Abrams, M. H. “Structure and Style in the Greater Romantic Lyric.” From Sensibility to Romanticism. Ed. Hilles, Frederick and Bloom, Harold. New York: Oxford University Press, 1965.
Abrams, M. H.. Natural Supernaturalism. New York: W. W. Norton, 1971.
Abrams, M. H.. English Romantic Poets: Modern Essays in Criticism. 2nd edn. London: Oxford University Press, 1975.
Abrams, M. H.. The Correspondent Breeze: Essays on English Romanticism. New York: W. W. Norton, 1984.
Abrams, M. H.. “On Political Readings of Lyrical Ballads.” Romantic Revolutions. Ed. Johnston, Kenneth R. et al. Bloomington: Indiana University Press, 1990.
Addison, Joseph. The Spectator. Nos. 411 and 413. Selections from “The Tatler” and “The Spectator.” Ed. Ross, Angus. Harmondsworth: Penguin Books, 1988.
Alpers, Paul. The Singer of the Eclogues: A Study of Virgilian Pastoral. Berkeley: University of California Press, 1979.
Ashbery, John. Selected Poems. New York: Penguin Books, 1985.
Bahti, Timothy. Ends of the Lyric. Baltimore: Johns Hopkins University Press, 1996.
Baker, Jeffery. Time and Mind in Wordsworth's Poetry. Detroit: Wayne State University Press, 1980.
Bakhtin, Mikhail. “Forms of Time and of the Chronotope in the Novel.” The Dialogic Imagination. Trans. Emerson, Caryl and Holquist, Michael. Austin, TX: University of Texas Press, 1981.
Barash, Carol. English Women's Poetry, 1649–1714. Oxford and New York: Clarendon Press, 1996.
Barth, J. Robert. The Symbolic Imagination. Princeton: Princeton University Press, 1977.
Barthes, Roland. A Lover's Discourse. Trans. Howard, Richard. New York: Hill and Wang, 1978.
Bate, Walter Jackson. John Keats. Cambridge, MA: Harvard University Press, 1963.
Bate, Walter Jackson. Coleridge. New York: Macmillan, 1968.
Bateson, F. W.Wordsworth: A Reinterpretation. London: Longmans, Green & Co., 1954.
Baudelaire, Charles. Les Fleurs du Mal. (Eng. trans. Howard, Richard.) Boston: David R. Godine, 1983.
Beer, John. “Coleridge, the Wordsworths, and the State of Trance.” The Wordsworth Circle 8 (1977): 121–38.
Benjamin, Walter. “The Storyteller.” Illuminations. Trans. Zohn, Harry. New York: Schocken Books, 1969.
Blair, Hugh. Lectures on Rhetoric and Belles Lettres. 2 vols. Vol.ii, ed. Harding, Harold F.. Carbondale: Southern Illinois Press, 1965.
Blake, William. The Complete Poetry and Prose. Ed. Erdman, David V.. Berkeley: University of California Press, 1982.
Blank, G. Kim. Wordsworth's Influence on Shelley's Poetry. Basingstoke: Macmillan, 1988.
Bloom, Harold. “Coleridge: The Anxiety of Influence.” New Perspectives on Coleridge and Wordsworth. Ed. Hartman, Geoffrey H.. New York: Columbia University Press, 1972.
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975.
Bloom, Harold. Poetry and Repression. New Haven: Yale University Press, 1976.
Bloom, Harold. The Ringers in the Tower. Chicago: University of Chicago Press, 1971.
Bloom, Harold. The Visionary Company. Garden City: Doubleday, 1961, rev. 1971.
Bloom, Harold. Wallace Stevens: The Poems of Our Climate. Ithaca: Cornell University Press, 1977.
Bornstein, George. Transformations of Romanticism in Yeats, Eliot, and Stevens. Chicago: University of Chicago Press, 1976.
Brisman, Leslie. Romantic Origins. Ithaca: Cornell University Press, 1978.
