Adkin, N. (1987). “The Fathers on Laughter”. Orpheus 6: 149–52.Google Scholar

Agard, W. R. (1923). “Greek Humor in Vase Paintings”. Classical Journal 19.2: 97–105.Google Scholar

Amyx, D. A. (1945). “A New Pelike by the Geras Painter”. American Journal of Archaeology 49: 508–18.CrossRefGoogle Scholar

Anderson, M. J. (1997). The Fall of Troy in Early Greek Poetry and Art. Oxford: Oxford University Press.Google Scholar

Andreassi, M. (2004). Le Facezie del Philogelos. Barzellette Antiche e Umorismo Moderno. Lecce: Pensa Multimedia Editore.Google Scholar

Angiolillo, S. (1997). Arte e Cultura nell’Atene di Pisistrato e dei Pisistratidi: O EΠ I KPONOY BIOΣ. Bibliotheca Archeologica 4. Bari: Edipuglia Bari.Google Scholar

Apte, M. L. (1983). “Humor Research, Methodology, and Theory in Anthropology”, in Handbook of Humor Research. McGhee, J. (ed.). New York: Springer-Verlag 1: 183–212.Google Scholar

Apte, M.L. (1985). Humor and Laughter: An Anthropological Approach. Ithaca: Cornell University Press.Google Scholar

Apte, M.L. (1988). “Disciplinary Boundaries in Humorology: An Anthropologist’s Ruminations”. HUMOR: International Journal of Humor Research 1(1): 5–25.CrossRefGoogle Scholar

Armitage, P. L. (1994). “Unwelcome Companions, Ancient Rats Reviewed”. Antiquity 68: 231–40.CrossRefGoogle Scholar

Arnould, D. (1990). Le Rire et les Larmes dans la Littérature Grecque d’Homère à Platon. Paris: Presses Universitaires de France.Google Scholar

Attardo, S. (1994). Linguistic Theories of Humor. Berlin: Mouton de Gruyter.Google Scholar

Attardo, S. (1997). “The Semantic Foundations of Cognitive Theories of Humor”. HUMOR: International Journal of Humor Research 10(4): 395–420.CrossRefGoogle Scholar

Auda, V. (1989). “The Court Fool or Jester: A Historic Background”. Cycnos [France] 5: 23–6.Google Scholar

Babcock, B. A. (1975). “‘A Tolerated Margin of Mess’: The Trickster and His Tales Reconsidered”. Journal of the Folklore Institute 9: 147–86.CrossRefGoogle Scholar

Bakhtin, M. (1968). Rabelais and His World (trans. from Tvorchestvo Fransua Rable by Helene Iswolsky). Cambridge, MA: MIT Press.Google Scholar

Baldwin, B. (1983). The Philogelos or Laughter-Lover. Amsterdam: J. C. Gieben.Google Scholar

Ballabriga, A. (1981). “Le Malheur des Nains. Quelques Aspects du Combat des Grues contre les Pygmées dans la Littérature Grecque”. Revue des Etudes Anciennes 81: 57–74.CrossRefGoogle Scholar

Basso, E. B. (1988). “The Trickster’s Scattered Self”. Anthropological Linguistics 30.3–4: 292–318.Google Scholar

Baudelaire, C. (1857). Les Fleurs du Mal. Paris: A. Poulet Malassis.Google Scholar

Baudelaire, C. (1860). “De l’Essence du Rire et Généralement du Comique dans les Arts Plastiques”, in Oeuvres Complètes. Dantec, Y. Le (ed.). Paris: Gallimard, Bibliothèque de la Pléiade.Google Scholar

Beazley, J. D. (1939). “Prometheus Fire-lighter”. American Journal of Archaeology 43: 628–9.CrossRefGoogle Scholar

Beazley, J.D. (1943). “Panathenaica”. American Journal of Archaeology 47: 441–65.CrossRefGoogle Scholar

Beazley, J.D. (1949–51). “Geras”. Bulletin Antieke Beschaving 24–6: 18–20.Google Scholar

