Book contents
- Frontmatter
- Contents
- Acknowledgments
- List of Figures and Table
- List of Abbreviations
- List of Contributors
- Introduction
- 1 “Something Intended, Complete”: Major Work on Yeats Past, Present, and Yet to Come
- 2 Ghost, Medium, Criminal, Genius: Lombrosian Types in Yeats's Art and Philosophy
- 3 “Born Anew”: W. B. Yeats's “Eastern” Turn in the 1930s
- 4 W. B. Yeats, Dream, Vision, and the Dead
- 5 Yeats, the Great Year, and Pierre Duhem
- 6 The Morphological Interaction of the Four Faculties in the Historical System of W. B. Yeats's A Vision
- 7 Yeats and Abstraction: From Berkeley to Zen
- I Annotations in the Writings of Walter Savage Landor in the Yeatses' Library
- II Yeats's Notes on Leo Frobenius's The Voice of Africa (1913)
- Index
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Index
Book contents
- Frontmatter
- Contents
- Acknowledgments
- List of Figures and Table
- List of Abbreviations
- List of Contributors
- Introduction
- 1 “Something Intended, Complete”: Major Work on Yeats Past, Present, and Yet to Come
- 2 Ghost, Medium, Criminal, Genius: Lombrosian Types in Yeats's Art and Philosophy
- 3 “Born Anew”: W. B. Yeats's “Eastern” Turn in the 1930s
- 4 W. B. Yeats, Dream, Vision, and the Dead
- 5 Yeats, the Great Year, and Pierre Duhem
- 6 The Morphological Interaction of the Four Faculties in the Historical System of W. B. Yeats's A Vision
- 7 Yeats and Abstraction: From Berkeley to Zen
- I Annotations in the Writings of Walter Savage Landor in the Yeatses' Library
- II Yeats's Notes on Leo Frobenius's The Voice of Africa (1913)
- Index
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- Yeats, Philosophy, and the Occult , pp. 327 - 348Publisher: Liverpool University PressPrint publication year: 2016