Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-06T08:07:22.945Z Has data issue: false hasContentIssue false

1 - The Poisoned Gift of Forgiveness (Jane Eyre)

Published online by Cambridge University Press:  05 August 2016

Henry Staten
Affiliation:
Byron W. and Alice L. Lockwood Professor in the Humanites and Professor of English and Adjunct Professor of Philosophy., University of Washington
Get access

Summary

The crucial unresolved question of Jane Eyre criticism concerns the relation between its romantic plot, which tells the story of one woman's triumphant struggle against oppressive forces of religiously based convention, and its religious plot, the narrative of the ‘pilgrim's progress’ of that same woman back toward (some sort of) Christian faith. The central narrative drive of the novel, the one that has over the years impressed most readers, is clearly that of Jane's fight for personal freedom and autonomy, be it only that of ‘bourgeois individualism’; the subtler religious plot is woven into events that appear secondary from the standpoint of the romantic reading, and into a pervasive texture of allusions to biblical language that only a reader intimately familiar with this language can perceive. It is thus not surprising that so much Jane Eyre criticism simply ignores the religious plot. Nevertheless, a substantial, and growing, body of work supports the view that the religious plot is not only important in the novel, but dominant.

What we think is fundamentally at stake in this novel depends on how we answer the question of the relation between its two plots. If Jane's ultimate concern is to be defined in terms of orthodox Christianity, or of some wider, ‘spiritual’ standpoint, perhaps one that, as Jeffrey Franklin says, ‘includes’ and ‘supersedes’ Christianity, then Jane Eyre is a pious or inspirational work, not a strictly secular one, and does not participate, as probably the majority of readers over the past century have believed, in the intellectual adventure of the modern secular intellect.1

The very proliferation of religious readings of Jane Eyre has, however, muddied the view of what is at stake, because these readings have such varying notions of what counts as Christianity. Some, which invoke the classical statements of Christian doctrine by St Paul, Bunyan and others as a standard by which to measure Jane's faith, argue that, despite the dominance of the religious plot, Jane's religion falls short of orthodoxy.

Type
Chapter
Information
Spirit Becomes Matter
The Brontes, George Eliot, Nietzsche
, pp. 31 - 75
Publisher: Edinburgh University Press
Print publication year: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×