Select bibliography
Bauman, Thomas and McClymonds, Marita P. (eds.), Opera and the Enlightenment, Cambridge University Press, 1995.
Bianconi, Lorenzo (ed.), I libretti italiani di Georg Friedrich Händel e le loro fonti, I* and 1**, Florence: Olschki, 1992.
Buelow, George J. and Marx, Hans Joachim (eds.), New Mattheson Studies, Cambridge University Press, 1983.
Burney, Charles, A General History of Music from the Earliest Ages to the Present Period (London: 1776–89), in 2 vols., Mercer, Frank (ed.), London: G. T. Foulis & Co, 1935.
Burney, Charles, Memoirs of the Life and Writings of the Abate Metastasio, 3 vols., London: Robinson, 1796.
Burrows, Donald, Handel (The Master Musicians), Oxford University Press, 1994.
Burrows, Donald and Dunhill, Rosemary (eds.), Music and Theatre in Handel’s World. The Family Papers of James Harris 1732–1780, Oxford University Press, 2002.
Cannon, Beekman C., Johann Mattheson. Spectator in Music, New Haven: Yale University Press, 1968 reprint.
Coke, Thomas, Vice Chamberlain Coke’s Theatrical Papers 1706–1715, Milhous, Judith and Hume, Robert D. (eds.), Carbondale and Edwardsville: Southern Illinois University Press, 1982 reprint.
Dean, Winton, Handel’s Operas 1726–1741, Woodbridge: The Boydell Press, 2006.
Dean, Winton and Knapp, John Merrill, Handel’s Operas 1704–1726, Oxford: Clarendon Press, rev. edn, 1995.
Deutsch, Otto Erich, Handel: A Documentary Biography, London: A. & C. Black, 1955.
Dorris, George E., Paolo Rolli and the Italian Circle in London, 1715–1744, The Hague, Paris: Mouton & Co., 1967.
Eisenschmidt, Joachim, Die szenische Darstellung der Opern Georg Friedrich Händels auf der Londoner Bühne seiner Zeit (Inaugural-Dissertation), Halle, 1940.
Gallarati, Paolo, Musica e Maschera: il libretto italiano del Settecento, Turin: EDT, 1984.
The New Grove Dictionary of Music and Musicians, Sadie, Stanley (ed.), London: Macmillan, 1980.
George Frideric Handel Collected Documents, Volume 1 1609–1725, Burrows, Donald, Coffey, Helen, Greenacombe, John and Hicks, Anthony (eds.), Cambridge University Press, 2013.
George Frideric Handel Collected Documents, Volume 2 1725–1734, Burrows, Donald, Coffey, Helen, Greenacombe, John and Hicks, Anthony (eds.), Cambridge University Press, 2015.
Harnoncourt, Nikolaus, Musik als Klangrede: Wege zu einem neuen Musikverständnis, Munich and Kassel: Deutscher Taschenbuch Verlag/Bärenreiter Verlag, 1985.
Harris, Ellen T. (ed.), The Librettos of Handel’s Operas [in facsimile], 13 vols., New York and London: Garland, 1989.
Hortschansky, Klaus and Musketa, Konstanze (eds.), Georg Friedrich Händel – ein Lebensinhalt. Gedenkschrift für Bernd Baselt (1934–1993), Halle an der Saale: Händel-Haus, 1995.
Larue, C. Steven, Handel and His Singers: The Creation of the Royal Academy Operas, 1720–1728, Oxford University Press, 1995.
Leopold, Silke, Händel. Die Opern, Kassel, Basel, London: Bärenreiter, 2009.
McCredie, Andrew D., Instrumentarium and Instrumentation in the North German Baroque Opera, University of Hamburg Habilitationsschrift, Hamburg, 1964.
McGeary, Thomas, The Politics of Opera in Handel’s Britain, Cambridge University Press, 2013.
Mainwaring, John. G. F. Händel, nach Johann Matthesons deutscher Ausgabe von 1761 mit anderen Dokumenten herausgegeben, Paumgartner, Bernhard (ed.), Zurich: Atlantis-Verlag, 1947.
Mainwaring, JohnMemoirs of the Life of the Late George Frederic Handel, London: R. & J. Dodsley, 1760.
Mattheson, Johann, Das Beschützte Orchestre, Hamburg: Schiller, 1717.
Mattheson, Johann, Das Neu- Eröffnete Orchestre, Hamburg, 1713.
Mattheson, Johann, Der musicalische Patriot, Hamburg, 1728.
Mattheson, Johann, Der vollkommene Capellmeister 1739, facsimile edition, Reimann, Margarete (ed.), Documenta Musicologica V, Kassel and Basel: Bärenreiter, 1954.
Mattheson, Johann, Grundlage einer Ehren-Pforte Hamburg, 1740.
Rätzer, Manfred, Szenische Aufführungen von Werken Georg Friedrich Händels vom 18. bis 20. Jahrhundert: eine Dokumentation, Halle an der Saale: Händel-Haus, 2000.
Roberts, John H. (ed.), Handel Sources: Materials for the Study of Handel’s Borrowings, 9 vols., New York: Garland, 1986.
Sadie, Stanley and Hicks, Anthony (eds.), Handel Tercentenary Collection, Basingstoke: Macmillan Music Division, 1987.
Smith, Ruth, Handel’s Oratorios and Eighteenth-Century Thought, Cambridge University Press, 1995.
Strohm, Reinhard, Die italienische Oper im 18. Jahrhundert, Wilhelmshaven: Heinrichshofen, 1979.
Strohm, Reinhard, Dramma per musica: Italian Opera Seria of the Eighteenth Century, New Haven and London: Yale University Press, 1997.
Strohm, Reinhard, Essays on Handel and Italian Opera, Cambridge University Press, 1985.
Tosi, P. F., Opinioni de’ cantori antichi, e moderni, Bologna, 1723, tr. J. E. Galliard as Observations on the Florid Song, London, 1742.
Williams, Peter (ed.), Bach, Handel, Scarlatti: Tercentenary Essays, Cambridge University Press, 1985.