Brisman, Susan Hawk and Leslie Brisman. “Lies Against Solitude: Symbolic, Imaginary.” The Literary Freud: Mechanisms of Defense and the Poetic Will. Ed. Smith, Joseph H.. New Haven: Yale University Press, 1980.
Bromwich, David. Hazlitt: The Mind of a Critic. 1983. rpt. New Haven: Yale University Press, 1999.
Bromwich, David. Disowned by Memory. Chicago: University of Chicago Press, 1998.
Brooks, Cleanth. The Well-Wrought Urn. New York: Reynal & Hitchcock, 1947.
Brooks, Gwendolyn. Blacks. Chicago: Third World Press, 2001.
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. New York: Alfred A. Knopf, 1984.
Brower, Reuben. “Lady Winchilsea and the Poetic Tradition of the Seventeenth Century.” Studies in Philology 42 (1945): 61–80.
Brown, Marshall. Preromanticism. Stanford: Stanford University Press, 1991.
Burke, Edmund. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. Ed. Phillips, Adam. Oxford: Oxford University Press, 1990.
Burke, Kenneth. A Grammar of Motives. New York: Prentice-Hall, 1945.
Cameron, Sharon. Lyric Time: Dickinson and the Limits of Genre. Baltimore: Johns Hopkins University Press, 1979.
Chase, Cynthia. “ ‘Viewless Wings’: Keats's ‘Ode to a Nightingale.’ ” Lyric Poetry: Beyond New Criticism, 208–25. Ed. Hosek, Chaviva and Parker, Patricia. Ithaca: Cornell University Press, 1985.
Chernaik, Judith. The Lyrics of Shelley. Cleveland: Case Western University Press, 1972.
Cohen, Ralph. “Thomson's Poetry of Space and Time.” Studies in Criticism and Aesthetics, 1660–1800. Ed. Anderson, Howard and Shea, John S.. Minneapolis: University of Minnesota Press, 1967.
Coleridge, Samuel Taylor. Anima Poetae. Ed. Coleridge, E. H.. London: Heinemann, 1895.
Coleridge, Samuel Taylor.Collected Letters. Ed. Griggs, Earl Leslie. 6 vols. Oxford: Clarendon Press, 1956.
Coleridge, Samuel Taylor.Biographia Literaria. 2 vols. Ed. Engell, James and Bate, Walter Jackson. Princeton: Princeton University Press, 1983.
Coleridge, Samuel Taylor.Coleridge's “Dejection”: The Earliest Manuscripts and the Earliest Printings. Ed. Parrish, Stephen Maxfield. Ithaca: Cornell University Press, 1988.
Coleridge, Samuel Taylor.Poems on Various Subjects. 1796. Oxford: Woodstock Books, 1990.
Coleridge, Samuel Taylor.The Complete Poems. Ed. Keach, William. Harmondsworth: Penguin Books, 1997.
Collins, William. The Works of William Collins. Ed. Wendorf, Richard and Ryskamp, Charles. Oxford: Clarendon Press, 1979.
Cowper, William. The Poems of William Cowper. 2 vols. Ed. Baird, John D. and Ryskamp, Charles. Oxford: Clarendon Press, 1995.
Culler, A. Dwight. The Poetry of Tennyson. New Haven: Yale University Press, 1977.
Curran, Stuart. Poetic Form and British Romanticism. New York: Oxford University Press, 1986.
Damrosch, Leopold. God's Plot and Man's Stories. Chicago: University of Chicago Press, 1985.
Darbishire, Helen. The Poet Wordsworth. Oxford: Clarendon Press, 1950.
De Certeau, Michel. The Practice of Everyday Life. Trans. Rendall, Steven F.. Berkeley: University of California Press, 1984.
Man, Paul. “The Rhetoric of Temporality.” Blindness and Insight. Minneapolis: University of Minnesota Press, 1983.
Dowden, Edward. Poems. London: J. M. Dent & Sons, 1914.
Dryden, John, trans. The Works of Virgil: Containing His Pastorals, Georgics, and Aeneis. London: printed for Jacob Tonson, 1697.
Edmundson, Mark. “Criticism Now: The Example of Wordsworth.” Raritan 10:2 (1990): 120–41.
