Secondary Sources
Account of Mr. Mathews' At Home; as delivered in an annual lecture on peculiarities, characters, and manners, founded on his own Observations and Adventures during his late Trip to American…Also a Monopolylogue, called All Well at Natchitoches; Embellished with a representation of the Scene, &c. &c. London: Duncombe, 1824
Adolphus, John, Memoirs of John Bannister Comedian, 2 vols., London: Richard Bentley, 1839
Angelo, Henry, Reminiscences of Henry Angelo, 2 vols., London: Henry Colburn and Richard Bentley, 1830
Arnheim, Rudolf, To the Rescue of Art: Twenty-Six Essays, Berkeley: University of California Press, 1992
Ashton, Geoffrey, Burnim, Kalman A., Wilton, Andrew, Pictures in the Garrick Club, London: Garrick Club, 1997
Barham, R. H., The Life and Remains of Theodore Edward Hook, London: Richard Bentley, 1877
Bellamy, Thomas, Life of William Parsons, London, 1795
Blackmantle, Bernard, The English Spy, 2 vols., London: Shirrwood, Gilbert and Piper, 1826
Boaden, James, Memoirs of the Life of John Philip Kemble Esq., including A History of the Stage, from The Time of Garrick to The Present Period, 2 vols., London: Longman, Hurt, Rees, Orme, Brown & Greene, 1825
Boaden, James, The Life of Mrs Jordan including Original Private Correspondence and Numerous Anecdotes of Her Contemporaries, 2 vols., London: Edward Bull, 1831
Booth, Michael R., English Plays of the Nineteenth Century III. Comedies, Oxford: Oxford University Press, 1973
Bonner, Willard Hallam, ‘Journals of Sarah and William Hazlitt 1822–31’, The University of Buffalo Studies 24 (February 1959)
Bratton, Jacky, New Readings in Theatre History, Cambridge: Cambridge University Press, 2003
Brett, R. L. & Jones, A. R., eds., Wordsworth and Coleridge Lyrical Ballads, London: Methuen, 1965
Brewer, John, The Pleasures of the Imagination: English Culture in the Eighteenth Century, Chicago: The University of Chicago Press, 1997
Brown, Eluned, ed., The London Theatre 1811–1866: Selections from the Diary of Henry Crabb Robinson, London: Society for Theatre Research, 1966
Burnim, Kalman A., David Garrick, Director, Carbondale: Southern Illinois University Press, 1973
Burnim, Kalman A. & Highfill Jr, Philip., John Bell Patron of British Theatrical Portraiture A Catalogue of the Theatrical Portraits in His Editions of Bell's Shakespeare and Bell's British Theatre, Carbondale: Southern Illinois University Press, 1998
Burwick, Frederick, ed., The Journal of John Waldie Theatre Commentaries, 1799–1830: no. 19 [Journal 19] February 1–July 3, 1809, Charles E. Young Research Library Department of Special Collections, UCLA Library, UC Los Angeles.
Campbell, Thomas, Life of Mrs Siddons, 2 vols., London: Effingham Wilson, 1834
Carlson, Julie, ‘Hazlitt and the Sociability of Theatre’, in Romantic Sociability: Social Networks and Literary Culture in Britain, 1770–1840, ed. Russell, Gillian & Tuite, Clara, Cambridge: Cambridge University Press, 2002
Carlson, Julie, Catalogue of the Miscellaneous and Dramatic Library, Engraved Theatrical Portraits, Dramatic and Literary Autobiography Letters, and Collection of Historical Relics, the Property of the late Charles Mathews Esq., London: Sotheby's, 1835
Cole, J. W., The Life and Theatrical Times of Charles Kean, 2 vols., London: Richard Bentley, 1859
Colman, George the younger, Random Records, 2 vols., London: Henry Colburn and Richard Bentley, 1830
Compton, C. and , E., eds., Henry Compton: Memoirs, London: Tinsley Bros, 1879
Cooke, William, Elements of Dramatic Criticism, an Analysis of the Stage Under the Following Heads: Tragedy, Tragi-comedy, Comedy …, London, 1775
Cornwall, Barry, Charles Lamb: A Memoir, London: Edward Moxon & Co, 1866
Cowden Clarke, , Charles, and , Mary, Recollections of Writers, Fontwell, Sussex: Centaur Press Ltd., 1969
Cowell, Joe, Thirty Years Passed among the Players in England and America: Interspersed with Anecdotes and Reminiscences, New York: Harper, 1844
Cunningham, Allan, The Life of Sir David Wilkie with His Journals, Tours and Critical Remarks on Works of Art; and a Selection from his Correspondence, 3 vols. London: John Murray, 1843