Beazley, J.D. (1951). The Development of Attic Black-figure. Oxford: Oxford University Press.Google Scholar

Beazley, J.D. (1956). Attic Black-figure Vase-painters. Oxford: Oxford University Press.Google Scholar

Beazley, J.D. (1963a). Attic Red-figure Vase-painters. Oxford: Oxford University Press.Google Scholar

Beazley, J.D. (1963b). “Herakles Derubato”. Apollo (Salerno) 3–4: 3–14.Google Scholar

Beazley, J.D. (1967). Attic Red Figured Vases in American Museums. Cambridge, MA: Harvard University Press.Google Scholar

Beazley, J. D. and Caskey, L. D. (1954). Attic Vase-paintings in the Museum of Fine Arts. Boston, London: Publication for the Museum of Fine Arts by Oxford University Press.Google Scholar

Beccatti, G. (1953). “La Leggenda di Dedalo”. AM 60: 22–36.Google Scholar

Beck, F. A. G. (1975). Album of Greek Education: the Greeks at School and at Play. Sydney: Cheiron Press.Google Scholar

Beecher, D. (1987). “Intriguers and Trickster: The Manifestations of an Archetype in the Comedy of the Renaissance”. Revue de Littérature Comparée 61.1: 5–29.Google Scholar

Bélis, A. (1992). “L’Aulète et le Jeu de l’Oie”. Bulletin de Correspondance Hellénique 2(116): 497–500.CrossRefGoogle Scholar

Benton, J. R. (2004). Medieval Mischief, Wit and Humour in the Art of the Middle Ages. London: Sutton Publishing.Google Scholar

Bentz, M. (1998). Panathenaïische Preisamphoren: eine Athenische Vasengattung und ihre Funktion vom 6. –4. Jahrhundert v. Chr. Basel: Vereinigung der Freunde Antiker Kunst.Google Scholar

Bérard, C. (1966). “Une Nouvelle Péliké du Peintre de Géras”. Antike Kunst 9: 93–100.Google Scholar

Bérard, C. (1983). “Le Corps Bestial (les Métamorphoses de l’Homme Idéal au Siècle de Periclès)”, in Le Corps et ses Fictions. Reichler, C. (ed.). Paris: Editions de Minuit: 43–54.Google Scholar

Bérard, C. (1984). “Le Jeu du Satyre”, in La Cité des Images: Religion et Société en Grèce Antique. Institut d’Archéologie et d’Histoire Ancienne, Lausanne, Centre de Recherches Comparées sur les Sociétés Anciennes. Paris: F. Nathan: 127–46.Google Scholar

Bérard, C. and Bron, C. (1991). “Dionysos le Masque Impossible”, in Dionysos: Mito e mistero. Atti del Convegno Internazionale Comacchio 3–5 novembre 1989. Berti, F. and Gasparri, C. (eds.). Ferrara.

Bérard, C. and Durand, J.-L. (1984). “Entrer en Imagerie”, in La Cité des Images: Religion et Société en Grèce Antique. Bérard, C. and Vernant, J.-P. (eds.). Institut d’Archéologie et d’Histoire Ancienne, Lausanne, Centre de Recherches Comparées sur les Sociétés Anciennes. Paris: F. Nathan: 19–31.Google Scholar

Bérard, C. and Vernant, J.-P. (eds.) (1984). La Cité des Images: Religion et Société en Grèce Antique. Institut d’Archéologie et d’Histoire Ancienne, Lausanne, Centre de Recherches Comparées sur les Sociétés Anciennes. Paris: F. Nathan.

