Book contents
- Frontmatter
- Contents
- Acknowledgements
- 1 Introduction
- 2 The Technological Frameworks
- 3 Direct Sound and Early Talkies
- 4 Sound of the Golden Age
- 5 Tracing the Sound in Satyajit Ray’s Film-works
- 6 Popular Films from the Dubbing Era
- 7 Parallel Sounds, Radical Listening – Part I
- 8 Sholay, Stereo Sound and the Auditory Spectacle
- 9 The Advent of Digital Sync Sound
- 10 The Surround Revolution
- 11 Sound in the Audiovisual Media Arts
- 12 Parallel Sounds, Radical Listening – Part II
- 13 A Concluding Voiceover
- Bibliography
- Filmography
- Index
Frontmatter
Published online by Cambridge University Press: 20 February 2024
- Frontmatter
- Contents
- Acknowledgements
- 1 Introduction
- 2 The Technological Frameworks
- 3 Direct Sound and Early Talkies
- 4 Sound of the Golden Age
- 5 Tracing the Sound in Satyajit Ray’s Film-works
- 6 Popular Films from the Dubbing Era
- 7 Parallel Sounds, Radical Listening – Part I
- 8 Sholay, Stereo Sound and the Auditory Spectacle
- 9 The Advent of Digital Sync Sound
- 10 The Surround Revolution
- 11 Sound in the Audiovisual Media Arts
- 12 Parallel Sounds, Radical Listening – Part II
- 13 A Concluding Voiceover
- Bibliography
- Filmography
- Index
Summary
- Type
- Chapter
- Information
- Sound in Indian Film and Audiovisual MediaHistory, Practices and Production, pp. 1 - 4Publisher: Amsterdam University PressPrint publication year: 2023