ISABEL's arrival at Gardencourt on this second occasion was even quieter than it had been on the first. Ralph Touchett kept but a small household, and to the new servants Mrs. Osmond was a stranger; so that Isabel, instead of being conducted to her own apartment, was coldly shown into the drawing-room, and left to wait while her name was carried up to her aunt. She waited a long time; Mrs. Touchett appeared to be in no hurry to come to her. She grew impatient at last; she grew nervous and even frightened. The day was dark and cold; the dusk was thick in the corners of the wide brown rooms. The house was perfectly still—a stillness that Isabel remembered; it had filled all the place for days before the death of her uncle. She left the drawing-room and wandered about—strolled into the library and along the gallery of pictures, where, in the deep silence, her footstep made an echo. Nothing was changed; she recognised everything that she had seen years before; it might have been only yesterday that she stood there. She reflected that things change but little, while people change so much, and she became aware that she was walking about as her aunt had done on the day that she came to see her in Albany. She was changed enough since then—that had been the beginning. It suddenly struck her that if her Aunt Lydia had not come that day in just that way and found her alone, everything might have been different. She might have had another life, and to-day she might have been a happier woman. She stopped in the gallery in front of a small picture—a beautiful and valuable Bonington—upon which her eyes rested for a long time. But she was not looking at the picture; she was wondering whether if her aunt had not come that day in Albany she would have married Caspar Goodwood.

Mrs. Touchett appeared at last, just after Isabel had returned to the big uninhabited drawing-room. She looked a good deal older, but her eye was as bright as ever and her head as erect; her thin lips seemed a repository of latent meanings.