Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction: Cinema's Grey Spaces
- 1 A Wider Audience: Robert Rauschenberg, the White Paintings and CinemaScope
- 2 The Screen Scene: Andy Warhol, the Factory and Home Movies
- 3 Private Dis-Pleasures: Mona Hatoum, Mediated Bodies and the Peep Show
- 4 A Monument in Ruins: Douglas Gordon, Screen Archaeology and the Drive-in
- Conclusion
- Index
List of Figures
Published online by Cambridge University Press: 15 September 2017
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction: Cinema's Grey Spaces
- 1 A Wider Audience: Robert Rauschenberg, the White Paintings and CinemaScope
- 2 The Screen Scene: Andy Warhol, the Factory and Home Movies
- 3 Private Dis-Pleasures: Mona Hatoum, Mediated Bodies and the Peep Show
- 4 A Monument in Ruins: Douglas Gordon, Screen Archaeology and the Drive-in
- Conclusion
- Index
Summary
- Type
- Chapter
- Information
- Screen PresenceCinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon, pp. vi - viiPublisher: Edinburgh University PressPrint publication year: 2016