Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Egan, Gabriel
Smith, Peter J.
Parsons, Elinor
Wei-Jou Lin, Chloe
Cadman, Daniel
Cheta, Arun
Schwartz-Leeper, Gavin
Gregory, Johann
O’Brien, Sheilagh Ilona
and
Geddes, Louise
2015.
VIIShakespeare.
The Year's Work in English Studies,
Vol. 94,
Issue. 1,
p.
305.
Price, Eoin
Collins, Eleanor
Smith, Helen F.
Preedy, Chloe
and
Bloomfield, Jem
2015.
VIIIRenaissance Drama: Excluding Shakespeare.
The Year's Work in English Studies,
Vol. 94,
Issue. 1,
p.
457.
Phillips, Harriet
and
Wood, Richard
2015.
VIThe Sixteenth Century: Excluding Drama after 1550.
The Year's Work in English Studies,
Vol. 94,
Issue. 1,
p.
283.
Streete, Adrian
2016.
Moderation and religious criticism in William Cartwright’sThe Ordinary(1635).
The Seventeenth Century,
Vol. 31,
Issue. 1,
p.
17.
Townend, Jenna
2017.
Quantitative and qualitative approaches to early‐modern networks: The case of George Herbert (1593–1633) and his imitators.
Literature Compass,
Vol. 14,
Issue. 3,
Harrison, Matthew
2017.
New attention to old words.
Renaissance Studies,
Vol. 31,
Issue. 3,
p.
470.
Espie, Jeff
2018.
(Un)couth: Chaucer,The Shepheardes Calender, and the Forms of Mediation.
Spenser Studies,
Vol. 31-32,
Issue. ,
p.
243.
Wood, Nigel
2018.
Introduction: Shakespeare's Public Spheres.
Shakespeare,
Vol. 14,
Issue. 1,
p.
1.
Pietras, Brian
2018.
Erasing Evander’s Mother: Spenser, Virgil, and the Dangers of Vatic Authorship.
Spenser Studies,
Vol. 31-32,
Issue. ,
p.
43.
Jones, Mike Rodman
2018.
The Uses of Medievalism in Early Modern England: Recovery, Temporality, and the “Passionating” of the Past.
Exemplaria,
Vol. 30,
Issue. 3,
p.
191.
Phillips, Harriet
2019.
Nostalgia in Print and Performance, 1510–1613.
Lewis, Sarah
2020.
Time and Gender on the Shakespearean Stage.
Zucker, Adam
2024.
Shakespeare Unlearned.