Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- “FORS CLAVIGERA”: VOLUME VII. (1877): LETTERS 73–84
- “FORS CLAVIGERA”: VOLUME VIII. (1878–1884): LETTERS 85–96
- APPENDIX: ADDITIONAL PASSAGES FROM THE MANUSCRIPT OF, AND LETTERS RELATING TO, “FORS CLAVIGERA”
- INDEX
- Plate section
INTRODUCTION TO THIS VOLUME
Published online by Cambridge University Press: 07 September 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- “FORS CLAVIGERA”: VOLUME VII. (1877): LETTERS 73–84
- “FORS CLAVIGERA”: VOLUME VIII. (1878–1884): LETTERS 85–96
- APPENDIX: ADDITIONAL PASSAGES FROM THE MANUSCRIPT OF, AND LETTERS RELATING TO, “FORS CLAVIGERA”
- INDEX
- Plate section
Summary
This volume contains Letters 73–96 of Fors Clavigera (corresponding to volumes vii. and viii. of the original issue of the work); an Appendix, consisting of additional passages or letters, relating to Fors; and an Index. Full particulars of the original publication, and of subsequent alterations, are given in Bibliographical Notes; in the case of the Letters, at p. xxix., in that of the Index at p. 603.
Letters 73–84 were issued during 1877, and with them may be grouped Letters 85–87, for these followed consecutively during the first three months of 1878. There then comes a break of two years, caused by Ruskin's serious illness. The period of his life and work which is covered by Letters 73–87 has already been dealt with in a previous Introduction (Vol. XXIV.), but some additional notes may here be given in illustration of passages in Fors Clavigera.
The earlier Letters (73–78), as also the later Letters in the preceding volume, are dated from Venice, where, it will be remembered, Ruskin spent the winter of 1876 and spring of 1877. While carrying on the general scheme of the book, these Letters reflect his Venetian interests, and the temper of his mind under Venetian influences. They contain discussions of Venetian pictures and architecture, and recite Venetian legends. They show him at work with photographers, artists, and sculptors, collecting examples for St. George's Museum at Sheffield. They have at times a mystical strain which was connected, as already explained, with his imagination of St. Ursula.
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- Information
- The Works of John Ruskin , pp. xv - xxviiiPublisher: Cambridge University PressPrint publication year: 2010First published in: 1907