Book contents
- Frontmatter
- Contents
- Preface
- List of abbreviations
- 1 Aspects of form in Orlando di Lasso's Magnificat settings
- 2 Orlando di Lasso and Andrea Gabrieli: two motets and their masses in a Munich choir book from 1564–65
- 3 Post-Tridentine liturgical change and functional music: Lasso's cycle of polyphonic Latin hymns
- 4 The salon as marketplace in the 1550s: patrons and collectors of Lasso's secular music
- 5 Lasso's “Standomi un giorno” and the canzone in the mid-sixteenth century
- 6 Lasso's “Fertur in conviviis”: on the history of its text and transmission
- 7 Orlando di Lasso and Rome: personal contacts and musical influences
- 8 Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro
- 9 The madrigal book of Jean Turnhout (1589) and its relationship to Lasso
- 10 Modal ordering within Orlando di Lasso's publications
- 11 Correct and incorrect accentuation in Lasso's music: on the implied dependence on the text in classical vocal polyphony
- General index
- Index of Lasso compositions and printed sources
6 - Lasso's “Fertur in conviviis”: on the history of its text and transmission
Published online by Cambridge University Press: 18 December 2009
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Book contents
- Frontmatter
- Contents
- Preface
- List of abbreviations
- 1 Aspects of form in Orlando di Lasso's Magnificat settings
- 2 Orlando di Lasso and Andrea Gabrieli: two motets and their masses in a Munich choir book from 1564–65
- 3 Post-Tridentine liturgical change and functional music: Lasso's cycle of polyphonic Latin hymns
- 4 The salon as marketplace in the 1550s: patrons and collectors of Lasso's secular music
- 5 Lasso's “Standomi un giorno” and the canzone in the mid-sixteenth century
- 6 Lasso's “Fertur in conviviis”: on the history of its text and transmission
- 7 Orlando di Lasso and Rome: personal contacts and musical influences
- 8 Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro
- 9 The madrigal book of Jean Turnhout (1589) and its relationship to Lasso
- 10 Modal ordering within Orlando di Lasso's publications
- 11 Correct and incorrect accentuation in Lasso's music: on the implied dependence on the text in classical vocal polyphony
- General index
- Index of Lasso compositions and printed sources
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- Orlando di Lasso Studies , pp. 116 - 131Publisher: Cambridge University PressPrint publication year: 1999