Book contents
- Frontmatter
- Content
- Speaking Science Fiction: Introduction
- Who Speaks Science Fiction?
- Science Fiction Dialogues
- Speaking of Homeplace, Speaking from Someplace
- Speaking Science Fiction—Out of Anxiety?
- Science Fiction as Language: Postmodernism and Mainstream: Some Reflections
- ‘Fantastic Dialogues’: Critical Stories about Feminism and Science Fiction
- Vicissitudes of the Voice, Speaking Science Fiction
- ‘A Language of the Future’: Discursive Constructions of the Subject in A Clockwork Orange and Random Acts of Senseless Violence
- Speaking the Body: The Embodiment of ‘Feminist’ Cyberpunk
- Bodies that Speak Science Fiction: Stelarc—Performance Artist ‘Becoming Posthuman’
- Science Fiction and the Gender of Knowledge
- Corporatism and the Corporate Ethos in Robert Heinlein's ‘The Roads Must Roll’
- Convention and Displacement: Narrator, Narratee, and Virtual Reader in Science Fiction
- Aphasia and Mother Tongue: Themes of Language Creation and Silence in Women's Science Fiction
- ‘My Particular Virus’: (Re-)Reading Jack Womack's Dryco Chronicles
- Aliens in the Fourth Dimension
- Freefall in Inner Space: From Crash to Crash Technology
- Notes on Contributors
- Index
Who Speaks Science Fiction?
- Frontmatter
- Content
- Speaking Science Fiction: Introduction
- Who Speaks Science Fiction?
- Science Fiction Dialogues
- Speaking of Homeplace, Speaking from Someplace
- Speaking Science Fiction—Out of Anxiety?
- Science Fiction as Language: Postmodernism and Mainstream: Some Reflections
- ‘Fantastic Dialogues’: Critical Stories about Feminism and Science Fiction
- Vicissitudes of the Voice, Speaking Science Fiction
- ‘A Language of the Future’: Discursive Constructions of the Subject in A Clockwork Orange and Random Acts of Senseless Violence
- Speaking the Body: The Embodiment of ‘Feminist’ Cyberpunk
- Bodies that Speak Science Fiction: Stelarc—Performance Artist ‘Becoming Posthuman’
- Science Fiction and the Gender of Knowledge
- Corporatism and the Corporate Ethos in Robert Heinlein's ‘The Roads Must Roll’
- Convention and Displacement: Narrator, Narratee, and Virtual Reader in Science Fiction
- Aphasia and Mother Tongue: Themes of Language Creation and Silence in Women's Science Fiction
- ‘My Particular Virus’: (Re-)Reading Jack Womack's Dryco Chronicles
- Aliens in the Fourth Dimension
- Freefall in Inner Space: From Crash to Crash Technology
- Notes on Contributors
- Index
Summary
‘Speaking Science Fiction’ began as a way of celebrating the new life of the Science Fiction Foundation Collection at the University of Liverpool. The Collection, developed by the Science Fiction Foundation as a research library for the benefit of those engaged in the study and scholarship of sf, is now the largest publicly available collection of science fiction and material about science fiction in the UK, given new impetus by Liverpool's MA in Science Fiction, the first in the country. It contains material in many languages, as well as specific sub-collections such as the Myers Collection of Russian science fiction, and numerous manuscripts and collections of papers deposited by authors and editors such as Ramsey Campbell and Colin Greenland. Together with the Eric Frank Russell and Olaf Stapledon Archives, it forms one of the largest resources of sf-based material anywhere. We are grateful to the University of Liverpool and the Friends of Foundation for ensuring the survival of the Collection at a moment of crisis, to the Higher Education Council for England for funding a two-year cataloguing project, and to the Heritage Lottery Fund for recently enabling Liverpool University to purchase the John Wyndham Archive.
A library of science fiction is a library of Babel: a collection of fictions classified as ‘science fiction’ because someone, somewhere, has decided that they reflect, somehow, one of the many definitions of sf. One of the implied themes of ‘Speaking Science Fiction’, held in Liverpool in July 1996, was this underlying debate about the field: a debate which has in recent years become more intensified as more attention is given to the body of literature called—or miscalled—‘science fiction’. The conference was to some extent a celebration of Liverpool University's rescue of the Science Fiction Foundation Collection, but it came at an auspicious time. The previous year had seen one of the rare British hostings of a World SF Convention (Glasgow, 1995), and 1996 was also to see another major academic conference devoted to the field (Luton's ‘Envisaging Alternatives’). The following year was also to see the annual Easter SF Convention held in Liverpool and here many of the conference delegates met again to continue discussing some of the implications thrown up by ‘Speaking Science Fiction’.
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- Speaking Science Fiction , pp. 5 - 10Publisher: Liverpool University PressPrint publication year: 2000