Book contents
- Frontmatter
- The Open Stage: Elizabethan or Existentialist?
- The Lantern of Taste
- Was there a Typical Elizabethan Stage?
- On Reconstructing a Practicable Elizabethan Public Playhouse
- The Discovery-space in Shakespeare’s Globe
- ‘Passing over the Stage’
- The Actor at the Foot of Shakespeare’s Platform
- Elizabethan Stage-Practice and the Transmutation of Source Material by the Dramatists
- The Maddermarket Theatre and the Playing of Shakespeare
- Actors and Scholars: A View of Shakespeare in the Modern Theatre
- Cleopatra as Isis
- Shakespeare’s Friends: Hathaways and Burmans at Shottery
- Illustrations of Social Life II: A Butcher and some Social Pests
- International Notes
- Shakespeare Productions in the United Kingdom: 1957
- The Whirligig of Time, A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
Shakespeare’s Friends: Hathaways and Burmans at Shottery
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- The Open Stage: Elizabethan or Existentialist?
- The Lantern of Taste
- Was there a Typical Elizabethan Stage?
- On Reconstructing a Practicable Elizabethan Public Playhouse
- The Discovery-space in Shakespeare’s Globe
- ‘Passing over the Stage’
- The Actor at the Foot of Shakespeare’s Platform
- Elizabethan Stage-Practice and the Transmutation of Source Material by the Dramatists
- The Maddermarket Theatre and the Playing of Shakespeare
- Actors and Scholars: A View of Shakespeare in the Modern Theatre
- Cleopatra as Isis
- Shakespeare’s Friends: Hathaways and Burmans at Shottery
- Illustrations of Social Life II: A Butcher and some Social Pests
- International Notes
- Shakespeare Productions in the United Kingdom: 1957
- The Whirligig of Time, A Review of Recent Productions
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
Summary
The identity and the status of Shakespeare’s wife appear to be in some measure open to question. E. K. Chambers, in his authoritative William Shakespeare, is guarded upon her identity: “Anne’s parentage is not quite clear.” He accepts it only as probable that she was Agnes, daughter of Richard Hathaway of Shottery, among other Hathaways open to consideration. As for her status, there is a marked tendency, especially among the more imaginative writers upon Shakespeare’s life, to represent Anne as the yokel daughter of a peasant father, and the marriage as a mésalliance for the son of a prominent Stratford burgess. We may well value any further evidence from the records of the time which may help to clarify these questions and to place the marriage in a true perspective. Some such evidence may now be presented, drawn from the records of the Court of Chancery and from Court Rolls of the Manor of Old Stratford.
The Chancery records in question consist mainly of depositions which, after the fashion of Chancery depositions, offer a vivid picture of events and persons of deep interest to the Stratford of 1584, in Shakespeare's twentieth year. Whatever adds to our knowledge of the world of men in which he had personal contacts has an especial interest for us. The witnesses here were men from Stratford, Shottery and Wootton Wawen, among them some friends of Shakespeare's youth, whose evidence is much concerned with Richard Hathaway of Shottery.
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- Shakespeare Survey , pp. 95 - 106Publisher: Cambridge University PressPrint publication year: 1959
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