Book contents
- Frontmatter
- Shakespeare's History plays: 1900-1951
- The Unity of 2 Henry IV
- Anticipation and Foreboding in Shakespeare’s Early Histories
- Middle-Class Attitudes in Shakespeare’s Histories
- A Reconsideration of Edward III
- On Producing Henry VI
- The Huntington Library
- An Early Elizabethan Playhouse
- Shakespeare Learns the Value of Money: The Dramatist at Work on Timon of Athens
- Shakespeare’s French Fruits
- An Elizabethan Eyewitness of Antony and Cleopatra?
- Othello’s “It is the cause . . .”: An Analysis
- On Translating Hamlet
- Shakespeare in China
- International Notes
- Shakespeare Productions in the United Kingdom: 1951
- Shakespeare’s History Plays - Epic or Drama?
- Festival Shakespeare in the West End
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
An Elizabethan Eyewitness of Antony and Cleopatra?
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Shakespeare's History plays: 1900-1951
- The Unity of 2 Henry IV
- Anticipation and Foreboding in Shakespeare’s Early Histories
- Middle-Class Attitudes in Shakespeare’s Histories
- A Reconsideration of Edward III
- On Producing Henry VI
- The Huntington Library
- An Early Elizabethan Playhouse
- Shakespeare Learns the Value of Money: The Dramatist at Work on Timon of Athens
- Shakespeare’s French Fruits
- An Elizabethan Eyewitness of Antony and Cleopatra?
- Othello’s “It is the cause . . .”: An Analysis
- On Translating Hamlet
- Shakespeare in China
- International Notes
- Shakespeare Productions in the United Kingdom: 1951
- Shakespeare’s History Plays - Epic or Drama?
- Festival Shakespeare in the West End
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
Summary
Discussion of the relationship between Shakespeare’s Antony and Cleopatra and the 1607 version of Daniel’s Cleopatra has up to the present turned on claims for verbal similarities and an examination of the changes made in the structure of Daniel’s play between 1594 and 1607. There is, however, one curious passage in Daniel’s 1607 play to which attention has not hitherto been drawn and which may possibly provide a more intimate link with Shakespeare’s play than has before been suspected: it may, in fact, be a reminiscence by Daniel of an actual production of Antony and Cleopatra.
The passage in question occurs in Dircetus's account of Antony's last visit to Cleopatra, a part of Plutarch's story which Daniel had not used in the earlier, 1594, version of his play. Dircetus recounts what happens after Antony has given himself the fatal wound:
…Which when his love,
Shee sends with speed his body to remoove,
The body of her love imbru'd with blood.
Which brought unto her tombe, (lest that the prease
Which came with him, might violate her vow)
She drawes him up in rowles of taffaty
T'a window at the top, which did allow
A little light unto her monument.
…
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 91 - 93Publisher: Cambridge University PressPrint publication year: 1953