Daniel, George, Merrie England in the Olden Time, 2 vols., London, Richard Bentley, 1842
Daniel, George, Memoir of John Bannister, London: Cumberland's British Theatre, 1826, XXXVI
Daniel, George, ‘Remarks’, in Charles James Mathews, The Humpbacked Lover, London: John Cumberland, undated
Daniel, George, Remarks on George Colman the younger, Africans or War, Love and Duty, London: Cumberland's British Theatre, 1829, XLIII
Daniel, George, Remarks on George Colman the younger, John Bull, London: Cumberland's British Theatre, 1829, XXXVI
George, Daniel, Remarks on Isaac Bickerstaffe, The Hypocrite, London: Cumberland's British Theatre, 1829, III
Daniel, George, Remarks on James Kenney, Love Law and Physic, London: Cumberland's British Theatre, 1829, XXIV
Daniel, George, Remarks on James Kenney, The Illustrious Stranger, London: Cumberland's British Theatre, 1829, XXIII
Daniel, George, Remarks on John O'Keeffe, The Agreeable Surprise, London: Cumberland's British Theatre, 1829, V
Daniel, George, Remarks on Prince Hoare, Lock and Key, London, Cumberland's British Theatre, 1829, XXIV
Daniel, George, Remarks on William Shakespeare, Measure for Measure, London: Cumberland's British Theatre, 1826, VII
Davis, Jim, ‘“Auntie, can you do that?” or “Ibsen in Brixton”: Representing the Victorian Stage through Cartoon and Caricature’, in Ruskin, the Theatre and Victorian Visual Culture, ed. Heinrich, Anselm, Newey, Katherine and Richards, Jeffrey, Basingstoke: Palgrave Macmillan, 2009
Davis, Jim, ‘“Chaste as a picture by Wilkie”: The Relationship between Comic Performance and Genre Painting in Early Nineteenth-Century British Theatre’, Nineteenth Century Theatre and Film 35:1 (Summer 2008), 3–16
Davis, Jim, John Liston Comedian, London: Society for Theatre Research, 1985
Davis, Jim, ‘Representing the Comic Actor at Work: The Harlow Portrait of Charles Mathews’, Nineteenth Century Theatre and Film 31:2 (Winter 2004), 3–15
Jim, Davis, ‘Self-Portraiture On and Off the Stage: The Low Comedian as Iconographer’ Theatre Survey 43:2 (2002), 177–200
Davis, Jim, ‘The Sublime of Tragedy in Low Life’, European Romantic Review 18:2, April 2007, 159–67
Davis, Jim, ‘“They shew me off in every form and way”: The Iconography of English Comic Acting in the late-eighteenth and early-nineteenth centuries’, Theatre Research International, 26:3 (November 2001), 243–56
Davis, Tracy C., ‘Acting Black 1824: Charles Mathews's Trip to America’, Theatre Journal 63:2 (May 2011), 163–89
Donald, Diana, The Art of Caricature: Satirical Prints in the Reign of George III, New Haven, CT: Yale University Press, 1996
Drakard, David, Printed English Pottery: History and Humour in the reign of George III 1760–1820, London: Jonathan Horne, 1992
Errington, Lindsay, Tribute to Wilkie, Edinburgh: The National Galleries of Scotland, 1985
Falk, Bernard, Thomas Rowlandson: his life and art: a documentary record, London: Hutchinson & Co, 1949
Findlater, Richard, ed., Memoirs of Joseph Grimaldi by Charles Dickens, London: MacGibbon & Kee Ltd., 1968
Fitzgerald, Percy, A New History of the English Stage, 2 vols., London: Tinsley Bros, 1882
Fitzgerald, Percy, The World behind the Scenes, London: Chatto and Windus, 1881
Fowler, James, ed., Catalogue of Paintings at the Theatre Museum by Geoffrey Ashton, London: Victoria and Albert Museum in association with the Society for Theatre Research, 1992
Fried, Michael, Absorption and Theatricality: Painting and the Beholder in the Age of Diderot, Chicago: The University of Chicago Press, 1988
Galt, John, The Lives of the Players, London: Henry Colburn & Richard Bentley, 1831
Gattrell, Vic, City of Laughter: Sex and Satire in Eighteenth Century London, London: Atlantic Books, 2006
Genest, John, Some Account of the English Stage, 10 vols. Bath: H. E. Carrington, 1832
George, M. Dorothy, Catalogue of Personal and Political Satires in the British Museum, 1784–1792, Vol. VI, 1820–27, Vol. X, London: British Museum, 1952
Gilliland, Thomas, Dramatic Mirror, 2 vols., London: R. Chapple, 1808
