Book contents
- Slave Portraiture in the Atlantic World
- Frontispiece
- Slave Portraiture in the Atlantic World
- Copyright page
- Contents
- Plates and Figures
- Contributors
- Acknowledgments
- Introduction Envisioning Slave Portraiture
- Part I Visibility and Invisibility
- One Slavery and the Possibilities of Portraiture
- Two Subjectivity and Slavery in Portraiture
- Three Looking for Scipio Moorhead
- Part II Slave Portraiture, Colonialism, and Modern Imperial Culture
- Part III Subjects to Scientific and Ethnographic Knowledge
- Part IV Facing Abolition
- Index
Three - Looking for Scipio Moorhead
An “African Painter” in Revolutionary North America
from Part I - Visibility and Invisibility
Published online by Cambridge University Press: 05 October 2013
- Slave Portraiture in the Atlantic World
- Frontispiece
- Slave Portraiture in the Atlantic World
- Copyright page
- Contents
- Plates and Figures
- Contributors
- Acknowledgments
- Introduction Envisioning Slave Portraiture
- Part I Visibility and Invisibility
- One Slavery and the Possibilities of Portraiture
- Two Subjectivity and Slavery in Portraiture
- Three Looking for Scipio Moorhead
- Part II Slave Portraiture, Colonialism, and Modern Imperial Culture
- Part III Subjects to Scientific and Ethnographic Knowledge
- Part IV Facing Abolition
- Index
- Type
- Chapter
- Information
- Slave Portraiture in the Atlantic World , pp. 89 - 116Publisher: Cambridge University PressPrint publication year: 2013
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