Book contents
- Frontmatter
- Dedication
- Contents
- List of Plates
- List of Figures
- Foreword
- Preface to the New Edition
- Chronology
- Chapter 1 1843–1865: Childhood and Years of Study
- Chapter 2 1866–1867: Tribschen
- Chapter 3 1868–1869: Munich
- Chapter 4 1870–1871: Brussels; Tribschen
- Chapter 5 1871–1874: Budapest
- Chapter 6 1874–1875: Budapest and Bayreuth
- Chapter 7 1875: Vienna
- Chapter 8 1876: Bayreuth
- Chapter 9 1877: London
- Chapter 10 1878–1879: Vienna
- Chapter 11 1879–1880: Friends and Enemies
- Chapter 12 1880–1881: London and Vienna
- Chapter 13 1881–1882: Richter and d'Albert
- Chapter 14 1882: Richter and d'Albert
- Chapter 15 1882–1883: The Master's Death
- Chapter 16 1884: More Opera in London
- Chapter 17 1885–1886: Vienna, London and Birmingham
- Chapter 18 1887–1888 Return to Bayreuth
- Chapter 19 1889–1900: Vienna
- Chapter 20 1897–1900: Richter and Mahler
- Chapter 21 1889–1890: England
- Chapter 22 1891–1895: England
- Chapter 23 1895–1900: England
- Chapter 24 1890–1899: Bayreuth
- Chapter 25 1894–1899: Richter's Diary
- Chapter 26 1899–1900: Hallé Orchestra
- Chapter 27 1900–1902: England
- Chapter 28 1903–1904: England
- Chapter 29 1904–1906: England
- Chapter 30 1906–1908: England
- Chapter 31 1908–1909: England
- Chapter 32 1909–1911: England
- Chapter 33 1911–1914: Retirement
- Chapter 34 1914–1916: The Last Years
- Chapter 35 Finale
- HANS RICHTER'S CONDUCTING BOOKS
- Appendix 1 Works conducted by Hans Richter
- Appendix 2 Cities and towns where Richter conducted
- Select Bibliography
- Index
Chapter 13 - 1881–1882: Richter and d'Albert
Published online by Cambridge University Press: 29 April 2017
- Frontmatter
- Dedication
- Contents
- List of Plates
- List of Figures
- Foreword
- Preface to the New Edition
- Chronology
- Chapter 1 1843–1865: Childhood and Years of Study
- Chapter 2 1866–1867: Tribschen
- Chapter 3 1868–1869: Munich
- Chapter 4 1870–1871: Brussels; Tribschen
- Chapter 5 1871–1874: Budapest
- Chapter 6 1874–1875: Budapest and Bayreuth
- Chapter 7 1875: Vienna
- Chapter 8 1876: Bayreuth
- Chapter 9 1877: London
- Chapter 10 1878–1879: Vienna
- Chapter 11 1879–1880: Friends and Enemies
- Chapter 12 1880–1881: London and Vienna
- Chapter 13 1881–1882: Richter and d'Albert
- Chapter 14 1882: Richter and d'Albert
- Chapter 15 1882–1883: The Master's Death
- Chapter 16 1884: More Opera in London
- Chapter 17 1885–1886: Vienna, London and Birmingham
- Chapter 18 1887–1888 Return to Bayreuth
- Chapter 19 1889–1900: Vienna
- Chapter 20 1897–1900: Richter and Mahler
- Chapter 21 1889–1890: England
- Chapter 22 1891–1895: England
- Chapter 23 1895–1900: England
- Chapter 24 1890–1899: Bayreuth
- Chapter 25 1894–1899: Richter's Diary
- Chapter 26 1899–1900: Hallé Orchestra
- Chapter 27 1900–1902: England
- Chapter 28 1903–1904: England
- Chapter 29 1904–1906: England
- Chapter 30 1906–1908: England
- Chapter 31 1908–1909: England
- Chapter 32 1909–1911: England
- Chapter 33 1911–1914: Retirement
- Chapter 34 1914–1916: The Last Years
- Chapter 35 Finale
- HANS RICHTER'S CONDUCTING BOOKS
- Appendix 1 Works conducted by Hans Richter
- Appendix 2 Cities and towns where Richter conducted
- Select Bibliography
- Index
Summary
Eugen d'Albert, whose mother came from Newcastle and whose father Charles (a composer and ballet master born in Hamburg) was French, was then aged seventeen. He was a pupil of Ernst Pauer and had received his musical education at the National Training School for Music in London (forerunner of the present Royal College of Music), whose Principal was Sir Arthur Sullivan. He was also under the patronage of Marie Joshua. Pauer and Mrs Joshua brought him to the attention of Richter, who decided that his future as a concert pianist was assured and decided to take him back with him to Vienna and to effect an introduction to Liszt. The story runs in the Richter family that with six mouths to feed, a seventh would make no difference, but letters from the young man to his father imply that a financial arrangement was made with Richter, which also provided Eugen with pocket money. Several letters were written by d'Albert over a six-month period to Mrs Joshua, first from Richter's Vienna home and subsequently from Weimar after he had become Liszt's pupil. His Anglophobia and love for things German meant that, once his studies had started with Liszt, he never lived in England again. His father had arranged for him to study with Leschetizky but Richter advised against this and undertook to tutor him himself. He considered that Leschetizky would completely change d'Albert's hand position and technique and also held the view that he was too interested in his female pupils for d'Albert's own good. The letters to Mrs Joshua provide a fascinating account of life in Vienna, where the young man spent six months under the roof of its foremost conductor.
Richter set off for home with d'Albert on 30 October 1881 and within a week the young man had dispatched his first impressions to Mrs Joshua. In many ways d'Albert's place in the domestic household bears an uncanny resemblance to Richter's own youthful experience at Tribschen. D'Albert's immediate popularity with the Richter children reflects exactly the sympathetic relationship Richter had had with Wagner's children and step-children fifteen years earlier.
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- Information
- Hans Richter , pp. 163 - 172Publisher: Boydell & BrewerPrint publication year: 2016