Gombrich, E. H., Meditations on a Hobby Horse and Other Essays on the Theory of Art, London: Phaidon, 1963
Goodall, Jane, Performance and Evolution in the Age of Darwin: Out of the Natural Order, London: Routledge, 2002
Grant, M. H., A Dictionary of British Landscape Painters: From the 16th Century to the Early 20th Century, Leigh on Sea: F. Lewis, 1952
Grego, Joseph, The Works of James Gillray the Caricaturist; with the history of his life and times, ed. Wright, T., London: 1873
Greig, John, ed., The Farington Diary, 8 vols., London: Hutchinson, 1922–28
Grose, Francis, Rules for drawing Caricaturas with an Essay on Comic Painting, London, S. Hooper, 1789
Hall, Lillian Avrilla, Catalogue of Dramatic Portraits in the Collection of the Harvard College Library, 4 vols., Cambridge, MA: Harvard University Press, 1932
Haslem, Joseph, The Old Derby China Factory, London: George Bell, 1876
Hawkins, William, Miscellanies in Prose and Verse Containing candid and impartial observations on the principal performers belonging to the two Theatres-Royal; from January 1733, to May 1775, London, 1775
Hayes, John, Rowlandson Watercolours and Drawings, London: Phaidon Press Ltd., 1972
Hazlitt, William, A View of the English Stage, London: John Warren, 1821
Hazlitt, William, Conversations of James Northcote, Esq. R.A., London: Henry Colburn and Richard Bentley, 1830
Hazlitt, William, Hazlitt: Selected Writings, ed. Cook, Jon, Oxford: Oxford University Press, 1991
Hazlitt, William, Lectures on the English Comic Writers, London, 1819, reprinted New York: Doubleday & Company, Inc., n.d.
Hazlitt, William, New Writings of William Hazlitt 2 vols., ed. Wu, Duncan, Oxford: Oxford University Press, 2007
Hazlitt, William, The Round Table A Collection of Essays on literature, men and manners, London: Longman, Hurst, Rees, Orme and Brown, 1817
Hazlitt, William, William Hazlitt Complete Works, 21 vols., ed. Howe, P. P., London: Dent, 1930–34
Hill, Benson Earle Hill, , Playing About: or Theatrical Anecdotes and Adventures, 2 vols., London: W. Sams, 1840
Hill, John, The Actor: A Treatise on the Art of Playing, London, 1750
Hogarth, William, The Analysis of Beauty, ed. Paulson, Ronald, New Haven, CT: Yale University Press, 1997
Hone, William, The Every-Day Book and Table Book, London: T. Tegg & Son, 1835
Hook, Theodore, Music Mad, London: C. Chapple, 1808
Hunt, J. H. Leigh, Critical Essays on the Performers of the London Theatres, London, 1807
Hunt, J. H. Leigh, Dramatic Essays by Leigh Hunt, ed. Archer, William and Lowe, Robert W., London: Walter Scott Ltd., 1894
Hunt, J. H. Leigh, Leigh Hunt's Dramatic Criticism, ed. , L. H. & Houtchens, C. W., Cambridge: Cambridge University Press, 1950
Hunt, J. H. Leigh, The Autobiography of Leigh Hunt, ed. Morpurgo, J. E., London: The Cresset Press, 1948
Hunt, J. H. Leigh, The Town its Memorable Characters and Events 2 vols., London: Smith, Elder and Co, 1848
Inchbald, Elizabeth, Remarks on Thomas Morton, The School of Reform, London: Longman, Hurst, Rees & Orm, 1808, XXV
Jerrold, Blanchard, The Life of George Cruikshank, London, 1882
Kelly, Ian, Mr Foote's Other Leg: Comedy, Tragedy and Murder in Georgian London, London: Picador, 2012
Kelly, Michael, Reminiscences of Michael Kelly, of the King's Theatre, and Theatre Royal Drury Lane, Including a Period of Nearly Half a Century; with Original Anecdotes of Many Distinguished Persons, 2 vols., London: Henry Colburn, 1826
Klepac, Richard L., Mr Mathews At Home, London: Society for Theatre Research, 1979
Kris, Ernst, Psychoanalytic Explorations in Art, New York: Schocken Books, 1964
Lamb, Charles, The Complete Works in Prose and Verse of Charles Lamb, ed. Shepherd, R. H., London: Chatto and Windus, 1878
Leslie, C. R., Autobiographical Recollections, ed. Taylor, Tom, 2 vols., London: John Murray, 1860
Leslie, C. R. Memoir of the Life of John Constable esq., R.A.: composed chiefly of his letters, 2nd edn., London: Longman, Brown, Green and Longmans, 1845
Lewes, G. H., On Actors and the Art of Acting, London, 1875, New York: Grove Press, n. d.
