Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-20T04:38:38.263Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  07 August 2023

Irina Chernetsky
Affiliation:
Hebrew University of Jerusalem
Get access

Summary

Even the most casual stroll through the streets of Florence may lead to the Ponte Vecchio, where today, at the northern entrance, one finds a plaque (Figure I.1) inscribed with these verses from Dante’s Comedy (Paradiso, 16.145–147): “… conveniasi a quella pietra scema/ che guarda il ponte, che Fiorenza fesse/ vittima nella sua pace postrema” (“it was fitting that Florence, in her last peace, should offer a victim to that mutilated stone which guards the bridge”).1 The quotation illustrates that when history intersects with physical space it imbues the place with collective memory.2 In this instance, the events occurred in 1215: the Florentine knight Buondelmonte de’ Buondelmonti broke a marriage covenant with the Amidei family.3 His decision to marry instead a woman from the more noble Donati family brought great dishonor not just to the immediate family but to the entire powerful clan to which the Amidei belonged. The violence that ensued marked the starting point for the long-standing hostility between the Guelphs and the Ghibellines, factions that represented, respectively, the Buondelmonti and the Amidei. Buondelmonte was murdered at the head of the Ponte Vecchio, near the column bearing an equestrian statue.

Type
Chapter
Information
The Mythological Origins of Renaissance Florence
The City as New Athens, Rome, and Jerusalem
, pp. 1 - 22
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Introduction
  • Irina Chernetsky, Hebrew University of Jerusalem
  • Book: The Mythological Origins of Renaissance Florence
  • Online publication: 07 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009039116.001
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Introduction
  • Irina Chernetsky, Hebrew University of Jerusalem
  • Book: The Mythological Origins of Renaissance Florence
  • Online publication: 07 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009039116.001
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Irina Chernetsky, Hebrew University of Jerusalem
  • Book: The Mythological Origins of Renaissance Florence
  • Online publication: 07 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009039116.001
Available formats
×