Eliot, T. S.. “Introduction” to Baudelaire's Intimate Journals. Trans. Isherwood, Christopher. London: Blackamore Press, 1930.
Eliot, T. S.The Complete Poems and Plays. New York: Harcourt Brace, 1980.
Eliot, T. S..Inventions of the March Hare. Ed. Ricks, Christopher. New York: Harcourt Brace, 1996.
Epstein, Andrew. “ ‘Flowers that Mock the Corse Beneath’: Shelley's Adonais, Keats, and Poetic Influence.” Keats-Shelley Journal 48 (1999): 90–128.
Everest, Kelvin. Coleridge's Secret Ministry. New York: Barnes & Noble, 1979.
Evert, Walter H.Aesthetic and Myth in the Poetry of Keats. Princeton: Princeton University Press, 1965.
Fay, Elizabeth. Becoming Wordsworthian. Amherst: University of Massachusetts Press, 1995.
Fielding, Henry. Joseph Andrews. Ed. Brissenden, R. F.. Harmondsworth: Penguin, 1977.
Fielding, Henry.Tom Jones. Ed. Mutter, R. P. C.. London: Penguin, 1985.
Finch, Anne, Countess of Winchilsea. Miscellany Poems on Several Occasions. London: Printed for J. B. and Sold by Benj. Tooke at the Middle-Temple-Gate, William Taylor in Pater-Noster Row, James Round in Exchange-Alley, Cornhil, and John Morphew near Stationers-Hall, 1713.
Fish, Stanley. “Lycidas: A Poem Finally Anonymous.” Milton's “Lycidas”: The Tradition and the Poem, 319–40. Ed. Patrides, C. A.. Columbia: University of Missouri Press, 1983.
Fisher, Philip. The Vehement Passions. Princeton: Princeton University Press, 2002.
Fried, Michael. Absorption and Theatricality: Painting and the Beholder in the Age of Diderot. Chicago: University of Chicago Press, 1980.
Fry, Paul. The Poet's Calling in the English Ode. New Haven: Yale University Press, 1980.
Fry, Paul. A Defense of Poetry. Stanford: Stanford University Press, 1995.
Frye, Northrop. Fearful Symmetry. Princeton: Princeton University Press, 1947, rptd. 1969.
Frye, Northrop. “Towards Defining an Age of Sensibility.” Fables of Identity: Studies in Poetic Mythology. New York: Harcourt Brace Jovanovich, 1984.
Gérard, Albert. “The Systolic Rhythm: The Structure of Coleridge's Conversation Poems.” Coleridge: A Collection of Critical Essays. Ed. Coburn, Kathleen. Englewood Cliffs, NJ: Prentice-Hall, 1967.
Gérard, Albert. English Romantic Poetry. Berkeley: University of California Press, 1968.
Gilbert, Sandra M. and Gubar, Susan. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven and London: Yale University Press, 1979.
Gilpin, William. Observations, Relative Chiefly to Picturesque Beauty. 2 vols. London, 1786.
Gittings, Robert. John Keats: The Living Year. Cambridge, MA: Harvard University Press, 1954.
Gleckner, Robert F. “Keats's ‘How Many Bards’ and Poetic Tradition,” Keats-Shelley Journal 27 (1978): 14–22.
Glen, Heather. Vision and Disenchantment: Blake's Songs and Wordsworth's Lyrical Ballads. Cambridge: Cambridge University Press, 1983.
Goodman, Kevis. Georgic Modernity and British Romanticism. Cambridge: Cambridge University Press, 2004.
Graff, Gerald. Professing Literature. Chicago: University of Chicago Press, 1987.
Gray, Thomas. Selected Poems of Thomas Gray and William Collins. Ed. Johnston, Arthur. London: Edward Arnold, 1967.
Griffin, Dustin. Regaining Paradise: Milton and the Eighteenth Century. Cambridge: Cambridge University Press, 1986.
Hartman, Geoffrey. Beyond Formalism. New Haven: Yale University Press, 1970.
