Book contents
- Humanitarian Photography
- Series page
- Humanitarian Photography
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Introduction The Morality of Sight: Humanitarian Photography in History
- 1 Picturing Pain
- 2 Framing Atrocity
- 3 The Limits of Exposure
- 4 Photography, Visual Culture, and the Armenian Genocide
- 5 Developing the Humanitarian Image in Late Nineteenth- and Early Twentieth-Century China
- 6 Photography, Cinema, and the Quest for Influence
- 7 Children and Other Civilians
- 8 Sights of Benevolence
- 9 All the World Loves a Picture
- 10 “A” as in Auschwitz, “B” as in Biafra
- 11 Finding the Right Image
- 12 Dilemmas of Ethical Practice in the Production of Contemporary Humanitarian Photography
- Select Bibliography
- Index
Acknowledgments
Published online by Cambridge University Press: 05 February 2015
- Humanitarian Photography
- Series page
- Humanitarian Photography
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Introduction The Morality of Sight: Humanitarian Photography in History
- 1 Picturing Pain
- 2 Framing Atrocity
- 3 The Limits of Exposure
- 4 Photography, Visual Culture, and the Armenian Genocide
- 5 Developing the Humanitarian Image in Late Nineteenth- and Early Twentieth-Century China
- 6 Photography, Cinema, and the Quest for Influence
- 7 Children and Other Civilians
- 8 Sights of Benevolence
- 9 All the World Loves a Picture
- 10 “A” as in Auschwitz, “B” as in Biafra
- 11 Finding the Right Image
- 12 Dilemmas of Ethical Practice in the Production of Contemporary Humanitarian Photography
- Select Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Humanitarian PhotographyA History, pp. xix - xxPublisher: Cambridge University PressPrint publication year: 2015