Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-23T02:35:41.915Z Has data issue: false hasContentIssue false

20 - Avatars, Pseudonyms, and the Regulation of Affect: Performing and Occluding Gender in the Pall Mall Gazette

from Part IV - Making Space for Women

Published online by Cambridge University Press:  25 October 2019

Fionnuala Dillane
Affiliation:
Film and Associate Dean for Arts and Humanities, University College Dublin.
Alexis Easley
Affiliation:
University of St Thomas, Minnesota
Clare Gill
Affiliation:
University of St Andrews
Beth Rodgers
Affiliation:
Aberystwyth University
Get access

Summary

FOR MOST OF her working life, Marian Evans wrote under the pen name ‘George Eliot.’ Only twice in a career that stretched across four decades did the novelist, poet, short-story writer, reviewer, essayist, and translator publish in the explicit persona of a woman writer. Both of these pieces, each approximately 1,000 words in length, are letters, signed by ‘Saccharissa.’ In marked contrast to her more gender-fluid writing personae, there is no doubt in these cases about her intention to present the work in the voice of a woman. The letters appeared in the correspondence pages of the evening daily Pall Mall Gazette, founded in February 1865 by George Smith, that nineteenthcentury ‘Prince of Publishers’ (Glynn 1986), a friend of Evans's since he published her Romola in serial form in his Cornhill Magazine (1862–3).

Saccharissa, self-described as unimaginative, matronly, and running to fat, with her sugary name and sticky domestic concerns, pens these two letters of complaint to the editor of the Pall Mall Gazette in the early months of that paper's existence. The first, published under the heading ‘Futile Falsehoods’ on 3 April, bemoans false exchanges: shop clerks who claim to be promoting the best interests of their lady customers when patently pushing remainder goods for profit and in the process undermining the views and choices of female customers about matters of taste, clothing, and dress; and the hypocrisy of female friends trading in false pleasantries and cant to a painful extent in the interests of smooth but shallow social intercourse (3 Apr 1865: 2–3). The second letter, published on 13 May and entitled ‘Modern Housekeeping,’ offers another angle on gendered economies and gendered exchanges: it is a heavily ironic account about the difficulties of keeping daughters in fashionable dresses in a middle-class household of modest income with an ‘intellectual’ for a husband who is entirely preoccupied writing short books for a private readership – ‘fit audience though few’ is his telling motto. What is a woman to do when the fixed income of the household stays the same and the cost of living (the price of meat, sugar, lace, ribbons) continues to rise (13 May 1865: 4)?

Type
Chapter
Information
Publisher: Edinburgh University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×