Book contents
- Frontmatter
- Dedication
- Contents
- List of Plates
- List of Figures
- Foreword
- Preface to the New Edition
- Chronology
- Chapter 1 1843–1865: Childhood and Years of Study
- Chapter 2 1866–1867: Tribschen
- Chapter 3 1868–1869: Munich
- Chapter 4 1870–1871: Brussels; Tribschen
- Chapter 5 1871–1874: Budapest
- Chapter 6 1874–1875: Budapest and Bayreuth
- Chapter 7 1875: Vienna
- Chapter 8 1876: Bayreuth
- Chapter 9 1877: London
- Chapter 10 1878–1879: Vienna
- Chapter 11 1879–1880: Friends and Enemies
- Chapter 12 1880–1881: London and Vienna
- Chapter 13 1881–1882: Richter and d'Albert
- Chapter 14 1882: Richter and d'Albert
- Chapter 15 1882–1883: The Master's Death
- Chapter 16 1884: More Opera in London
- Chapter 17 1885–1886: Vienna, London and Birmingham
- Chapter 18 1887–1888 Return to Bayreuth
- Chapter 19 1889–1900: Vienna
- Chapter 20 1897–1900: Richter and Mahler
- Chapter 21 1889–1890: England
- Chapter 22 1891–1895: England
- Chapter 23 1895–1900: England
- Chapter 24 1890–1899: Bayreuth
- Chapter 25 1894–1899: Richter's Diary
- Chapter 26 1899–1900: Hallé Orchestra
- Chapter 27 1900–1902: England
- Chapter 28 1903–1904: England
- Chapter 29 1904–1906: England
- Chapter 30 1906–1908: England
- Chapter 31 1908–1909: England
- Chapter 32 1909–1911: England
- Chapter 33 1911–1914: Retirement
- Chapter 34 1914–1916: The Last Years
- Chapter 35 Finale
- HANS RICHTER'S CONDUCTING BOOKS
- Appendix 1 Works conducted by Hans Richter
- Appendix 2 Cities and towns where Richter conducted
- Select Bibliography
- Index
Chapter 6 - 1874–1875: Budapest and Bayreuth
Published online by Cambridge University Press: 29 April 2017
- Frontmatter
- Dedication
- Contents
- List of Plates
- List of Figures
- Foreword
- Preface to the New Edition
- Chronology
- Chapter 1 1843–1865: Childhood and Years of Study
- Chapter 2 1866–1867: Tribschen
- Chapter 3 1868–1869: Munich
- Chapter 4 1870–1871: Brussels; Tribschen
- Chapter 5 1871–1874: Budapest
- Chapter 6 1874–1875: Budapest and Bayreuth
- Chapter 7 1875: Vienna
- Chapter 8 1876: Bayreuth
- Chapter 9 1877: London
- Chapter 10 1878–1879: Vienna
- Chapter 11 1879–1880: Friends and Enemies
- Chapter 12 1880–1881: London and Vienna
- Chapter 13 1881–1882: Richter and d'Albert
- Chapter 14 1882: Richter and d'Albert
- Chapter 15 1882–1883: The Master's Death
- Chapter 16 1884: More Opera in London
- Chapter 17 1885–1886: Vienna, London and Birmingham
- Chapter 18 1887–1888 Return to Bayreuth
- Chapter 19 1889–1900: Vienna
- Chapter 20 1897–1900: Richter and Mahler
- Chapter 21 1889–1890: England
- Chapter 22 1891–1895: England
- Chapter 23 1895–1900: England
- Chapter 24 1890–1899: Bayreuth
- Chapter 25 1894–1899: Richter's Diary
- Chapter 26 1899–1900: Hallé Orchestra
- Chapter 27 1900–1902: England
- Chapter 28 1903–1904: England
- Chapter 29 1904–1906: England
- Chapter 30 1906–1908: England
- Chapter 31 1908–1909: England
- Chapter 32 1909–1911: England
- Chapter 33 1911–1914: Retirement
- Chapter 34 1914–1916: The Last Years
- Chapter 35 Finale
- HANS RICHTER'S CONDUCTING BOOKS
- Appendix 1 Works conducted by Hans Richter
- Appendix 2 Cities and towns where Richter conducted
- Select Bibliography
- Index
Summary
The gap of fifteen months (between December 1872 and March 1874) in the Wagner–Richter correspondence is only partly explained by Richter's new post in Budapest, his preoccupation with his duties there and the Liszt celebrations throughout 1873. When Wagner wrote in March 1874, his letter, together with the following five to May 1874, was of great significance. Matters concerning the Ring were rapidly developing. In March that year, Wagner told him that King Ludwig had finally committed himself financially to aiding the Bayreuth Festival project (the sovereign having abandoned any idea of hosting Wagner's festivals in Munich) and that contracts were now being signed by Carl Brandt as stage director and the Viennese artist Josef Hoffmann as designer. Richter himself would now have to agree to conduct the festival which Wagner intended to stage in 1876 after various stages of planning, selection, preparation and rehearsal had been worked out. In the light of many rash forecasts made hitherto by Wagner, this letter proved near to the eventual truth:
In this year, 1874, everything must be sufficiently prepared that next summer 1875 we can rehearse with the chosen cast (which must have been musically thoroughly prepared over the winter) on stage in the sets. The orchestra too must be complete and be able to be called for rehearsals such as read-throughs, correction of parts rehearsals, and with the singers [Sitzproben]. From these rehearsals it will become clear who is not up to his or her task – player or singer – so that we can make the necessary replacements. Only by being prepared in this way can we be sure that we'll need two months at the most in the year of performance to stage the gigantic work in worthy fashion, for we'll only have two weeks for each part and, reckoning on delays through illness etc., these rehearsals must bear all the hallmarks of dress rehearsals with necessary rest-periods between them.
This is my plan. Who will help me to carry it out however? Can you, from May on at the latest, place yourself at my disposal for three months? That's the question. You would have to do the following:
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- Hans Richter , pp. 63 - 81Publisher: Boydell & BrewerPrint publication year: 2016