Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Kursell, Julia
2013.
Experiments on Tone Color in Music and Acoustics: Helmholtz, Schoenberg, and Klangfarbenmelodie.
Osiris,
Vol. 28,
Issue. 1,
p.
191.
2014.
Aurality.
p.
31.
De Kock, Liesbet
2014.
Hermann von Helmholtz's Empirico-Transcendentalism Reconsidered: Construction and Constitution in Helmholtz's Psychology of the Object.
Science in Context,
Vol. 27,
Issue. 4,
p.
709.
2014.
Aurality.
p.
231.
2014.
Aurality.
p.
77.
2014.
Aurality.
p.
207.
2014.
Aurality.
p.
215.
2014.
Aurality.
p.
165.
2014.
Aurality.
p.
1.
2014.
Aurality.
p.
123.
Steege, Benjamin
2015.
Keywords in Sound.
p.
22.
Kursell, Julia
2015.
A Third Note: Helmholtz, Palestrina, and the Early History of Musicology.
Isis,
Vol. 106,
Issue. 2,
p.
353.
Moseley, Roger
2015.
Digital Analogies:.
Journal of the American Musicological Society,
Vol. 68,
Issue. 1,
p.
151.
Erlmann, Veit
2015.
Keywords in Sound.
p.
175.
Kieffer, Alexandra
2016.
Riemann in France: Jean Marnold and the “Modern” Music-Theoretical Ear.
Music Theory Spectrum,
Vol. 38,
Issue. 1,
p.
1.
McCARTHY, DAVID
2016.
Textured Voices and the Performance of Ethical Life in the Case of the Laff Box (1966).
Twentieth-Century Music,
Vol. 13,
Issue. 1,
p.
109.
Boynton, Susan
Kay, Sarah
Cornish, Alison
and
Albin, Andrew
2016.
Sound Matters.
Speculum,
Vol. 91,
Issue. 4,
p.
998.
Abbate, Carolyn
2016.
Sound Object Lessons.
Journal of the American Musicological Society,
Vol. 69,
Issue. 3,
p.
793.
Kokorz, Gregor
2018.
Auditive Wissenskulturen.
p.
183.
Hui, Alexandra
2018.
Handbuch Sound.
p.
282.