Bergson, H. (1905). Le Rire, Essai sur la Signification du Comique. Paris: Alcan.Google Scholar

Bergson, H. (1921). Laughter, An Essay on the Meaning of the Comic. London: The Macmillan Company.Google Scholar

Bernand, A. (1991). Sorciers Grecs. Paris: Hachette.Google Scholar

Bernstein, M. A. (1983). “When the Carnival Turns Bitter: Preliminary Reflections upon the Abject Hero”. Critical Inquiry 10(2): 283–305.CrossRefGoogle Scholar

Berthiaume, G. (1982). Les Rôles du Mageiros, Etude sur la Boucherie, la Cuisine et le Sacrifice dans la Grèce Ancienne (Mnemosyne, Suppl. 70). Leiden: Brill.Google Scholar

Bettelheim, B. (1976). The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Knopf.CrossRefGoogle Scholar

Bieber, M. (1961). The History of the Greek and Roman Theater. Princeton: Princeton University Press.Google Scholar

Billington, S. (1984). A Social History of the Fool. Brighton: Harvester.Google Scholar

Binsfeld, W. (1956). Grylloi. Ein Beitrag zur Geschichte der Antiken Karikatur. Dissertation Faculty of Philosophy of Cologne.

Bishop, C. and Osthelder, X. (eds.) (2001). Sexualia. From Prehistory to Cyberspace. Cologne: Konemann.

Bloesch, H. (1940). Formen Attischer Schalen von Exekias bis zum Ende des Strengen Stils. Bern: Benteli.Google Scholar

Blondel, E. (1988). Le Risible et le Dérisoire. Paris: Presses Universitaires de France.CrossRefGoogle Scholar

Bluestein, G. (1981). “It Only Hurts When We Laugh: Ethnic Jokes and the International Theme”. Thalia: Studies in Literary Humor 4.1: 10–13.Google Scholar

Blundell, S. (1995). Women in Ancient Greece. London: British Museum Press.Google Scholar

Boardman, J. (1976). “A Curious Eye Cup”. Archäologischer Anzeiger281–90.Google Scholar

Boardman, J. (1986). “Herakles in Extremis”, in Studien zur Mythologie und Vasenmalerei, Festschrift für Konrad Schauenburg. Mainz am Rhein: Philipp von Zabern: 127–32.Google Scholar

Boardman, J. (1987a). Athenian Red Figure Vases Handbook, The Archaic Period. London: Thames & Hudson.Google Scholar

Boardman, J. (1987b). “Silver is White”. Revue Archéologique279–95.Google Scholar

Boardman, J. (1988a). “Trade in Greek Decorated Pottery”. Oxford Journal of Archaeology 7: 27–33.CrossRefGoogle Scholar

Boardman, J. (1988b). “The Trade Figures”. Oxford Journal of Archaeology 7: 371–3.CrossRefGoogle Scholar

Boardman, J. (1989). Athenian Red Figure Vases Handbook, the Classical Period. London: Thames & Hudson.Google Scholar

Boardman, J. (1991). Athenian Black Figure Vases Handbook. London: Thames & Hudson.Google Scholar

Boardman, J. (1992). “The Phallos-bird in Archaic and Classical Greek Art”. Revue Archéologique 2: [227]–42.Google Scholar

Boardman, J. (1998). Early Greek Vase Painting, 11th–6th Centuries B.C., A Handbook. London: Thames & Hudson.Google Scholar

Boardman, J. (1999). The Greeks Overseas. Their Early Colonies and Trade. 4th edn. London: Thames & Hudson.Google Scholar

Boardman, J. (2000, 2006). The History of Greek Vases: Potters, Painters and Pictures. London: Thames & Hudson.Google Scholar

Boardman, J. and Kurtz, D. (1971). Greek Burial Customs (Aspects of Greek and Roman Life). Ithaca: Cornell University Press.Google Scholar

Boehlau, J. (1900). “Die Ionische Augenschalen”. AM 25: 40–99.Google Scholar

Böhr, E. (1982). Der Schaukelmaler. Forschungen zur Antiken Keramik, 2nd series, Kerameus 4. Mainz am Rhein: Philipp von Zabern.Google Scholar

Boskin, J. and Dorinson, J. (1985). “Ethnic Humor: Subversion and Survival”. American Quarterly 37.1: 81–97.CrossRefGoogle Scholar