Hartman, Geoffrey.“Reflections on the Evening Star.” New Perspectives on Coleridge and Wordsworth, 110–22. Ed. Hartman, . New York: Columbia University Press, 1972.
Hartman, Geoffrey. The Fate of Reading and Other Essays. Chicago: University of Chicago Press, 1985.
Hartman, Geoffrey. The Unremarkable Wordsworth. Minneapolis: University of Minnesota Press, 1987.
Hartman, Geoffrey. Wordsworth's Poetry, 1786–1814. Cambridge, MA: Harvard University Press, 1964, rpt. 1987.
Haven, Richard. Patterns of Consciousness: An Essay on Coleridge. Amherst: University of Massachusetts Press, 1969.
Heidegger, Martin. Poetry, Language, Thought. Trans. Hofstadter, Albert. New York: Harper & Row, 1971.
Hinnant, Charles. The Poetry of Anne Finch. Newark: University of Delaware Press, 1994.
Hogle, Jerrold E.Shelley's Process. Oxford: Oxford University Press, 1988.
Hollander, John. “Tennyson's Melody.” Georgia Review 29 (1975): 676–703.
Hollander, John. The Figure of Echo: A Mode of Allusion in Milton and After. Berkeley: University of California Press, 1981.
Hulme, T. E. “Romanticism and Classicism.” Speculations: Essays on Humanism and the Philosophy of Art. 1924. Ed. Read, Herbert. London: Routledge & Kegan Paul, rpt. 1987.
Jacobus, Mary. Tradition and Experiment in Wordsworth's Lyrical Ballads. Oxford: Clarendon Press, 1976.
Johnson, Samuel. Lives of the English Poets. Ed. Hill, George Birkbeck. 3 vols. Vol. iii. Oxford: Clarendon Press, 1905.
Johnston, Kenneth. “The Politics of ‘Tintern Abbey.’ ” Romantic Poetry: Recent Revisionary Criticism. Ed. Kroeber, Karl and Ruoff, Gene W.. New Brunswick: Rutgers University Press, 1993.
Johnston, Kenneth. The Hidden Wordsworth: Poet, Lover, Rebel, Spy. New York: W. W. Norton, 1998.
Jones, John. John Keats's Dream of Truth. London: Chatto and Windus, 1969.
Keats, John. Letters of John Keats. Ed. Rollins, Hyder Edward. 2 vols. Cambridge, MA: Harvard University Press, 1958.
Keats, John.The Odes of John Keats and Their Earliest Known Manuscripts. Ed. Gittings, Robert. Ohio: Kent State University Press, 1970.
Keats, John.Complete Poems. Ed. Stillinger, Jack. Cambridge, MA: Harvard University Press, 1982.
Kent, George E.A Life of Gwendolyn Brooks. Lexington: University Press of Kentucky, 1990.
Kermode, Frank. The Sense of an Ending. New York, Oxford University Press, 1967.
King-Hele, Desmond. Shelley: His Thought and Work. London: Macmillan Press, 1960, rptd. 1971.
Knapp, Steven. Personification and the Sublime. Cambridge, MA: Harvard University Press, 1985.
Knott, John R.Milton's Pastoral Vision. Chicago: University of Chicago Press, 1971.
Kroeber, Karl. “Experience and History: Shelley's Venice, Turner's Carthage.” ELH 41 (1974): 321–39.
Lambert, Ellen Z.Placing Sorrow: A Study of Pastoral Elegy Convention from Theocritus to Milton. Chapel Hill: University of North Carolina Press, 1976.
Langbaum, Robert. The Poetry of Experience. New York: W. W. Norton, 1957, rpt. 1963.
Lau, Beth. Keats's Reading of the Romantic Poets. Ann Arbor: University of Michigan Press, 1991.
Lau, Beth. Keats's “Paradise Lost.”Gainesville: University Press of Florida, 1998.
Levinson, Marjorie. Wordsworth's Great Period Poems. Cambridge: Cambridge University Press, 1986.
Lindenberger, Herbert. On Wordsworth's “Prelude.”Princeton: Princeton University Press, 1963.
