Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Introduction: Reassessing Rembrandt
- Chapter 1 Reinventing the Biography, Creating the Myth: The Formation of Rembrandt’s Artistic Persona in Nineteenth-Century France
- Plates
- Chapter 2 Politicizing Rembrandt: An Exemplar for New Aesthetic Values, Realism, and Republicanism
- Chapter 3 Picturing the Myth: Rembrandt’s Body and Images of the Old Master Artist
- Chapter 4 Rembrandt the “Master” Printmaker: Choosing an Ancestral Figure for French Painter-Printmakers
- Chapter 5 The Rembrandt Strategy: Etchers and Engravers Fashion their Professional Identities
- Conclusion: Repercussions of the Cult of Rembrandt
- Miscellaneous Endmatter
- Notes
- Appendix: Interpretive Prints after Rembrandt
- Bibliography
- Illustration Acknowledgments
- Index
Appendix: Interpretive Prints after Rembrandt
Published online by Cambridge University Press: 23 January 2021
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Introduction: Reassessing Rembrandt
- Chapter 1 Reinventing the Biography, Creating the Myth: The Formation of Rembrandt’s Artistic Persona in Nineteenth-Century France
- Plates
- Chapter 2 Politicizing Rembrandt: An Exemplar for New Aesthetic Values, Realism, and Republicanism
- Chapter 3 Picturing the Myth: Rembrandt’s Body and Images of the Old Master Artist
- Chapter 4 Rembrandt the “Master” Printmaker: Choosing an Ancestral Figure for French Painter-Printmakers
- Chapter 5 The Rembrandt Strategy: Etchers and Engravers Fashion their Professional Identities
- Conclusion: Repercussions of the Cult of Rembrandt
- Miscellaneous Endmatter
- Notes
- Appendix: Interpretive Prints after Rembrandt
- Bibliography
- Illustration Acknowledgments
- Index
Summary
Alasonière, Henri-Fabien (b.1852)*
– Portrait of Rembrandt as an Officer, etching, Salon of 1891 nº3494
Aliot, Pierre-Louis-Charles
– The Carpenter's Household (Paris, Louvre), wood engraving, Salon of 1894 nº4041
Andrus, Auguste-Arthur
– Portrait of Rembrandt, engraving, Salon of 1888 nº5009
Ansseau, Joseph
– The Night Watch, Salon of 1875 nº3605
Ardail, Albert
– Portrait of a family (Braunschweig, Museum), engraving, Salon of 1886 nº4929; Gazette des Beaux-Arts October 1886
Baude, Charles (b.1853)
– Untitled (Portrait of a man with a fur cap), (St. Petersburg, Hermitage), wood engraving, Salon of 1885 nº4599; Monde Illustré
– Rembrandt's Mother (St. Petersburg, Hermitage), wood engraving, 1885, Monde Illustré
– Portrait of a Man/Rembrandt laughing, wood engraving, Salon of 1886 nº4944
– Portrait of a Woman (London, National Gallery) wood engraving, Salon of 1887 nº4865
– Portrait of Rembrandt as an Officer, wood engraving, Salon of 1888 nº5025(1)
– Study, wood engraving, Salon of 1888 nº5025(2)
– Portrait of Rembrandt in Old Age, 1890; Monde illustré
– Head of a Man/Study, wood engraving, 1890, Salon of 1891 nº3242
– Beeresteyn (Christian-Paul-Van) “Burgomeister of Delft” (New York, Metropolitan Museum of Art), wood engraving, Monde illustré 1890 [Studio of Baude]
– Saskia, wood engraving, Salon of 1891 nº3243
– Presentation in theTemple (The Hague, Museum), wood engraving, 1892, Monde illustré 1892, p.445 [Studio of Baude]
– The Pilgrims of Emmaus (Paris, Louvre),wood engraving, Salon of 1893 nº3760
– The Poet/Portrait of Nicolas Bruyningh, wood engraving, Salon of 1895 nº4020; Monde illustré
– Man with a Baton (Paris, Louvre), wood engraving, Salon of 1897 nº3865(1)
– Portrait of Rembrandt (Paris, Louvre), wood engraving, Salon of 1897 nº3865(2)
– Rembrandt in Old Age (London, National Gallery), 1898, Supplement to Annales Politiques et Littéraires nº799, 16 October 1898
– Portrait of a Man (London, National Gallery), 1898, La France illustrée 22 October 1898, p.245
– The Adulterous Woman, (London, Duke of Marlborough), wood engraving, 1898, La France illustrée 22 October 1898, p.246 [Studio of Baude]
– Portrait of Rembrandt (The Hague, Museum), wood engraving, La France illustrée 15 October 1898, p.1 [Studio of Baude]
– Volkera Nicolai Knobbrrt, Wife of Christian Paul Van Beeresten (New York, Metropolitan Museum of Art), wood engraving, n.d. [Studio of Baude]
– Pontius Pilat…, wood engraving, n.d. [Studio of Baude]
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- The Rise of the Cult of RembrandtReinventing an Old Master in Nineteenth-Century France, pp. 347 - 354Publisher: Amsterdam University PressPrint publication year: 2003