Bourhis, R. Y., Gedfield, N. J., Giles, H., and Tajfel, H. (1977). “Context and Ethnic Humour in Intergroup Relations”, in It’s a Funny Thing, Humour. Chapman, A. and Foot, H. (eds.). NY: Pergamon: 261–6.Google Scholar

Bowie, A. M. (1993). Aristophanes: Myth, Ritual and Comedy. Cambridge: Cambridge University Press.CrossRefGoogle Scholar

Breitholtz, L. (1960). Die Dorische Farce im Griechische Mutterland vor dem 5. Jahrhundert: Hypothese oder Realität?Stockholm: Almquist & Wiksell.Google Scholar

Bremmer, J. (1997a). “Jokes, Jokers and Jokebooks in Ancient Greek Culture”, in A Cultural History of Humour. From Antiquity to the Present Day. Bremmer, J., (ed.). Cambridge: Cambridge University Press.Google Scholar

Bremmer, J.(ed.) (1997b). A Cultural History of Humour from Antiquity to the Present Day. Cambridge: Cambridge University Press.Google Scholar

Brommer, F. (1937). “Die Ruckführung des Hephaistos”. JDI 52: 198–219.Google Scholar

Brommer, F. (1959). Satyrspiele. Bilder griechischer Vasen. Berlin: Walter de Gruyter.Google Scholar

Bron, C. (1984). “Porteurs de Thyrse ou Bacchants?” Actes du Colloque International de Lausanne, 8–11 fév 1984, Image et Société en Grèce Ancienne Cahiers d’Archéologie Romande 36: 145–53.Google Scholar

Bron, C. (1988). “Le Lieu du Comos”, in Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery Copenhagen 31.8. –4.9.87. Christiansen, J. and Melander, T.. Copenhagen: 71–9.Google Scholar

Bron, C. (1992). Dionysos, Mythes et Mystères, Vases de Spina, Catalogue de l’Exposition du 17/10/1991 au 5/1/92 au Musée Historique de l’Ancien Evêché de Lausanne. Kilchberg.Google Scholar

Brown, C. G. (1989). “Ares, Aphrodite and the Laughter of the Gods”. Phoenix 43: 238–93.CrossRefGoogle Scholar

Brownlee, A. B. (1989). “A Black-figure Parody of the Ransome of Hector”. Revue Archéologique3–21.Google Scholar

Bruneau, P. (1970). Recherches sur les Cultes de Délos à l’Époque Hellénistique et à l’Époque Impériale. Bibliothèque des Ecoles Françaises d’Athènes et de Rome, fasc. 217. Paris: Edition de Boccard.Google Scholar

Brünner-Traut, E. (1956). Die Altägyptischen Scherbenbilder (Bildostraka) der Deutschen Museen und Sammlungen. Wiesbaden: Franz Steiner Verlag.Google Scholar

Brünner-Traut, E. (1970). Altägyptische Tiergeschichte und Fabel. Darmstadt: Wissenschaftliche Buchgesellschaft.Google Scholar

Brünner-Traut, E. (1979). Egyptian Artists’ Sketches, Figured Ostraka from the Gayer-Anderson Collection in the Fitzwilliam Museum, Cambridge. Istanbul: Nederlands Historisch-Archaeologisch Instituut te Istanbul.Google Scholar

Burford, A. (1985). Kunstler und Handwerker in Griechenland und Rom. Mainz am Rhein: Philipp von Zabern.Google Scholar

Burkert, W. (1996). Greek Religion. Archaic and Classical. London: Blackwell Publishing.Google Scholar

Burma, J. H. (1946). “Humor as a Technique in Race Conflict”. American Sociological Review 11.6: 710–15.CrossRefGoogle Scholar

Buschor, E. (1943). Satyrtänze und Frühes Drama. Munich: Verlag d. Akademie der Wissenschaft.Google Scholar

Büsing, H. (1993). “Das ‘Attische Saltz’. Humor auf Vasenbildern”. Antiken Welt 24: 335–46.Google Scholar

Callahan, T. (1991). “Devil, Trickster, and Fool”. Mythlore 17.4: 29–34, 36.Google Scholar