Martineau, Harriet, The History of England From the Commencement of the XIXth Century to the Crimean War, 4 vols., Philadelphia: Porter and Coates, 1864
Mathews, Ann. Anecdotes of Actors, London: T. C. Newby, 1844
Mathews, Ann, Memoirs of Charles Mathews Comedian, 4 vols. London: Richard Bentley, 1838/9
Mathews, Ann, Mathews Theatrical Budget, Derby: T. Richardson, 1821(?)
Matthews, Brander, and Hutton, Laurence, eds., Actors and Actresses of Great Britain and the United States from the Days of Garrick to the Present Time: The Kembles and their Contemporaries, New York: Cassell & Company Ltd., 1886
Mayer, David, Harlequin in his Element: The English Pantomime, 1806–1836, Cambridge, MA: Harvard University Press, 1969
Mcpherson, Heather, ‘Painting, Politics and the Stage’ in Notorious Muses: The Actress in British Art and Culture, ed. Asleson, Robyn, New Haven, CT: Yale University Press, 2003
Meisel, Martin, Realization: Narrative, Pictorial and Theatrical Arts in Nineteenth-Century England, New Jersey: Princeton University Press, 1983
Miles, H. A. D., and Brown, David Blayney, eds. Sir David Wilkie of Scotland 1785–1841, North Carolina Museum of Art, 1987
Mollett, John W., Sir David Wilkie, London: Samson Low, Marston, Searle & Rivington, 1881
Moody, Jane, Illegitimate Theatre in London, 1770–1840, Cambridge: Cambridge University Press, 2000
Moritz, Charles P., A German in England: Eighteenth Century Vignette, London: Chatto and Windus, 1892
Moritz, Charles P., Mr Mathews Celebrated Lecture on Character, Manners and Peculiarities entitled The Home Circuit or Cockney Gleanings, London: J. Limbird, 1827
Munden, Thomas Shepherd, Memoirs of Joseph Shepherd Munden Comedian, London: Richard Bentley, 1846
O'Keeffe, John, Recollections of the Life of John O'Keeffe, 2 vols., London: Henry Colburn, 1826
O'Quinn, Daniel, Staging Governance: Theatrical Imperialism in London, 1770–1800, Baltimore: The John Hopkins University Press, 2005
Oxberry, C. E., ed., Oxberry's Dramatic Biography and Histrionic Anecdotes, 6 vols., Bristol: George Vertue, 1825–7
Pasquin, Anthony (John Williams), The Eccentricities of John Edwin Comedian, collected from his manuscripts, and enriched with several hundred original anecdotes 2 vols., London: J. Strahan, 1791
Pasquin, Anthony (John Williams), The pin-basket to the children of Thespis, London, 1797
Patmore, P. G., British Galleries of Art, London: G & W. B. Whittaker, 1824
Patten, Robert L., George Cruikshank's Life, Time, and Art Volume 1: 1792–1835, New Brunswick, NJ: Rutgers University Press, 1992
Patten, Robert L., George Cruikshank's Life, Times and Art Volume 2: 1835–1878, New Brunswick, NJ: Rutgers University Press, 1996
Paulson, Ronald, Rowlandson A New Interpretation, London: Studio Vista; New York: Oxford University Press, 1972
Payne, Matthew, and Payne, James, Regarding Thomas Rowlandson 1757–1827 His Life, Art & Acquaintance, London: Hogarth Arts 2010
Peake, Richard Brindsley, Memoirs of the Colman Family, including their correspondence with the most distinguished personages of their time, 2 vols. London: Richard Bentley, 1841
Perry, Gill, Spectacular Flirtations: Viewing the Actress in British Art and Theatre 1768–1820, New Haven, CT: Yale University Press, 2007
Planché, J. R., The Two Figaros, London: Webster's Acting National Drama, 1837
Pocock, Isaac, Hit or Miss, London: C. Chapple, 1811
Pointon, Marcia, Hanging the Head: portraiture and social formation in eighteenth-century England, New Haven, CT: Yale University Press, 1993
Pollock, Sir Frederick, ed., Macready's Reminiscences and Selections from his Diaries and Letters, London: Macmillan and Co, 1876