Liu, Alan. Wordsworth: The Sense of History. Stanford: Stanford University Press, 1989.
Liu, Alan. “The Power of Formalism: The New Historicism.” ELH 56:4 (1989): 721–71.
Locke, John. An Essay Concerning Human Understanding. Ed. Nidditch, Peter H.. Oxford: Clarendon Press, 1975.
Longfellow, Henry Wadsworth. Poems and Other Writings. Ed. McClatchy, J. D.. New York: Library of America, 2000.
Lott, James. “Keats's To Autumn: The Poetic Consciousness and the Awareness of Process.” Studies in Romanticism 9:2 (1970): 71–81.
Lucretius, Carus Titus. De Rerum Natura (The Nature of Things). Trans. Copley, Frank O.. New York: Norton, 1977.
MacCaffrey, Isabel. “Lycidas: The Poet in a Landscape.” The Lyric and Dramatic Milton. Ed. Summers, Joseph. New York: Columbia University Press, 1965.
Magnuson, Paul. Coleridge's Nightmare Poetry. Charlottesville: University of Virginia Press, 1974.
Magnuson, Paul. Coleridge and Wordsworth: A Lyrical Dialogue. Princeton: Princeton University Press, 1988.
Magnuson, Paul.“The Shaping Spirit of ‘Fears in Solitude.’” Coleridge's Theory of Imagination Today. Ed. Gallant, Christine. New York: AMS Press, 1989.
Magnuson, Paul. “The Politics of ‘Frost at Midnight.’” The Wordsworth Circle 22:1 (1991): 3–11.
McFarland, Thomas. “Poetry and the Poem: The Structure of Poetic Content.” Literary Theory and Structure. Ed. Brady, Franket al. New Haven: Yale University Press, 1973.
McGann, Jerome. The Romantic Ideology. Chicago: University of Chicago Press, 1983.
McGann, Jerome. The Poetics of Sensibility. Oxford: Clarendon Press, 1996.
McGovern, Barbara. Anne Finch and Her Poetry. Athens, GA: University of Georgia Press, 1992.
Medwin, Thomas. The Life of Percy Bysshe Shelley. London: Thomas Cautley Newby, 1847.
Mellor, Anne. “Coleridge's ‘This Lime-Tree Bower My Prison’ and the Categories of English Landscape.” Studies in Romanticism 18 (1979): 30–42.
Mellor, Anne. English Romantic Irony. Cambridge, MA: Harvard University Press, 1980.
Messenger, Ann. Pastoral Tradition and the Female Talent. New York: AMS Press, 2001.
Metzger, Lore. One Foot in Eden: Modes of Pastoral in Romantic Poetry. Chapel Hill: University of North Carolina Press, 1986.
Miller, Andrew M. trans. Greek Lyric. Indianapolis: Hackett, 1996.
Miller, J. Hillis. Fiction and Repetition. Cambridge, MA: Harvard University Press, 1982.
Milton, John. Complete Poems and Major Prose. Ed. Hughes, Merritt Y.. New York: Odyssey Press, 1957.
Murphy, John. “Time's Tale: The Temporal Poetics of Shelley's Alastor.” Keats-Shelley Journal 45 (1996): 132–55.
Newlyn, Lucy. Coleridge, Wordsworth and the Language of Allusion. Oxford: Clarendon Press, 1986.
Nicholson, Marjorie Hope. Newton Demands the Muse. Hamden, CT: Archon Books, 1946, rpt. 1963.
O'Neill, Michael. The Human Mind's Imaginings: Conflict and Achievement in Shelley's Poetry. Oxford: Clarendon Press, 1989.
Panofsky, Erwin. Meaning in the Visual Arts. Garden City, NY: Doubleday, 1955.
Parker, Patricia. “Eve, Evening, and the Labor of Reading in Paradise Lost.” English Literary Renaissance 9:2 (1979): 319–42.
Parker, Reeve. Coleridge's Meditative Art. Ithaca: Cornell University Press, 1975.
Parker, Reeve. “Finishing Off ‘Michael’: Poetic and Critical Enclosures.” Diacritics 17:4 (1987): 53–64.