Callisen, S. A. (1939). “The Iconography of the Cock on the Column”. The Art Bulletin 21: 160–78.CrossRefGoogle Scholar

Camille, M. (1992). Image on the Edge. The Margins of Medieval Art. London: Reaktion Books.Google Scholar

Campo, L. (1940). I Drammi Satireschi della Grecia Antica. Milan: Libri Antiquariato.Google Scholar

Carpenter, T. (1991). Art and Myth in Ancient Greece. New York: Thames & Hudson.Google Scholar

Carpenter, T. and Faraone, C. (eds.) (1993). Masks of Dionysus. Ithaca: Cornell University Press.Google Scholar

Carrière, J. C. (1979). Le Carnaval et la Politique, Une Introduction à la Comédie Grecque Suivie d’un Choix de Fragments. Besançon: Presses universitaires de Franche-Comté.Google Scholar

Caruso, C. (1984). “Travestissements Dionysiaques”. Actes du Colloque International de Lausanne, 8–11 fév 1984, Image et Société en Grèce AncienneCahiers d’Archéologie Romande 36: 103–10.Google Scholar

Castell, P. (1977). “Social Occasions for Joking: A Cross Cultural Society”, in It’s a Funny Thing, Humour. Chapman, H. (ed.). New York: Pergamon: 193–8.Google Scholar

Cèbe, J.-P. (1966). La Caricature dans le Monde Romain Antique des Rigines à Juvénal. Paris: Boccard.Google Scholar

Chambry, E. (1985). Aesopi Fabulae. Paris: Presses Universitaires de France. Les Belles Lettres.Google Scholar

Chase, G. H. (1902). “The Shield Devices of the Greeks”. HSCP 13: 61–127.Google Scholar

Chiaro, D. (1992). The Language of Jokes: Analysing Verbal Play. New York: Routledge.CrossRefGoogle Scholar

Clarke, H. (1969). “The Humor of Homer”. Classical Journal 64: 246–52.Google Scholar

Clarke, J. (2007). Looking at Laughter: Humor, Power, and Transgression in Roman Visual Culture, 100 B.C.–A.D. 250. Berkeley: University of California Press.Google Scholar

Clay, J. (1972). “The Planktai and Moly: Divine Naming and Knowing Homer”. Hermes 100: 127–31.Google Scholar

Clay, J. (1997). The Wrath of Athena: Gods and Men in the Odyssey. Lanham: Lexington Books.Google Scholar

Clutton-Brock, J. (1993). Cats, Ancient and Modern. Cambridge, MA: Harvard University Press.Google Scholar

Codino, F. (1960). “Presupposti Religiosi e Tendenza Comico-realistica nella Mitologia Omerica”. Belfagor 15: 551–66.Google Scholar

Cohen, A. (1993). Masquerade Politics: Explorations in the Structure of Urban Cultural Movements. Berkeley: University of California Press.Google Scholar

Cohen, B. (1978). Attic Bilingual Vases and their Painters. New York/London: Garland Publishing Inc.Google Scholar

Cohen, B. (ed.) (2000). Not the Classical Ideal: Athens and the Construction of the Other in Greek Art. Leiden: Brill.Google Scholar

Cohen, D. (1983). Theft in Athenian Law. Munich: Beck.Google Scholar

Cohen, D. (1989). “Seclusion, Separation, and the Status of Women in Classical Athens”. Greece & Rome 36: 3–15.CrossRefGoogle Scholar

Coleman, J. G. (1992). “All Seriousness Aside: The Laughing-learning Connection”. International Journal of Instructional Media 19(3): 269–76.Google Scholar

Collobert, C. (2000). “Héphaïstos, l’Artisan du Rire Inextinguible des Dieux”, in Le Rire des Grecs. Desclos, M.-L. (ed.). Paris: Jerome Millon: 133–41.Google Scholar

