Book contents
- Frontmatter
- Dedication
- Contents
- List of Figures
- Preface
- Acknowledgments
- Introduction
- Chapter 1 Italian Neorealism and the Emergence of the Male Melodrama: Vittorio De Sica’s Bicycle Thieves (1948) and Umberto D. (1952)
- Chapter 2 The Migration of Male Melodrama into Non-Western Cultures: Satyajit Ray’s The Apu Trilogy (1955–59) and “Fourth Cinema”
- Chapter 3 Hollywood Melodrama as a Vehicle for Self-Projection: Vincente Minnelli’s Tea and Sympathy (1956) and Home from the Hill (1960)
- Chapter 4 The Political Turns Personal: Neo-Neorealism and Pier Paolo Pasolini’s Accattone (1961)
- Chapter 5 Personal Cinema as Psychodrama: Ingmar Bergman’s Wild Strawberries (1957), Winter Light (1963) and Hour of the Wolf (1968)
- Chapter 6 François Truffaut and the Tyranny of Romantic Obsession: The Soft Skin (1964), Mississippi Mermaid (1969) and The Woman Next Door (1981)
- Chapter 7 Figuring an Authorial Fantasmatic: Jacques Demy’s The Umbrellas of Cherbourg (1964), A Room In Town (1982) and Parking (1985)
- Chapter 8 Rainer Werner Fassbinder and the Emergence of Queer Cinema: The Merchant of Four Seasons (1972), Fox and His Friends (1975) and In a Year with 13 Moons (1978)
- Chapter 9 Visual Aestheticism and the Queer Prestige Melodrama: Call Me by Your Name (2017) and Luca Guadagnino’s Desire Trilogy
- Conclusion
- List of Films Cited
- Select Bibliography
- Index
Book contents
- Frontmatter
- Dedication
- Contents
- List of Figures
- Preface
- Acknowledgments
- Introduction
- Chapter 1 Italian Neorealism and the Emergence of the Male Melodrama: Vittorio De Sica’s Bicycle Thieves (1948) and Umberto D. (1952)
- Chapter 2 The Migration of Male Melodrama into Non-Western Cultures: Satyajit Ray’s The Apu Trilogy (1955–59) and “Fourth Cinema”
- Chapter 3 Hollywood Melodrama as a Vehicle for Self-Projection: Vincente Minnelli’s Tea and Sympathy (1956) and Home from the Hill (1960)
- Chapter 4 The Political Turns Personal: Neo-Neorealism and Pier Paolo Pasolini’s Accattone (1961)
- Chapter 5 Personal Cinema as Psychodrama: Ingmar Bergman’s Wild Strawberries (1957), Winter Light (1963) and Hour of the Wolf (1968)
- Chapter 6 François Truffaut and the Tyranny of Romantic Obsession: The Soft Skin (1964), Mississippi Mermaid (1969) and The Woman Next Door (1981)
- Chapter 7 Figuring an Authorial Fantasmatic: Jacques Demy’s The Umbrellas of Cherbourg (1964), A Room In Town (1982) and Parking (1985)
- Chapter 8 Rainer Werner Fassbinder and the Emergence of Queer Cinema: The Merchant of Four Seasons (1972), Fox and His Friends (1975) and In a Year with 13 Moons (1978)
- Chapter 9 Visual Aestheticism and the Queer Prestige Melodrama: Call Me by Your Name (2017) and Luca Guadagnino’s Desire Trilogy
- Conclusion
- List of Films Cited
- Select Bibliography
- Index
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- Melodrama, Masculinity and International Art Cinema , pp. 201 - 204Publisher: Anthem PressPrint publication year: 2022