The Cambridge History of the English Short Story

doi:10.1017/9781316711712

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Cited by 8
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This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Einhaus, Ann-Marie 2016. The Cambridge Companion to the English Short Story.

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Daymond, Margaret Gui, Weishin Griffiths, Michael Lorre-Johnston, Christine McNeill, Dougal Nelson, Ashlee Niblett, Michael Raja, Ira Sharrad, Paul Spencer, Lynda Steiner, Tina and Williams, Mark 2018. XVIIINew Literatures. The Year's Work in English Studies, Vol. 97, Issue. 1, p. 1134.

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Baker, William 2018. XIXBibliography, Textual Criticism, and Reference Works. The Year's Work in English Studies, Vol. 97, Issue. 1, p. 1329.

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Harrison, Andrew 2018. D. H. Lawrence In Context.

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Batra, Kanika Griffiths, Michael Gui, Weihsin Kamugisha, Aaron Lorre-Johnston, Christine Mcneill, Dougal Niblett, Michael Raja, Ira Sharrad, Paul Uraizee, Joya and Williams, Mark 2019. XVII New Literatures. The Year's Work in English Studies, Vol. 98, Issue. 1, p. 1129.

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Zimmermann, Ulrike 2019. Borders and Border Crossings in the Contemporary British Short Story. p. 95.

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Stähler, Axel 2020. Between or Beyond? Jewish British Short Stories in English since the 1970s. Humanities, Vol. 9, Issue. 3, p. 110.

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Frayn, Andrew 2024. The First World War and Ford Madox Ford’s Short Stories, 1914–1920. Humanities, Vol. 13, Issue. 3, p. 86.

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Edited by Dominic Head, University of Nottingham

Publisher:: Cambridge University Press
Online publication date:: November 2016
Print publication year:: 2016
Online ISBN:: 9781316711712
DOI:: https://doi.org/10.1017/9781316711712

Subjects:: Literature, English Literature: General Interest
Collection:: Cambridge Histories - Literature

41.99 (GBP)

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The Cambridge History of the English Short Story is the first comprehensive volume to capture the literary history of the English short story. Charting the origins and generic evolution of the English short story to the present day, and written by international experts in the field, this book covers numerous transnational and historical connections between writers, modes and forms of transmission. Suitable for English literature students and scholars of the English short story generally, it will become a standard work of reference in its field.

'… the book covers enormous ground - colonial stories, rural stories, queer stories, comic stories - and makes room for obscure writers beside the heavyweights … with this approach, an expert writes each chapter. Highlights include Heather Ingman on the Irish short story and Roger Luckhurst on weird fiction, that amorphous zone between horror, fantasy and surrealism.'

Chris Power Source: New Statesman

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The Cambridge History of the English Short Story

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