Connelly, J. B. (1993). “Narrative and Image in Attic Vase Painting. Ajax and Kassandra at the Trojan Palladion”, in Narrative and Event in Ancient Art. Holliday, P. (ed.). Cambridge, MA: Harvard University Press: 88–129.Google Scholar

Cook, A. (1895). “The Bee in Greek Mythology”. Journal of Hellenic Studies 15: 1–24.CrossRefGoogle Scholar

Cormier, H. (1977). The Humour of Jesus. New York: Alba House.Google Scholar

Cornford, F. M. (1993). The Origin of Attic Comedy (rev. edn.). Henderson, J. (ed.). Michigan: Ann Arbor Paperbacks. University of Michigan Press.Google Scholar

Courturier, L. C., Mansfield, R. S., and Gallagher, J. M. (1981). “Relationships between Humor, Formal Operational Ability, and Creativity in Eighth Graders”. The Journal of Genetic Psychology 139: 221–6.CrossRefGoogle Scholar

Csapo, E. and Slater, W. (eds.) (1994). The Context of Ancient Drama. Michigan: University of Michigan Press.

Curtius, E. (1894). Gesammelte Abhandlungen. Berlin: W. Hertz.Google Scholar

D’Agostino, F. (2000). Testi Umoristici Babilonesi e Assiri. Brescia: Paideia Editrice.Google Scholar

D’Amicis, A., Giboni, G., Lippolis, E., Maruggi, G., and Masiello, L. (1994). Catalogo del Museo Nazionale Archeologico di Taranto. Taranto: La Colomba.Google Scholar

Darwin, C. (1872). The Expression of the Emotions in Man and Animals. London: John Murray.CrossRefGoogle Scholar

Dasen, V. (1990). “L’Image du Nain dans l’Antiquité: Aspects Médicaux et Socio-religieux de la Représentation du Corps”. Bulletin de la Société Fribourgeoise des Sciences Naturelles 79: 16–43.Google Scholar

Dasen, V. (1993). Dwarfs in Ancient Egypt and Greece. Oxford: Oxford University Press.Google Scholar

Daumas, M. (1998). Cabiriaca. Recherches sur l’Iconographie du Culte des Cabires. Paris: Edition de Boccard.Google Scholar

David, E. (1989). “Laughter in Spartan Society”, in Classical Sparta: Techniques Behind Her Success. Powel, A. (ed.). Norman, Oklahoma: University of Oklahoma Press: 1–25.Google Scholar

Davidson, J. (1997). Courtesans and Fishcakes, The Consuming Passions of Classical Athens. London: Harper Collins.Google Scholar

Davies, C. (1982). “Ethnic Jokes, Moral Values, and Social Boundaries”. The British Journal of Sociology 33.3: 383–403.CrossRefGoogle Scholar

Davies, C. (1990). Ethnic Humor Around the World: A Comparative Analysis. Bloomington, IN: Indiana University Press.Google Scholar

Davies, C. (1998). Jokes and their Relation to Society. New York, NY: Mouton de Gruyter (#4).CrossRefGoogle Scholar

Davies, M. I. (1990). “Asses and Rams: Dionysiac Release in Aristophanes’ Wasps and Attic Vase-Painting”. Metis 5: 169–81.CrossRefGoogle Scholar

Davies, M. and Kathirithamby, I. (1987). Greek Insects. London: Duckworth.Google Scholar

Dawe, R. D. (2000). Philogelos. Munich: K. G. Saur.Google Scholar

De Waele, F. (1926). “La Représentation de la Vente d’Huile à Athènes”. Revue Archéologique282–95.Google Scholar

Decker, W. (1995). Sport in der Griechischen Antike, vom Minoischen Wettkampf bis zu den Olympischen Spielen. Munich: C. H. Beck.Google Scholar

Defays, J.-M. (1996). Le Comique: Principes, Procédés, Processus. Paris: Seuil.Google Scholar

Delatte, A. and Derchain, P. (1964). Les Intailles Magiques Gréco-égyptiennes. Paris: Bibliothèque Nationale.Google Scholar

Delavaud-Roux, M. H. (1993). Les Danses Armées en Grèce Antique. Aix-en-Provence: Publications de l’Université de Provence.

