Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-09T16:27:04.004Z Has data issue: false hasContentIssue false

Preface

Published online by Cambridge University Press:  11 December 2020

Get access

Summary

I would like to use this space to flag up the importance of Trianon for Hungarian national self-identification. Signed on 4 June 1920, the Treaty of Trianon settled the terms of peace for Hungary after the First World War. It was intended to resolve ethnic tensions in the Central European region by applying the Wilsonian principle of the self-determination of small nations. It imposed severe territorial losses on the formerly multiethnic Kingdom of Hungary. In the process of granting statehood to hitherto oppressed minorities, it also created large Hungarian minorities beyond the country's new borders. For many Hungarians, Trianon remains an injustice that stands alone in history, but any chance of undoing it, and indeed to agitate for its reversal, are beyond reason.

The economy adjusted over time to the new realities of the country's geography, but, politically, the nation has never recovered. Trianon has demanded an answer from all statesmen, great and small, of Hungary's past 100 years. Some chose to strain against it, fomenting regional tension and generating domestic division. Others sought to move on, only to run up against a nation that could not let go. Yet others tried to ignore it, and cover the subject with the weight of taboo. Hungary's complicated image of itself and its neighbours – kin and allies, yet foes, one and all – makes no sense without understanding Trianon and its impact. Under its weight, Hungarian national identity underwent a dramatic transformation. On the edge of modernity, Hungary made an about-face towards an imaginary lost Golden Age in which Hungary was whole and great. Myths about Hungarian might, the country's role in defending Christian Europe against heathen invaders from the East, and the concept of a unique Hungarian destiny of martyrdom were mobilized in an effort to rationalize the trauma of Trianon.

Current Hungarian attitudes towards the Second World War, and collective memory of the Nazi occupation, the Hungarian Holocaust, and the invasion of the Soviet Red Army are all inflected by the deep psychological scars of the treaty. Some call on Hungary to face up to its participation in and responsibility for the genocide, which they see as the more or less direct outcome of attempts to reverse Trianon.

Type
Chapter
Information
Hungarian Film, 1929–1947
National Identity, Anti-Semitism and Popular Cinema
, pp. 15 - 16
Publisher: Amsterdam University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Preface
  • Gábor Gergely
  • Book: Hungarian Film, 1929–1947
  • Online publication: 11 December 2020
  • Chapter DOI: https://doi.org/10.1017/9789048530243.002
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Preface
  • Gábor Gergely
  • Book: Hungarian Film, 1929–1947
  • Online publication: 11 December 2020
  • Chapter DOI: https://doi.org/10.1017/9789048530243.002
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Preface
  • Gábor Gergely
  • Book: Hungarian Film, 1929–1947
  • Online publication: 11 December 2020
  • Chapter DOI: https://doi.org/10.1017/9789048530243.002
Available formats
×