Contents

pp iii-iv

List of Figures and Tables

pp v-vi

Notes on Contributors

pp vii-xiv

Acknowledgements

pp xv-xvi

1 - Introduction: Conceptualising Co-Creation as a Methodology

pp 1-20

Part I - Co-Creation in Theory

pp 21-22

2 - Co-creation and the State in a Global Context

pp 23-40

3 - Fostering Artistic Citizenship: How Co-Creation Can Awaken Civil Imagination

pp 41-54

4 - Global North-South Tensions in International Co-Creation Projects

pp 55-70

5 - Doing Politics in Uncertain Times: Co-Creation, Agency and the Ontology of the City

pp 71-86

6 - Co-Creation and Bridging Theory-Method Divides

pp 87-102

7 - Does Space Matter? Built Environments and Co-Creation in Mexico City

pp 103-120

8 - Co-Creation, Social Capital and Advocacy: the Neighbourhood and Community Improvement Programme, Mexico City

pp 121-134

Part II - Co-Creation in Practice

pp 135-136

9 - A Top-Down Experiment in Co-Creation in Greater Paris

pp 137-154

10 - Can Literary Events use Co-Creation to Challenge Stigmatisation?

pp 155-172

11 - When Co-Creation Meets Art for Social Change: the Street Beats Band

pp 173-188

12 - Co-Creation and Social Transformation: a Tough Issue for Research

pp 189-206

13 - We Can Make: Co-Creating Knowledge and Products with Local Communities

pp 207-222

14 - Innovative Collaborative Policy Development: Casa Fluminense and Rio’s Public Agenda Challenges

pp 223-236

15 - Working the Hyphens of Artist-Academic-Stakeholder in Co-Creation: a Hopeful Rendering of a Community Organisation and an Organic Intellectual

pp 237-252

16 - Artist-researcher Collaborations in Co-Creation: Redesigning Favela Tourism Around Graffiti

pp 253-270

17 - Capturing the Impact of Co-Creation: Poetry and Street art in Iztapalapa

pp 271-290

18 - Conclusion: Lessons, Implications and Recommendations

pp 291-298

Index

pp 299-305