Book contents
- Frontmatter
- Shakespeare’s History Plays: 1952–1983
- Shakespeare and History: Divergencies and Agreements
- Shakespeare’s Georgic Histories
- The Nature of Topicality in Love’s Labour’s Lost
- The Tragic Substructure of the Henry IV Plays
- Hal and the Regent
- The Rite of Violence in I Henry IV
- The Fortunes of Oldcastle
- Hand D in Sir Thomas More: An Essay in Misinterpretation
- Livy, Machiavelli, and Shakespeare’s Coriolanus
- Henry VIII and the Ideal England
- The Strangeness of a Dramatic Style: Rumour in Henry VIII
- ‘Edgar I Nothing Am’: Figurenposition in King Lear
- ‘Very like a whale’: Scepticism and Seeing in The Tempest
- Shakespeare’s Medical Imagination
- Shakespeare in the Theatrical Criticism of Henry Morley
- Shakespeare Performances in Stratford-upon-Avon and London 1983–4
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Editions and Textual Studies
- Index
Livy, Machiavelli, and Shakespeare’s Coriolanus
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare’s History Plays: 1952–1983
- Shakespeare and History: Divergencies and Agreements
- Shakespeare’s Georgic Histories
- The Nature of Topicality in Love’s Labour’s Lost
- The Tragic Substructure of the Henry IV Plays
- Hal and the Regent
- The Rite of Violence in I Henry IV
- The Fortunes of Oldcastle
- Hand D in Sir Thomas More: An Essay in Misinterpretation
- Livy, Machiavelli, and Shakespeare’s Coriolanus
- Henry VIII and the Ideal England
- The Strangeness of a Dramatic Style: Rumour in Henry VIII
- ‘Edgar I Nothing Am’: Figurenposition in King Lear
- ‘Very like a whale’: Scepticism and Seeing in The Tempest
- Shakespeare’s Medical Imagination
- Shakespeare in the Theatrical Criticism of Henry Morley
- Shakespeare Performances in Stratford-upon-Avon and London 1983–4
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Editions and Textual Studies
- Index
Summary
In Book 7 of his great history of Rome, from her foundation to the time of Augustus, Titus Livius recounts, with a certain admixture of scepticism, the story of Marcus Curtius. In the year 362 bc, a chasm suddenly opened in the middle of the Forum. The soothsayers, when consulted, declared that only a ritual sacrifice of the thing ‘wherein the most puissance and greatnes of the people of Rome consisted’ could close the fissure and ‘make the state of Rome to remain sure forever’. Much discussion followed, but no one could determine what that precious thing might be. Then Marcus Curtius, described in Philemon Holland’s Elizabethan translation of Livy as ‘a right hardie knight and martiall yong gentleman’, ‘rebuked them therefore, because they doubted whether the Romanes had any earthly thing better than armour and valor’. Armed at all points, he mounted a horse ‘as richly trapped and set out as possible he could devise’, and – like Hotspur at Shrewsbury – ‘leapt into destruction’ (2 Henry IV, 1.3.33). The gulf closed.
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- Shakespeare Survey , pp. 115 - 130Publisher: Cambridge University PressPrint publication year: 1986
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