1900-1906
Published online by Cambridge University Press: 15 January 2021
Summary
“An Effective Drama.” Undated note.
An effective drama should make use of intimations, contain a secret made known to the spectator either at the beginning or toward the end. If the spectators know the secret but not the actors, the spectators get to enjoy their game of blind man's buff. If the spectator does not know the secret, his curiosity is increased and he remains interested;
an outburst of emotion, rage, indignation; [-]
a discovery;
a punishment (nemesis), a humiliation;
a careful resolution, either with or without a reconciliation;
a quid pro quo;
a parallellism;
a reversal (revirement), a rebuff, a well-prepared surprise.
To Nils Personne (1850–1928), actor and stage director. Was engaged at the Royal Dramatic Theatre from 1876 and became its leader in 1898.
November 17, 1900. [-] Just a word about the girl's (Eleonora’s) part.129 You know my weakness for Miss Bosse. I miss in her colleagues the fund of poetry and seriousness which she possesses; and her childlike figure is well suited for a girl with a pigtail down her back .
The role of her brother is no bravura part, but Palme would no doubt take it and give it a breath of his irresistible poetry.
If you, mon Directeur, would honor me by playing Lindqvist and give that terrible creature a touch of humor, I would be eternally grateful!
I believe it requires a girl (but with short hair) as Benjamin, for young rascals of that age are extremely unpoetic. [-]
To Harriet Bosse (1878–1961), actress. Born in Norway, of Danish and German ancestry. Having charmed S as Puck in A Midsummer Night's Dream, she was chosen to play the Lady at the premiere of To Damascus I. She and S were married on May 6, 1901, and had a daughter, Anne-Marie, born the year after. Even after their divorce in 1904, they remained lovers until 1907. Harriet played a central role in S's life and he wrote several parts with her in mind: Indra's Daughter in A Dream Play, the title roles in Kristina and Swanwhite, Emerentia Polhem in Carl XII.
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- Information
- Strindberg on Drama and TheatreA Source Book, pp. 91 - 106Publisher: Amsterdam University PressPrint publication year: 2007