Patterson, Annabel. Pastoral and Ideology. Berkeley: University of California Press, 1987.
Perkins, David. The Quest for Permanence. Cambridge, MA: Harvard University Press, 1959.
Petrarca, Francesco. Petrarch's Lyric Poems. Ed. and trans. Durling, Robert M.. Cambridge, MA: Harvard University Press, 1976.
Phillips, Jane E. “Lucretian Echoes in Shelley's ‘Mont Blanc.’” Classical and Modern Literature 2:1 (1981): 71–93.
Pinch, Adela. Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen. Stanford: Stanford University Press, 1997.
Puttenham, George. The Arte of English Poesie. Ed. Willock, Gladys Doidge and Walker, Alice. Cambridge: Cambridge University Press, 1970.
Quinones, Ricardo J.The Renaissance Discovery of Time. Cambridge, MA: Harvard University Press, 1972.
Rajan, Tilottama. Dark Interpreter: The Discourse of Romanticism. Ithaca: Cornell University Press, 1980.
Rajan, Tilottama.“The Web of Human Things: Narrative and Identity in Alastor.” The New Shelley. Ed. Blank, G. Kim. Basingstoke: Macmillan Press, 1991.
Randel, Fred V. “Coleridge and the Contentiousness of Romantic Nightingales.” Studies in Romanticism 21:1 (1982): 33–55.
Reiman, Donald. “Structure, Symbol, and Theme in ‘Lines written among the Euganean Hills.’ ” PMLA 77 (1962): 404–13.
Reynolds, Myra. The Treatment of Nature in English Poetry Between Pope and Wordsworth. Chicago: University of Chicago Press, 1896.
Ricks, Christopher. Keats and Embarrassment. Oxford: Clarendon Press, 1974.
Ricks, Christopher. Milton's Grand Style. Oxford: Clarendon Press, 1983.
Ricoeur, Paul. Time and Narrative. 3 vols. Vol. i. Trans. McLaughlin, Kathleen and Pellauer, David. Chicago: University of Chicago Press, 1984.
Robinson, Mary. Selected Poems. Ed. , Judith Pascoe.Peterborough, Ont.: Broadview Press, 2000.
Roberts, Hugh. Shelley and the Chaos of History. University Park: Pennsylvania State University Press, 1997.
Robinson, Daniel. “ ‘Work Without Hope’: Anxiety and Embarrassment in Coleridge's Sonnets.” Studies in Romanticism 39:1 (2000): 81–110.
Rogers, Katharine. “Anne Finch, Countess of Winchilsea: An Augustan Woman Poet.” Shakespeare's Sisters: Feminist Essays on Women Poets. Ed. Gilbert, Sandra M. and Gubar, Susan. Bloomington: Indiana University Press, 1979.
Rollins, Hyder Edward, ed. The Keats Circle: Letters and Papers, 1816–1878. 2 vols. Cambridge, MA: Harvard University Press, 1948.
Rosenmeyer, Thomas. The Green Cabinet. Berkeley: University of California Press, 1969.
Ruoff, Gene W.Wordsworth and Coleridge: The Making of the Major Lyrics, 1802–1804. New Brunswick: Rutgers University Press, 1989.
Sacks, Peter. The English Elegy. Baltimore: Johns Hopkins University Press, 1985.
Salvaggio, Ruth. Enlightened Absence: Neoclassical Configurations of the Feminine. Urbana: University of Illinois Press, 1988.
Schenk, Celeste M.Mourning and Panegyric: The Poetics of Pastoral Ceremony. University Park: Pennsylvania State University Press, 1988.
Shakespeare, William.Shakespeare's Sonnets. Ed. Booth, Stephen. New Haven: Yale University Press, 1977.
Shakespeare, William.Hamlet. Arden edition. Ed. Jenkins, Harold. London: Methuen, 1982.
Sheats, Paul. The Making of Wordsworth's Poetry, 1785–1798. Cambridge, MA: Harvard University Press, 1973.
