Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-07T06:31:26.720Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Chapter Three - Silius' Influences

Get access

Summary

Livy and his uiri (59 bc–ad 17)

In evaluating the Hannibal of Silius Italicus’ Punica we must be aware of the influences at work behind him. As an epic, the Punica's most overt influence is the Virgilian epic tradition (discussed in chapter four), although all of the authors discussed in chapter two could have been influential texts for Silius’ epic. Among those Hannibal texts pre-dating Silius which survive, however, there is one which merits singular attention, because its influence upon his epic is obvious to discern: the third decade (Books 21–30) of Livy's Ab Urbe Condita.

Livy's Ab Urbe Condita is historiography; Silius’ Punica is epic. The inherent nature of these different genres naturally leads to the accentuation of some aspects of the Roman Hannibal above others in each text, but it does not detract from the fact that we have a Hannibal who is recognisable in both. The concerns related to comparing an epic with historiography should not be ignored; the primary literary motives of Silius and Livy are, of course, different. But a comparison of each author's representation of Hannibal does not necessitate a comparison of genre. Rather, a comparison of the two can function as an example for the wider evolution of the Roman Hannibal.

Livy and Silius: Structuring the Hannibalic War

As the most extensive prose text on Hannibal, Livy's history, though itself influenced by Polybius and other (now lost) historiographies, is frequently perceived as Silius’ main historical source for his Carthaginian general. Yet enough divergences from the Ab Urbe Condita exist in the Punica to illustrate that Silius’ Hannibal is no regurgitation of Livy's exemplum. One of the most apparent differences, and a difference which does necessitate at least a cursory consideration of the variant genres, is the structure of these two Hannibalic narratives. Livy's main account spans ten books, merely a fraction of his opus, whilst Silius’ covers seventeen – the entirety of his text. Livy's Cannae, the pinnacle of Hannibal's military achievements, is recounted two books into his narrative, whilst Silius makes it the mid-point of his epic. These, then, are two Hannibal narratives, but with significantly different beginnings, middles, and ends.

Type
Chapter
Information
The Roman Hannibal
Remembering the Enemy in Silius Italicus’ Punica
, pp. 35 - 52
Publisher: Liverpool University Press
Print publication year: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×