Raimbach, M. T. S., ed., Memoirs and Recollections of Abraham Raimbach….including a Memoir of Sir David Wilkie, London: J. Shobeel, 1843
Reynolds, Frederick Reynolds, The Life and Times of Frederick Reynolds, 2 vols., 2nd edn., London: Henry Colburn, 1827
Reynolds, Joshua, Discourses on Art, ed. Wark, Robert W., New Haven, CT: Yale University Press, 1997
Rinear, David L., ‘From the artificial towards the real: the acting of William Farren’, Theatre Notebook 31 (1977), 21–8
Roach, J., Edwin's Jests, Humours, Frolicks and Bon Mots, London: Roach, 1794
Roach, Joseph, The Player's Passion: Studies in the Science of Acting, Newark: University of Delaware Press, 1985
Roberts, W., Sir William Beechey, R.A., London: Duckworth & Co, 1907
Robson, William, The Old Play-goer, Fontwell, Sussex: Centaur Press Ltd, 1969
Russell, W. Clark, Representative Actors, London: Frederick Warne & Co, 1888
Simon, Robin, Hogarth, France and British Art: the rise of the arts in C18th-century Britain, London, Paul Holberton Publications, 2007
Simon, Robin, ‘“Strong impressions of their art”: Zoffany & the theatre’, in Johan Zoffany RA Society Observed, ed. Postle, Martin, New Haven, CT: Yale University Press, 2011
Solkin, David H., Painting out of the Ordinary: Modernity and the Art of Everyday Life in Early Nineteenth-century Britain, New Haven, CT: Yale University Press, 2008
Sprague, A. C., Shakespeare and the Actors: The Stage Business in his Plays 1660–1900, Cambridge, MA: Harvard University Press, 1944
Stewart, Susan, On Longing, Durham, NC: Duke University Press, 1993
Stoe Van Dyk, Harry, Theatrical Portraits: with other poems, London: John Miller, 1822
Stoe Van Dyk, Harry, Theatrical Biography, 2 vols. London: S. Bladon, 1772
Stoe Van Dyk, Harry, Thespian Dictionary, London: T. Hurst, 1802
Treadwell, , Johan Zoffany Artist and adventurer, London: Paul Holberton Publishing, 2009
Tromans, Nicholas, David Wilkie The People's Painter, Edinburgh: Edinburgh University Press, 2007
Uglow, Jenny, Hogarth: A Life and a World, London: Faber and Faber, 1997
Uglow, Jenny, The Universal Songster, or, Museum of Mirth, III, London: Jones & Co, 1834
Vaughan, William, British Painting: The Golden Age from Hogarth to Turner, London: Thames & Hudson, 1999
Vlock, Deborah, Dickens, Novel Reading and the Victorian Popular Theatre, Cambridge: Cambridge University Press, 1998
Walker, R., Regency Portraits, London: National Portrait Gallery, 1985
Walsh, Elizabeth & Morrison, Jane, The Babette Craven Collection of Theatrical Memorabilia, Washington, DC: The Folger Shakespeare Library, 1998
Watson, Ernest Bradlee, Sheridan to Robertson: A Study of the Nineteenth-Century London Stage, Cambridge, MA: Harvard University Press, 1926
Webster, Mary, Johan Zoffany 1733–1810, New Haven, CT: Yale University Press, 2011
Wendorf, Richard, Sir Joshua Reynolds The Painter in Society, Cambridge, MA: Harvard University Press, 1996
West, Shearer, The Image of the Actor: verbal and visual representation in the age of Garrick and Kemble, London: Pinter Publications, 1991
West, Shearer, Portraiture, Oxford: Oxford University Press, 2004
Wilkes, Thomas, A General View of the English Stage, London, 1759
Wilson, Ben, Decency and Disorder: The Age of Cant 1789–837, London: Faber and Faber, 2007
Woods, Leigh, Garrick Claims the Stage: Acting as Social Emblem in Eighteenth-Century England, Westport, CT: Greenwood Press, 1984
Ziter, Edward, ‘Charles Mathews, Low Comedian, and the Intersections of Romantic Ideology’, inThe Performing Century: Nineteenth Century Theatre's History, ed. Davis, Tracy C. and Holland, Peter, Basingstoke: Palgrave Macmillan, 2007