Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-09T20:04:17.037Z Has data issue: false hasContentIssue false

The ‘Decameron’ of Boccaccio

from Part Four - Ghosts in Medieval Literature

Published online by Cambridge University Press:  11 May 2017

Get access

Summary

Giovanni Boccaccio (1313–75) was the son of a prosperous Florentine merchant. After a brief apprenticeship in his father's bank, and after giving up his studies of canon law, he devoted all his time to literature. As a young man he spent some years in Naples, which, under the rule of Robert of Anjou, was one of the major intellectual and cultural centres of Italy. He returned to Florence in 1341 and half a decade later witnessed the effects of the Black Death on the social structure of the city, which he was to describe in the introduction to his best-known work. The setting for the Decameron is a country villa in the hills outside Florence, where a group of ten young men and women have taken refuge from the plague which has begun to infect their city. To entertain themselves, it is arranged that each of them will tell a story every day for a period of ten days. The basic theme of the ghost story which follows (that it is an offence which is punishable in the afterlife to refrain from love during one's brief mortal existence) corresponds to the philosophy of courtly love. In the same way that the anonymous author of the Lay du Trot used an earlier medieval motif of a sorrowful procession of ghosts to uphold the tenets of this philosophy, so Boccaccio adapted the story of a woman hunted inexorably in the afterlife to accord with the specific circumstances of a lovelorn suitor and a scornful mistress. The social context and physical setting of the story-telling process in the Decameron would have underlined the message: like all the other tales, this story is related to a group of youthful listeners who, as refugees from a city infected with the plague, would have been fully aware of the fragility of mortal existence and the necessity of seizing the chance of transitory pleasure.

The Huntsman of Ravenna

Fifth Day, Story VIII

In Ravenna, that ancient city of Romagna, there dwelt among the nobility a young man called Nastagio degli Onesti, who inherited great wealth after the death of his father and his uncle. Being without a wife, Nastagio fell in love, as young men do, with the daughter of Messer Paolo Traversaro.

Type
Chapter
Information
Medieval Ghost Stories
An Anthology of Miracles, Marvels and Prodigies
, pp. 206 - 212
Publisher: Boydell & Brewer
Print publication year: 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×