Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-25T18:16:42.377Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

5 - Loosening Masonry

Edward Larrissy
Affiliation:
Edward Larrissy is Emeritus Professor of Poetry in the Queen's University of Belfast where he chairs the Advisory Board of the Seamus Heaney Centre for Poetry.
Get access

Summary

THE TOWER

The Tower is a volume which is steeped in ambivalence towards Ireland, more precisely towards what Ireland was making of itself. Writing to Olivia Shakespear, having had time to ponder the completed volume, Yeats expressed his astonishment at its ‘bitterness’ and his happy anticipation of a voyage to Italy: the phrase he uses is reminiscent of one that occurs in ‘Sailing to Byzantium’, the first poem in the book: ‘Once out of Irish bitterness I can find some measure of sweetness and light’ (L 373). He is bitter and Ireland is bitter. The very emblem of the Tower is suggestive of an ambivalence, one component of which is a bitterness in part derived from the assertive posture of the Ascendancy mage.

One thing to bear in mind is the meaning of Yeats's gesture in buying and then naming the tower then known as Ballylee Castle. People who do not know Ireland especially well do not always realize just how common there a tower castle such as this is. These keeps, originally built by the Normans, were subsequently occupied for the most part by their Norman– Gaelic descendants, who formed an important part of the Gaelic order in the Middle Ages. From the seventeenth century, and even earlier, such castles gradually came into the hands of the Protestant property-owning classes. In occupying a castle, then, and one that is not far from Lady Gregory's Coole Park, Yeats is expressing an affinity both with the Ascendancy and with the Gaelic and Norman–Gaelic aristocracy which it had displaced. A symbolic compromise between these two groups might seem unlikely, but it was increasingly to become a prime example of Yeats's attempts to forge unity out of division. Renaming Ballylee Castle ‘Thoor Ballylee’ could be seen as an act of Adamic naming, as some critics have recognized. Better, perhaps, to see it in the light of the quasi-Adamic naming of the Romantic poet. It is, at any rate, a gesture at putting down roots, at possession of the demesne, and one that attempts to look originary in going back to a Gaelic name. In fact, though, in Elizabethan times Ballylee Castle was known as ‘Islandmore Castle’, which points to the original Gaelic name being ‘Caisleán Oileáin Mhóir’ (‘Castle of the Great Island’).

Type
Chapter
Information
W. B. Yeats
, pp. 62 - 73
Publisher: Liverpool University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×