Book contents
- Romanticism and Illustration
- Romanticism and Illustration
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Editors’ Introduction
- Part I Illustrating Poetry
- Part II The Business of Illustration
- 8 Illustration, Terror, and Female Agency: Thomas Macklin’s Poets Gallery in a Revolutionary Decade
- 9 Maria Cosway’s Hours: Cosmopolitan and Classical Visual Culture in Thomas Macklin’s Poets Gallery
- 10 Artists’ Street: Thomas Stothard, R. H. Cromek, and Literary Illustration on London’s Newman Street
- 11 The Development of Magazine Illustration in Regency Britain – The Example of Arliss’s Pocket Magazine 1818–1833
- Coda: Romantic Illustration and the Privatization of History Painting
- Bibliography
- Index
8 - Illustration, Terror, and Female Agency: Thomas Macklin’s Poets Gallery in a Revolutionary Decade
from Part II - The Business of Illustration
Published online by Cambridge University Press: 26 April 2019
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Book contents
- Romanticism and Illustration
- Romanticism and Illustration
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Editors’ Introduction
- Part I Illustrating Poetry
- Part II The Business of Illustration
- 8 Illustration, Terror, and Female Agency: Thomas Macklin’s Poets Gallery in a Revolutionary Decade
- 9 Maria Cosway’s Hours: Cosmopolitan and Classical Visual Culture in Thomas Macklin’s Poets Gallery
- 10 Artists’ Street: Thomas Stothard, R. H. Cromek, and Literary Illustration on London’s Newman Street
- 11 The Development of Magazine Illustration in Regency Britain – The Example of Arliss’s Pocket Magazine 1818–1833
- Coda: Romantic Illustration and the Privatization of History Painting
- Bibliography
- Index
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- Romanticism and Illustration , pp. 199 - 220Publisher: Cambridge University PressPrint publication year: 2019