Shelley, Mary. Mary Shelley's Journal. Ed. Jones, Frederick L.. Norman: University of Oklahoma Press, 1947.
Shelley, Percy Bysshe. Letters. Ed. Jones, Frederick L.. 2 vols. Oxford: Clarendon, 1964.
Shelley, Percy Bysshe.Shelley's Poetry and Prose. 2nd edn. Ed. Reiman, Donald H. and Fraistat, Neil. New York: W. W. Norton, 2002.
Shesgreen, Sean. Hogarth and the Times-of-the-Day Tradition. Ithaca and London: Cornell University Press, 1983.
Simpson, David. Wordsworth and the Figurings of the Real. London: Macmillan, 1982.
Simpson, David. Wordsworth's Historical Imagination: The Poetry of Displacement. New York: Methuen, 1987.
Smith, Barbara Herrnstein. Poetic Closure: A Study of How Poems End. Chicago: University of Chicago Press, 1968.
Smith, Charlotte. The Poems of Charlotte Smith. Ed. Curran, Stuart. Oxford: Oxford University Press, 1993.
Southey, Robert. Letters from England. Ed. Simmons, Jack. London: The Cresset Press, 1951.
Spears, Monroe K.Dionysus and the City. New York: Oxford University Press, 1970.
Spenser, Edmund.The Yale Edition of the Shorter Poems. Ed. Oram, William A.et al. New Haven: Yale University Press, 1989.
Spenser, Edmund.Edmund Spenser's Poetry. 3rd edn. Ed. Maclean, Hugh and Prescott, Anne Lake. New York: W. W. Norton, 1993.
Sperry, Stuart. Shelley's Major Verse: The Narrative and Dramatic Poetry. Cambridge, MA: Harvard University Press, 1988.
Sperry, Stuart. Keats the Poet. Princeton: Princeton University Press, 1973, rpt. 1994.
Starr, G. Gabrielle. Lyric Generations: Novel and Lyric in the Long Eighteenth Century. Baltimore: Johns Hopkins University Press, 2003.
Steinman, Lisa. “Shelley's Skepticism: Allegory in Alastor.” ELH 45 (1978): 255–69.
Susan, Stewart. Poetry and the Fate of the Senses. Chicago: University of Chicago Press, 2002.
Stillinger, Jack. The Hoodwinking of Madeline and Other Essays on Keats's Poems. Urbana: University of Illinois Press, 1971.
Stillinger, Jack. “Pictorialism and Matter-of-Factness in Coleridge's Poems of Somerset.” The Wordsworth Circle 20:2 (1989): 62–8.
Stillinger, Jack.“Keats and Coleridge.” Coleridge, Keats, and the Imagination: Romanticism and Adam's Dream. Ed. Barth, J. Robert, , SJ and Mahoney, John L.. Columbia: University of Missouri Press, 1990.
Stillinger, Jack. Coleridge and Textual Instability: The Multiple Versions of the Major Poems. New York: Oxford University Press, 1994.
Summers, Joseph. The Muse's Method: An Introduction to Paradise Lost. Cambridge, MA: Harvard University Press, 1962.
Tennyson, Alfred, Lord. Tennyson: A Selected Edition. Ed. Ricks, Christopher. Berkeley: University of California Press, 1989.
Tetreault, Ronald. The Poetry of Life: Shelley and Literary Form. Toronto: University of Toronto Press, 1987.
Thomson, James. The Complete Poetical Works. Ed. Robertson, J. Logie. Oxford: Oxford University Press, 1908.
Thomson, James.The Seasons. Ed. Sambrook, James. Oxford: Clarendon Press, 1981.
Todd, Janet. Sensibility: An Introduction. New York: Methuen, 1986.
Toomer, Jean. Cane. Ed. Turner, Darwin T.. New York: W. W. Norton, 1988.
Trilling, Lionel. The Moral Obligation to Be Intelligent. Ed. Wieseltier, Leon. New York: Farrar, Straus and Giroux, 2000.
Tucker, Herbert. Tennyson and the Doom of Romanticism. Cambridge, MA: Harvard University Press, 1988.
