Book contents
- Schoenberg’s Twelve-Tone Music
- Series page
- Schoenberg’s Twelve-Tone Music
- Copyright page
- Dedication
- Contents
- Music examples
- Acknowledgements
- Abbreviations and notational conventions
- 1 Musical idea and symmetrical ideal
- 2 Suite for Piano Op. 25
- 3 Woodwind Quintet Op. 26
- 4 Three SatiresOp. 28, No. 3
- 5 Piano Piece Op. 33a
- 6 Fourth String Quartet Op. 37, movement I
- 7 Moses und Aron
- 8 String Trio Op. 45
- Bibliography
- Index
6 - Fourth String Quartet Op. 37, movement I
Two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form
Published online by Cambridge University Press: 05 October 2014
Book contents
- Schoenberg’s Twelve-Tone Music
- Series page
- Schoenberg’s Twelve-Tone Music
- Copyright page
- Dedication
- Contents
- Music examples
- Acknowledgements
- Abbreviations and notational conventions
- 1 Musical idea and symmetrical ideal
- 2 Suite for Piano Op. 25
- 3 Woodwind Quintet Op. 26
- 4 Three SatiresOp. 28, No. 3
- 5 Piano Piece Op. 33a
- 6 Fourth String Quartet Op. 37, movement I
- 7 Moses und Aron
- 8 String Trio Op. 45
- Bibliography
- Index
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Schoenberg's Twelve-Tone MusicSymmetry and the Musical Idea, pp. 274 - 329Publisher: Cambridge University PressPrint publication year: 2014