddnb.com (subscription).
Thompson, Ann. 1975. Shakespeare's Chaucer: A Study in Literary Origins (Liverpool University Press).
Tillyard, E. M. W. 1943. The Elizabethan World Picture (London: Chatto & Windus).
Tillyard, E. M. W.1944. Shakespeare's History Plays (London: Chatto & Windus).
Turner, Victor W. 1982. From Ritual to Theatre: The Human Seriousness of Play (New York: Performing Arts Journal Publications).
Tuve, Rosemond. 1966. Allegorical Imagery: Some Mediaeval Books and their Posterity (Princeton University Press).
Twycross, Meg. 1992. ‘The Theatricality of Medieval English Plays’, in Richard Beadle (ed.), The Cambridge Companion to Medieval English Theatre (Cambridge University Press), pp. 26–74.
Tydeman, William. 1986. English Medieval Theatre, 1400–1500 (London: Routledge & Kegan Paul).
Tydeman, William.et al. (eds.). 2001. The Medieval European Stage 500–1550 (Cambridge University Press).
van Es, Bart. 2012. ‘Later Appropriations’, in Ian Archer, Felicity Heal and Paulina Kewes (eds.), The Oxford Handbook of Holinshed (Oxford University Press).
Virgil. 1967. Publi Vergili Maronis Aeneidos Liber Quartus, ed. A. S. Pease (Darmstadt: Wissenschaftliche Buchgesellschaft; 1st edn 1935).
Wager, William. 1967. ‘The Longer Thou Livest’ and ‘Enough Is As Good As A Feast’, ed. R. Mark Benbow (Lincoln: University of Nebraska Press).
Waith, Eugene M. 1962. ‘The Staging of Bartholomew Fair’, Studies in English Literature, 2: 181–95.
Wakelin, Daniel. 2007. Humanism, Reading, and English Literature 1430–1530 (Oxford University Press).
Walford, Edward. 1878. ‘Southwark, St Saviour's Church’, Old and New London, 6: 16–29.
Walker, Greg. 1991. Plays of Persuasion: Drama and Politics at the Court of Henry VIII (Cambridge University Press).
Walker, Greg.(ed.). 2000. Medieval Drama (Oxford: Blackwell).
Wallace, David. 1997. Chaucerian Polity (Stanford University Press).
Walsh, Brian. 2009. ‘Chantry, Chronicle, Cockpit: Henry V and the Forms of History’, in Perry and Watkins (eds.), pp. 151–71.
Warren, Michael J. 1977. ‘Repunctuation as Interpretation in Editions of Shakespeare’, English Literary Renaissance, 7: 155–69.
Wayne, Valerie. 2012 (forthcoming). ‘Don Quixote and Shakespeare's Collaborative Turn to Romance’, in David Carnegie and Gary Taylor (eds.), The Quest for Cardenio: Shakespeare, Fletcher, Cervantes, and the Lost Play (Oxford University Press).
Webster, John. 1983. The Duchess of Malfi, ed. Elizabeth M. Brennan, 2nd edn, New Mermaids (London: A. & C. Black).
Weimann, Robert. 2009. ‘The Actor-Character in “Secretly Open” Action: Doubly Encoded Personation on Shakespeare's Stage’, in Paul Yachnin and Jessica Slights (eds.), Shakespeare and Character: Theory, History, Performance, and Theatrical Persons (Basingstoke: Palgrave Macmillan), pp. 177–94.
Wells, Stanley. 1977. Royal Shakespeare (Manchester University Press).
Wells, Stanley and Gary Taylor. 1979. Modernizing Shakespeare's Spelling (Oxford: Clarendon Press).
Wells, Stanley and Gary Taylor 1987. William Shakespeare: A Textual Companion (Oxford: Clarendon Press).
West, Samuel. 2004. ‘Richard II’, in Robert Smallwood (ed.), Players of Shakespeare 6 (Cambridge University Press), pp. 85–99.
Wickham, Chris and James Fentress. 1992. Social Memory (Oxford: Blackwell).
Wickham, Glynne. 1959–81. Early English Stages, 1300 to 1660, 3 vols. (London: Routledge & Kegan Paul).
Wickham, Glynne, Herbert Berry and William Ingram (eds.). 2000. English Professional Theatre, 1530–1660 (Cambridge University Press).
Wilkins, George. 1963. The Miseries of Enforced Marriage (1607), Malone Society (Oxford University Press).
Williams, Deanne. 2004. The French Fetish from Chaucer to Shakespeare (Cambridge University Press).
Williams, Raymond. 1978. Marxism and Literature (Oxford University Press).
Wilson Knight, George. 1948. The Crown of Life: Essays in Interpretation of Shakespeare's Final Plays, 2nd edn (London: Methuen).
Wittreich, Joseph. 1984. ‘Image of that horror’: History, Prophecy, and Apocalypse in ‘King Lear’ (San Marino, CA: Huntington Library).
Womack, Peter. 2002. ‘Secularizing King Lear: Shakespeare, Tate, and the Sacred’, Shakespeare Survey 55: 96–105.
Woolf, D. R. 1990. The Idea of History in Early Stuart England: Erudition, Ideology, and ‘The Light of Truth’ from the Accession of James I to the Civil War (University of Toronto Press).
Wormald, Patrick. 1994. ‘Engla Lond: The Making of an Allegiance’, Journal of Historical Sociology, 7: 1–24.
Wortham, C. J. 1996. ‘Shakespeare and the Matter of Britain’, English, 45: 97–122.
Wright, Laura (ed.). 2000. The Development of Standard English 1300–1800 (Cambridge University Press).
Wright, Thomas. 1601. The Passions of the Minde (London: Valentine Simmes for W. Burre).
Yeager, R. F. 1995. ‘Ben Jonson's English Grammar and John Gower's Reception in the Seventeenth Century’, in Yeager and Mary Teresa Tavormina (eds.), The Endless Knot: Essays on Old and Middle English in Honor of Marie Borroff (Cambridge: D. S. Brewer), pp. 227–40.
Yeager, R. F 2009. ‘Shakespeare as Medievalist: What It Means for Performing Pericles’, in Driver and Ray (eds.), pp. 215–31.
Young, Karl. 1908. The Origin and Development of the Story of Troilus and Criseyde (London: Chaucer Society).