Turner, Paul. “Shelley and Lucretius.” Review of English Studies 10 (1959): 269–82.
Vendler, Helen. On Extended Wings: Wallace Stevens' Longer Poems. Cambridge, MA: Harvard University Press, 1969.
Vendler, Helen. “The Experiential Beginning of Keats's Odes.” Studies in Romanticism 12:3 (1973): 591–606.
Vendler, Helen. The Odes of John Keats. Cambridge, MA: Harvard University Press, 1983.
Vendler, Helen. “Lionel Trilling and Wordsworth's Immortality Ode.” The Music of What Happens. Cambridge, MA: Harvard University Press, 1988.
Virgil. The Eclogues. Trans. Fairclough, H. Rushton and rev. Goold, G. P.. Cambridge, MA: Harvard University Press, 1999.
Warton, Joseph. Odes on Various Subjects. 1746. Ed. Wendorf, Richard. Los Angeles, CA: William Andrews Clark Memorial Library, University of California, 1979.
Warton, Thomas. Poems on Various Subjects. London: Printed for G. G. J. and J. Robinson, 1791.
Wasserman, Earl. The Finer Tone: Keats' Major Poems. Baltimore: Johns Hopkins University Press, 1953.
Wasserman, Earl. Shelley: A Critical Reading. Baltimore: Johns Hopkins Press, 1971.
Watts, Isaac. Divine and Moral Songs. London, 1796.
Wheeler, Kathleen. The Creative Mind in Coleridge's Poetry. London: Heinemann, 1981.
Whitman, Walt. Complete Poetry and Collected Prose. Ed. Kaplan, Justin. New York: Library of America, 1982.
Wilde, Oscar. “The Decay of Lying.” Literary Criticism of Oscar Wilde. Ed. Weintraub, Stanley. Lincoln: University of Nebraska Press, 1968.
Williams, Helen Maria. Poems. 1786. Oxford: Woodstock Books, 1994.
Wimsatt, William. The Verbal Icon. Lexington: University of Kentucky Press, 1954.
Wittreich, Joseph A.Feminist Milton. Ithaca: Cornell University Press, 1987.
Wittreich, Joseph A.ed. The Romantics on Milton. Cleveland: The Press of Case Western Reserve University, 1970.
Wolfson, Susan. Formal Charges: The Shaping of Poetry in British Romanticism. Stanford: Stanford University Press, 1997.
Woodring, Carl. Politics in the Poetry of Coleridge. Madison: University of Wisconsin Press, 1961.
Woodring, Carl. Wordsworth. Boston, MA: Houghton Mifflin, 1965.
Woolf, Virginia. Orlando. 1928. New York: Harcourt Brace Jovanovich, 1956.
Wordsworth, Dorothy. The Journals of Dorothy Wordsworth. Ed. Moorman, Mary. Oxford: Oxford University Press, 1971, rpt. 1991.
Wordsworth, William.Poetical Works. Ed. Hutchinson, Thomas, rev. Ernest de Selincourt. Oxford: Oxford University Press, 1936.
Wordsworth, William.Poetical Works. Ed. Selincourt, Ernest and Darbishire, Helen. 5 vols. Oxford: Clarendon Press, 1966.
Wordsworth, William.The Letters of William and Dorothy Wordsworth: The Early Years. Ed. Selincourt, Ernest. Oxford: Oxford University Press, 1967.
Wordsworth, William.Prose Works of William Wordsworth. Ed. Owen, W. J. B. and Smyser, Jane Worthington. 3 vols. Vol. iii. Oxford: Clarendon Press, 1974.
Wordsworth, William.An Evening Walk. Ed. Averill, James. Ithaca: Cornell University Press, 1984.
Wordsworth, William.The Fenwick Notes of William Wordsworth. Ed. Curtis, Jared. London: Bristol Classical Press, 1993.
Yeats, William Butler. “The Philosophy of Shelley's Poetry.” Essays and Introductions. New York: Collier Books, 1961.
Zimmerman, Sarah. Romanticism, Lyricism, and History. Albany: State University of New York Press, 1999.
