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Introduction: Periodicals, Popular Writing and Modernism

Published online by Cambridge University Press:  15 September 2017

Jonathan Cranfield
Affiliation:
Liverpool John Moores University
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Summary

The Strand Magazine in Time

[1930] Today when the news bills cried ‘Death of Conan Doyle’ one's memory went back to a far-off day when one read on the bills ‘Death of Sherlock Holmes’. They were not newspaper bills but advertisements of the Strand Magazine.

[1949] The number of monthly magazines that have existed is legion, but only a few have left more than a fleeting memory. Among those few [is] the Strand magazine, which owing to the economic difficulties of the time is to cease publication … the Strand was a popular influence of great importance in that lively period of English story-telling, both short and long, which reached its height in the nineties. Within six months the Sherlock Holmes short stories had begun to appear in the new magazine and from that date until his death Conan Doyle never wrote a Holmes story for any other paper.

The lives of Arthur Conan Doyle and the Strand Magazine were so entwined that the majority of notices marking their respective deaths, twenty years apart, seemed incapable of referring to one without the other. This book offers a reading of the magazine and its most famous author through the lens of their relationship and the footprints that they left elsewhere upon British culture. Ultimately, it will argue that the interdependence of Conan Doyle and the Strand 's reputations was not an arbitrary occurrence, but instead the symptom of a series of shifts in the production and consumption of popular culture. The story of their relationship can illuminate these changes and further explain how author and publication sought to shepherd a determinedly Victorian audience through the turbulence of the early twentieth century. Reading a single, middlebrow magazine like the Strand over this period affords the opportunity to observe a series of slow transformations in literary form, ideology, cultural attitudes and social values. Away from the white heat of artistic innovation, we can discover how a generation of Victorians acclimatised to the altered realities of the twentieth century.

Beyond Sherlock Holmes, the Strand has survived in the popular imagination as, in the words of Mike Ashley, a ‘pot-pourri of human-interest snippets, fairly useless knowledge and fiction aimed at lower-middle class and “aspiring” working-class readers’.

Type
Chapter
Information
Twentieth-Century Victorian
Arthur Conan Doyle and the <I>Strand Magazine</I>, 1891–1930
, pp. 1 - 14
Publisher: Edinburgh University Press
Print publication year: 2016

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