Book contents
- Frontmatter
- Contents
- Acknowledgements
- List of abbreviations
- Introduction
- 1 Crosscurrents in early nineteenth-century criticism
- 2 The rise of the specialist press from 1827
- 3 Early music
- 4 The Austro-German tradition I: The reception of Gluck, Haydn and Mozart
- 5 The Austro-German tradition II: The reception of Beethoven
- 6 The Austro-German tradition III: Weber, Schubert and Mendelssohn
- 7 Contemporary music I: Piano music
- 8 Contemporary music II: Chamber and symphonic music
- 9 Contemporary music III: Opera
- 10 Contemporary music IV: The music of the future
- 11 Contemporary music V: Berlioz
- Conclusion
- Appendix 1 Principal contributors to the Gazette
- Appendix 2 Personalia
- Appendix 3 Contes, nouvelles, dialogues and other short literature in Schlesinger's Gazette musicale, 1834–46
- Appendix 4 Publishing history of the Gazette
- Appendix 5 Pseudonyms and attributions
- Bibliography
- Index of musical works cited
- General index
Appendix 1 - Principal contributors to the Gazette
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Acknowledgements
- List of abbreviations
- Introduction
- 1 Crosscurrents in early nineteenth-century criticism
- 2 The rise of the specialist press from 1827
- 3 Early music
- 4 The Austro-German tradition I: The reception of Gluck, Haydn and Mozart
- 5 The Austro-German tradition II: The reception of Beethoven
- 6 The Austro-German tradition III: Weber, Schubert and Mendelssohn
- 7 Contemporary music I: Piano music
- 8 Contemporary music II: Chamber and symphonic music
- 9 Contemporary music III: Opera
- 10 Contemporary music IV: The music of the future
- 11 Contemporary music V: Berlioz
- Conclusion
- Appendix 1 Principal contributors to the Gazette
- Appendix 2 Personalia
- Appendix 3 Contes, nouvelles, dialogues and other short literature in Schlesinger's Gazette musicale, 1834–46
- Appendix 4 Publishing history of the Gazette
- Appendix 5 Pseudonyms and attributions
- Bibliography
- Index of musical works cited
- General index
Summary
This appendix lists all named editors and the most prominent of those who contributed occasionally. Many articles in the Gazette were initialled, but the identity of some of these authors is unknown. Moreover, foreign correspondents did not usually sign their work. The most likely foreign correspondents among the contributors listed below are Davison (London), Gruneisen (London), Rellstab (Berlin) and Wartel (Vienna), but their precise years of activity for the journal are impossible to establish. Thus, a blank against a particular name means only that no definitively attributable article has been found for that year. Moreover, the fact of being listed on the editorial board is no guarantee that a particular writer was attached to the journal: Schlesinger in particular retained ‘star’ names on the masthead long after they ceased to have any connection with the Gazette. For the years 1850 and 1852, no writer is recorded as being an official editor because no annual or masthead listing is given. Germanic names and initials have been preserved in the Frenchified forms in which they originally appeared. Contributions are listed under the author's byline; thus, for instance, contributions signed by Edouard Monnais and Paul Smith, Arthur Pougin and Maurice Gray, or Gustave Héquet and Léon Durocher, are listed separately, to show in which years a particular writer used particular names.
- Type
- Chapter
- Information
- Music Criticism in Nineteenth-Century FranceLa Revue et gazette musicale de Paris 1834–80, pp. 243 - 254Publisher: Cambridge University PressPrint publication year: 1995