Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-20T04:48:00.510Z Has data issue: false hasContentIssue false

5 - The Language of Film and the Representation of Legal Subjectivity in Juno Mak's Rigor Mortis

from Part II - Imperfect Fit between Legal Categories and Social Discourse

Published online by Cambridge University Press:  28 December 2017

Janny H. C. Leung
Affiliation:
The University of Hong Kong
Alan Durant
Affiliation:
Middlesex University, London
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Boehler, P. (2013). ‘Disgruntled Hong Kong Embraces Union Jack as Symbol of Freedom’. Asian Correspondent, 25 January.Google Scholar
Bordwell, D. (1989). Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Cambridge, MA: Harvard University Press.Google Scholar
But, J. and Lee, C. (2013). ‘Opponents of Beijing Ineligible to Be CE: Top Chinese Official’. South China Morning Post, 24 March.Google Scholar
Chen, A. H. Y. (1989). ‘From Colony to Special Administrative Region: Hong Kong's Constitutional Journey’. In Wacks, R. (ed.) The Future of the Law in Hong Kong. Hong Kong: Oxford University Press, 76126.Google Scholar
Chen, A. H. Y. (2002). ‘Hong Kong's Legal System in the New Constitutional Order: The Experience of 1997–2000’. In Chen, J. F., Li, Y. W. and Otto, J. M. (eds.) Implementation of Law in the People's Republic of China, 213245.Google Scholar
Cheung, G. (2012). ‘Beijing finds Hongkongers’ Nostalgia for Colonial Era Hard to Fathom’. South China Morning Post, 1 October.Google Scholar
Cheung, G., Lee, C. and Li, J. (2013). ‘Displays of Hong Kong's Colonial Flag Offend Beijing’. South China Morning Post, 7 May.Google Scholar
Choy, H. Y.F. (2007). ‘Schizophrenic Hong Kong: Postcolonial Identity Crisis in the Infernal Affairs Trilogy’. Transtext(s)s Transcultures: Journal of Global Cultural Studies 3: 5266.Google Scholar
Dick, B. F. (2010). Anatomy of Film. Boston: Bedford/St. Martin's.Google Scholar
Foster, P. (2009). ‘East Is Red is the Siren Song of China's New Generation’. Telegraph, 10 May.Google Scholar
Fu, H. L., Petersen, C. and Young, S. N. M. (eds.) (2005). National Security and Fundamental Freedoms: Hong Kong's Article 23 Under Scrutiny. Hong Kong: Hong Kong University Press.Google Scholar
Hudson, D. (2009). ‘Modernity as Crisis: Geong Si and Vampires in Hong Kong Cinema’. In Brown, J. E., and Picart, C. J. (eds.) Draculas, Vampires and Other Undead Forms: Essays on Gender, Race and Culture. Baltimore: Scarecrow Press, 203235.Google Scholar
‘Huge Protests Fills Hong Kong Streets’ (2003). CNN.com, 2 July. Accessed June 13, 2015. http://edition.cnn.com/2003/WORLD/asiapcf/east/07/01/hk.protest/Google Scholar
Leung, E. (2001). ‘The Continuity of Hong Kong's Legal System’, Speech at the Asia-Pacific Society, Oxford University, 4 March.Google Scholar
Napolitano, D. (2013). ‘Fresh Life for Hong Kong's Vampire Genre’. Wall Street Journal, 24 October.Google Scholar
Ng, H. (1989). ‘Abracadaver: Cross-Cultural Influences in Hong Kong Vampire Movies’. In Li, C. T. (ed.) Phantoms of Hong Kong Cinema. Hong Kong: HKIFF/Urban Council, 2935.Google Scholar
Scorsese, M. (2013). ‘The Persisting Vision: Reading the language of Cinema’. New York Review of Books, August.Google Scholar
Sek, K. (1989). ‘The Wandering Spook’. In Li, C. T. (ed.) Phantoms of Hong Kong Cinema. Hong Kong: HKIFF/Urban Council, 1316.Google Scholar
Sherwin, R. K. (2011). Visualizing Law in the Age of the Digital Baroque: Arabesques and Entanglements. Abingdon: Routledge.Google Scholar
Teo, S. (1997). Hong Kong Cinema: The Extra Dimensions. London: BFI.Google Scholar
Yue, A. (2000). ‘Preposterous Hong Kong Horror’. In Gelder, K. (ed.) The Horror Reader. London: Routledge, 364374.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×