Book contents
- Frontmatter
- Shakespeare’s Narremes
- Stepping Out of Narrative Line: A Bit of Word, and Horse, Play in Venus and Adonis
- A ‘consummation devoutly to be wished’: The Erotics of Narration in Venus and Adonis
- Echoes Inhabit a Garden: The Narratives of Romeo and Juliet
- A Midsummer Night’s Dream: Comedy as Apotrope of Myth
- Plutarch, Insurrection, and Dearth in Coriolanus
- Shakespeare, Crossing the Rubicon
- Vernacular Criticism and the Scenes Shakespeare Never Wrote
- The Shadow of Lear’s ‘Houseless’ in Dickens
- Shakespearian Margins in George Eliot’s ‘working-day world’
- In Her Father’s Library: Margaret Fuller and the Making of the American Miranda
- The Magician in Love
- Narrative Approaches to Shakespeare: Active Storytelling in Schools
- Monsters, Magicians, Movies: The Tempest and the Final Frontier
- Shakespeare’s Self-Repetitions and King John
- Inside Othello
- The View of London from the North and the Playhouses in Holywell
- Measured Endings: How Productions from 1720 to 1929 Close Shakespeare’s Open Silences in Measure for Measure
- Shakespearian Utopias
- Shakespeare Performances in England, 1999
- Professional Shakespeare Productions in the British Isles January–December 1998
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
In Her Father’s Library: Margaret Fuller and the Making of the American Miranda
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare’s Narremes
- Stepping Out of Narrative Line: A Bit of Word, and Horse, Play in Venus and Adonis
- A ‘consummation devoutly to be wished’: The Erotics of Narration in Venus and Adonis
- Echoes Inhabit a Garden: The Narratives of Romeo and Juliet
- A Midsummer Night’s Dream: Comedy as Apotrope of Myth
- Plutarch, Insurrection, and Dearth in Coriolanus
- Shakespeare, Crossing the Rubicon
- Vernacular Criticism and the Scenes Shakespeare Never Wrote
- The Shadow of Lear’s ‘Houseless’ in Dickens
- Shakespearian Margins in George Eliot’s ‘working-day world’
- In Her Father’s Library: Margaret Fuller and the Making of the American Miranda
- The Magician in Love
- Narrative Approaches to Shakespeare: Active Storytelling in Schools
- Monsters, Magicians, Movies: The Tempest and the Final Frontier
- Shakespeare’s Self-Repetitions and King John
- Inside Othello
- The View of London from the North and the Playhouses in Holywell
- Measured Endings: How Productions from 1720 to 1929 Close Shakespeare’s Open Silences in Measure for Measure
- Shakespearian Utopias
- Shakespeare Performances in England, 1999
- Professional Shakespeare Productions in the British Isles January–December 1998
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times, and Stage
- 3 Editions and Textual Studies
- Books Received
- Index
Summary
During the late eighteenth and early nineteenth centuries, America’s ‘mighty evangelical churches and benevolent organizations’ began a fervent crusade to educate the nation’s women. By financing and propagating what came to be known as ‘female seminaries’, these groups helped make secondary education available to more women – including middle- and lower-class women – than ever before in the nation’s history. Their goal was to influence ‘women s supposedly unique self-sacrificial virtues’ so that they might in turn guarantee ‘the “salvation” of an otherwise overly expansive and competitive republic’. Believing that women could exert the greatest influence in the private realm, they prepared their students to enter one of two occupations, that of wife and mother, or, ‘in the case of middle- or lower-class single girls’, teacher. While women welcomed even these modest advances, they by no means found them sufficient. The gifted Abigail Adams, for instance, wrote that she considered the education offered her female contemporaries to be ‘trifling, narrow, [and] contracted’. Adams’s pointed criticism was not only succinct, but also quite valid. As Faith Chipperfield has demonstrated, in even ‘the best New England families’, women’s education ‘was traditionally confined to writing and arithmetic, with perhaps a little music and dancing’.
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- Chapter
- Information
- Shakespeare SurveyAn Annual Survey of Shakespeare Studies and Production, pp. 127 - 136Publisher: Cambridge University PressPrint publication year: 2000