Alexander Kluge: Raw Materials for the Imagination

doi:10.1017/9789048513390

Alexander Kluge

Raw Materials for the Imagination

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KOLSAL, Fatma and GÜVEN ULUSOY, Feran Özge 2022. Kent deneyimi ve belleğin imgelerle dönüşümü. GRID - Architecture, Planning and Design Journal,

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Edited by Tara Forrest

Publisher:: Amsterdam University Press
Online publication date:: February 2021
Print publication year:: 2012
Online ISBN:: 9789048513390
DOI:: https://doi.org/10.1017/9789048513390

Subjects:: Art: General Interest, Art

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Alexander Kluge is best known as a founding member of the New German Cinema movement, but his work has spanned a number of genres and media. This wide-ranging book assembles a diverse selection of texts, from nonfiction writings and short stories by Kluge, to critical essays by renowned international scholars on Kluge's work, to transcripts of interviews with the artist himself. A valuable collection for students and scholars in the fields of film, television, and media studies, 'Alexander Kluge: Raw Materials for the Imagination' is a perfect introduction to Kluge's key themes and ideas.

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Contents

Frontmatter
pp 1-4
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Dedication
pp 5-6
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Contents
pp 7-10
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INTRODUCTION
pp 11-12
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Editor’s Introduction
pp 13-21
- By Tara Forrest
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The Stubborn Persistence of Alexander Kluge
pp 22-30
- By Thomas Elsaesser
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FILM, POLITICS AND THE PUBLIC SPHERE
pp 31-32
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On Film and the Public Sphere
pp 33-49
- By Alexander Kluge
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Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge’s Contribution to GERMANY IN AUTUMN
pp 50-71
- By Miriam Hansen
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‘What is Different is Good’: Women and Femininity in the Films of Alexander Kluge
pp 72-92
- By Heide Schlüpmann
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RETHINKING HISTORY
pp 93-94
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In Search of Germany: Alexander Kluge’s THE PATRIOT
pp 95-126
- By Anton Kaes
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Alexander Kluge and German History: ‘The Air Raid on Halberstadt on 8.4.1945’
pp 127-154
- By David Roberts
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The Air Raid on Halberstadt, 8 April 1945 (extract)
pp 155-170
- By Alexander Kluge
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REALISM AS PROTEST
pp 171-172
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Construction Site Film: Kluge’s Idea of Realism and His Short Films
pp 173-190
- By Eike Friedrich Wenzel
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The Sharpest Ideology: That Reality Appeals to its Realistic Character
pp 191-196
- By Alexander Kluge
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Debate on the Documentary Film: Conversation with Klaus Eder, 1980
pp 197-208
- By Alexander Kluge, Klaus Eder
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OPERA AS A TOWER PLANT OF EMOTION'
pp 209-210
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Undoing Act 5: History, Bodies and Operatic Remains in THE POWER OF EMOTION
pp 211-240
- By Caryl Flinn
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‘Feelings Can Move Mountains An Interview with Alexander Kluge on the Film THE POWER OF FEELINGS
pp 241-246
- By Florian Hopf
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Alexander Kluge’s Phantom of the Opera
pp 247-268
- By Gertrud Koch
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STORYTELLING AND POLITICS
pp 269-270
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An Analytic Storyteller in the Course of Time
pp 271-282
- By Andreas Huyssen
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The Political as Intensity of Everyday Feelings
pp 283-290
- By Alexander Kluge
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At the 2003 International Security Conference
pp 291-302
- By Alexander Kluge
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TELEVISION AND COUNTER-PUBLIC SPHERES
pp 303-304
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Raw Materials for the Imagination: Kluge’s Work for Television
pp 305-317
- By Tara Forrest
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Television and Obstinacy
pp 318-330
- By Christian Schulte
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Reframing Islam in Television: Alexander Kluge’s Interviews on Islam and Terrorism since 9/11
pp 331-351
- By Tim Grünewald
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Raw Materials for the Imagination

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