Book contents
- South Africa, Greece, Rome
- Frontispiece
- South Africa, Greece, Rome
- Copyright page
- Contents
- Plates
- Illustrations
- Contributors
- Preface
- Part I Prologue
- Part II Conceiving Empire
- Part III Conceiving the Nation
- Part IV Law, Virtue and Truth-Telling
- Part V Cultures of Collecting
- Part VI Boundary Crossers
- Part VII After Apartheid
- 16 Bacchus at Kirstenbosch: Reflections of a Play Director
- 17 The Reception of the Electra Myth in Yaël Farber’s Molora
- 18 Classical Heritage? By Way of an Afterword
- Bibliography
- Index
17 - The Reception of the Electra Myth in Yaël Farber’s Molora
from Part VII - After Apartheid
Published online by Cambridge University Press: 28 September 2017
Edited by
Book contents
- South Africa, Greece, Rome
- Frontispiece
- South Africa, Greece, Rome
- Copyright page
- Contents
- Plates
- Illustrations
- Contributors
- Preface
- Part I Prologue
- Part II Conceiving Empire
- Part III Conceiving the Nation
- Part IV Law, Virtue and Truth-Telling
- Part V Cultures of Collecting
- Part VI Boundary Crossers
- Part VII After Apartheid
- 16 Bacchus at Kirstenbosch: Reflections of a Play Director
- 17 The Reception of the Electra Myth in Yaël Farber’s Molora
- 18 Classical Heritage? By Way of an Afterword
- Bibliography
- Index
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- South Africa, Greece, RomeClassical Confrontations, pp. 445 - 466Publisher: Cambridge University PressPrint publication year: 2017
- 1
- Cited by