Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Prologue: The Question of Manhood in the Booker T. Washington-W.E.B. Du Bois Debate
- Part 1 Alain Locke and the New Negro
- Chapter 2 Midwifery and Camaraderie: Alain Locke’s Tropes of Gender and Sexuality
- Chapter 3 Arts, War, and the Brave New Negro: Gendering the Black Aesthetic
- Part 2 Wallace Thurman and Niggerati Manor
- Chapter 4 Gangsters and Bootblacks, Rent Parties and Railroad Flats: Wallace Thurman’s Challenges to the Black Bourgeoisie
- Chapter 5 Discontents of the Black Dandy
- Chapter 6 Epilogue: Richard Wright’s Interrogations of the New Negro
- Conclusion: Black Male Authorship, Sexuality, and the Transatlantic Connection
- Notes
- Bibliography
- Index
- Curriculum Vitae
Curriculum Vitae
Published online by Cambridge University Press: 20 January 2021
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Prologue: The Question of Manhood in the Booker T. Washington-W.E.B. Du Bois Debate
- Part 1 Alain Locke and the New Negro
- Chapter 2 Midwifery and Camaraderie: Alain Locke’s Tropes of Gender and Sexuality
- Chapter 3 Arts, War, and the Brave New Negro: Gendering the Black Aesthetic
- Part 2 Wallace Thurman and Niggerati Manor
- Chapter 4 Gangsters and Bootblacks, Rent Parties and Railroad Flats: Wallace Thurman’s Challenges to the Black Bourgeoisie
- Chapter 5 Discontents of the Black Dandy
- Chapter 6 Epilogue: Richard Wright’s Interrogations of the New Negro
- Conclusion: Black Male Authorship, Sexuality, and the Transatlantic Connection
- Notes
- Bibliography
- Index
- Curriculum Vitae
Summary
- Type
- Chapter
- Information
- The Making of the New NegroBlack Authorship, Masculinity, and Sexuality in the Harlem Renaissance, pp. 279Publisher: Amsterdam University PressPrint publication year: 2012