Book contents
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Graham Greene, the West, and Human Factors
- 2 Imperialism and Sentiment: Paul Scott's Raj Quartet and the Mountbattens
- 3 Forster's Views on Race and Class and Moral Imperatives
- 4 Kipling on Goodness and the Great Game
- 5 Political Perspectives and Moral Fervour in Joseph Conrad
- 6 Henry James on Personal Relations: Looking Beneath and Beyond
- 7 The Heroic Vitalism of D. H. Lawrence
- 8 James Joyce and the Life of Dubliners
- 9 Evelyn Waugh and the City of Aquatint
- 10 Virginia Woolf and Time's Chariot
- 11 Robert Graves' Sense of History
- 12 Christopher Isherwood and Berlin in Decline
- 13 Aldous Huxley and the Dangers of a World Without Ideas
- 14 Somerset Maugham and the Strengths of Simplicity
- 15 Agatha Christie and the Magic of Murder
- 16 Conan Doyle and Sherlock Holmes
- 17 Galsworthy and Social and Sexual Transition
- 18 The Unchanging World of P. G. Wodehouse
- 19 Frank Richards and the Preposterous Excesses of Billy Bunter
- 20 John Buchan and a Life beyond Letters
- 21 Richmal crompton's William and the Charms of the Unorthodox
- 22 Edith Nesbit and the Pleasures of Childhood
- 23 The Excessive Vitalism of Bernard Shaw
- 24 The Melancholia of Katherine Mansfield
- 25 J. M. Barrie and the Boy Who Never Grew Up
- 26 Kenneth Grahame's Singular Mr Toad
- 27 The Wicked Worlds of George Orwell
- 28 Enid Blyton's Evocations of Britain
- 29 Tolkien and the Pursuit and Achievement of Power
- 30 Transitions in the Worlds of C. S. Lewis
- 31 Noël Coward and the Games People Play
- 32 Rattigan's Sensitivities
- 33 Lawrence Durrell and the Uses of Sexuality
- 34 Anthony Powell and the Hollow Heart of the New England
- 35 Angus Wilson and the Pursuit of Values
- 36 William Golding and the Limits of Civilization
- 37 Anthony Burgess and the Energy of the Outsider
- 38 The Ineffable Angst of Samuel Beckett
- 39 Pinter and the Politics of Literature
- 40 Ian Fleming's Establishment and its Guardian
- 41 Le Carré's Hard-pressed Concept of Honour
- 42 Beyond Shadows – Naipaul's Brilliant Bad Temper
- 43 Muriel Spark and Remembrances of Mortality
- 44 The Bizarre Worlds of J. G. Ballard
- 45 Simon Raven's Extravagant Decency
- 46 Salman Rushdie's Magic
- 47 Vikram Seth's Romanticism
- 48 Ruth Prawer Jhabvala's Pictures of Past and Present
- 49 The Relentless Anguish of Kazuo Ishiguro
- 50 Gerald Durrell's Human Zoos
- 51 T. E. Lawrence and the Limits of Commitment
23 - The Excessive Vitalism of Bernard Shaw
Published online by Cambridge University Press: 05 September 2013
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Graham Greene, the West, and Human Factors
- 2 Imperialism and Sentiment: Paul Scott's Raj Quartet and the Mountbattens
- 3 Forster's Views on Race and Class and Moral Imperatives
- 4 Kipling on Goodness and the Great Game
- 5 Political Perspectives and Moral Fervour in Joseph Conrad
- 6 Henry James on Personal Relations: Looking Beneath and Beyond
- 7 The Heroic Vitalism of D. H. Lawrence
- 8 James Joyce and the Life of Dubliners
- 9 Evelyn Waugh and the City of Aquatint
- 10 Virginia Woolf and Time's Chariot
- 11 Robert Graves' Sense of History
- 12 Christopher Isherwood and Berlin in Decline
- 13 Aldous Huxley and the Dangers of a World Without Ideas
- 14 Somerset Maugham and the Strengths of Simplicity
- 15 Agatha Christie and the Magic of Murder
- 16 Conan Doyle and Sherlock Holmes
- 17 Galsworthy and Social and Sexual Transition
- 18 The Unchanging World of P. G. Wodehouse
- 19 Frank Richards and the Preposterous Excesses of Billy Bunter
- 20 John Buchan and a Life beyond Letters
- 21 Richmal crompton's William and the Charms of the Unorthodox
- 22 Edith Nesbit and the Pleasures of Childhood
- 23 The Excessive Vitalism of Bernard Shaw
- 24 The Melancholia of Katherine Mansfield
- 25 J. M. Barrie and the Boy Who Never Grew Up
- 26 Kenneth Grahame's Singular Mr Toad
- 27 The Wicked Worlds of George Orwell
- 28 Enid Blyton's Evocations of Britain
- 29 Tolkien and the Pursuit and Achievement of Power
- 30 Transitions in the Worlds of C. S. Lewis
- 31 Noël Coward and the Games People Play
- 32 Rattigan's Sensitivities
- 33 Lawrence Durrell and the Uses of Sexuality
- 34 Anthony Powell and the Hollow Heart of the New England
- 35 Angus Wilson and the Pursuit of Values
- 36 William Golding and the Limits of Civilization
- 37 Anthony Burgess and the Energy of the Outsider
- 38 The Ineffable Angst of Samuel Beckett
- 39 Pinter and the Politics of Literature
- 40 Ian Fleming's Establishment and its Guardian
- 41 Le Carré's Hard-pressed Concept of Honour
- 42 Beyond Shadows – Naipaul's Brilliant Bad Temper
- 43 Muriel Spark and Remembrances of Mortality
- 44 The Bizarre Worlds of J. G. Ballard
- 45 Simon Raven's Extravagant Decency
- 46 Salman Rushdie's Magic
- 47 Vikram Seth's Romanticism
- 48 Ruth Prawer Jhabvala's Pictures of Past and Present
- 49 The Relentless Anguish of Kazuo Ishiguro
- 50 Gerald Durrell's Human Zoos
- 51 T. E. Lawrence and the Limits of Commitment
Summary
It was astounding that I had forgotten George Bernard Shaw, in writing about classic British prose writers of the twentieth century, and my surprise is compounded by the fact that two erudite friends from whom I invited suggestions did not recommend him either. One of them declared he was an insufferable old bore, but, though I can understand the comment, that is not the whole story, and his achievements were certainly considerable.
It is possible that in my memory, he, or at least his most influential work, belonged to an earlier period, given that both Plays Pleasant and Plays Unpleasant had been published in 1898. However, the essence of a play is production, and only three of the seven plays in the two volumes were produced in the 1890s. Indeed, Mrs Warren's Profession, recognizably the least pleasant of them since it dealt with prostitution, was publicly produced only in 1925, though it had a private performance in 1902.
The plays that Shaw perhaps saw as his most important, Man and Superman and Major Barbara, were published early in the century, while his most popular plays, Pygmalion and Androcles and the Lion, came out in 1912. Shaw was, by then, well into his fifties, but he was still to write St Joan, which turned the story of the brave woman soldier on its head, and also The Millionairess, when he was 80. This was turned into a memorable film with Peter Sellers a couple of decades later, when Pygmalion was also transformed into ‘My Fair Lady’.
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- Twentieth Century ClassicsReflections on Writers and their Times, pp. 101 - 104Publisher: Foundation BooksPrint publication year: 2013