Delcourt, M. (1957). Héphaïstos ou la Légende du Magicien. Paris: Société d’Edition “Les Belles Lettres”.Google Scholar

Dentzer, J. M. (1982). Le Motif du Banquet Couché dans le Proche-Orient et le Monde Grec du VIIe au IVe Siècle avant J.-C. Bibliothèque des Écoles Francaises d’Athènes et de Rome, vol. 246. Paris: Edition de Boccard.Google Scholar

Deonna, W. (1957). “L’Âme Pupilline et Quelques Monuments Figurés”. L’Antiquité Classique 26: 56–90.Google Scholar

Deonna, W. (1965). Symbolisme de l’Oeil. Paris: Edition de Boccard.Google Scholar

Desclos, M.-L. (ed.) (2000). Le Rire des Grecs. Anthropologie du Rire en Grèce Ancienne. Horos. Paris: Jerome Millon.

Descoeudres, J. (1981). “Hδιστον δαιμων”. Antichton 15: 8–14.CrossRefGoogle Scholar

Detienne, M. and Vernant, J.-P. (1978). Cunning Intelligence in Greek Culture and Society. Atlantic Highlands NJ:Humanities Press.Google Scholar

Deubner, L. (1930). “Spiele und Spielzeug der Griechen”. Die Antike 6: 162–77.Google Scholar

Diehl, E. (1964). Die Hydria. Formgeschichte und Verwendung im Kult des Altertums. Mainz am Rhein: Philipp von Zabern.Google Scholar

Dietrichs, E. (1988). “Erotik in der Kunst Griechenlands”. Antike Kunst, suppl.: 3–85.Google Scholar

Dingwall, E. J. (1925). Male Infibulation. London: John Bale, Sons and Danielsson, Ltd.Google Scholar

Dodds, E. R. (1951). The Greeks and the Irrational. Berkeley: University of California Press.Google Scholar

Donaldson, M. D. (1999). The Domestic Cat in Roman Civilization. Lampeter: Edward Mellon Press.Google Scholar

Dover, K. J. (1973). “Classical Greek Attitudes to Sexual Behaviour”. Arethusa 6: 59–83.Google Scholar

Dover, K.J. (1978). Greek Homosexuality. New York: Vintage Books.Google Scholar

Driessen, H. (1997). “Humour, Laughter, and the Field: Reflections from Anthropology”, in A Cultural History of Humour: From Antiquity to the Present Day. Bremmer, J. (ed.). Cambridge: Polity Press: 222–41.Google Scholar

Dugas, C. (1935). Les Vases Orientalisants de Style non Mélien. Paris: Edition de Boccard.Google Scholar

Dundes, A. (1991) “Bruno Bettelheim’s Uses of Enchantment and Abuses of Scholarship”. The Journal of American Folklore 104.411: 74–83.CrossRefGoogle Scholar

Dupréel, E. (1985). “Rire d’Accueil et Rire d’Exclusion”. Sociétés 1(3): 3–5.Google Scholar

Durand, J.-L. and Lissarrague, F. (1982). “Héros Cru ou Hôte Cuit: Histoire Quasi Cannibale d’Héraklès Chez Busiris”. Image et Céramique Grecque, Actes du Colloque de Rouen, 25–26/11 1982. Lissarrague, F. and Thelamon, F. (eds.). Rouen: Presses Universitaires de Rouen.Google Scholar

Eco, U. (1982). Il Nome della Rosa. Milan: Fabbri-Bompiani.Google Scholar

Eco, U. (1984). “Frames of Comic Freedom”, in Carnival!Sebeok, T. A. (ed.). Berlin: Mouton de Gruyter: 1–9.CrossRefGoogle Scholar

Edwards, A. (2002). “Historicizing the Popular Grotesque: Bakhtin’s Rabelais and his World and Attic Old Comedy”, in Bakhtin and the Classics. Branham, R. Bracht (ed.). Evanston: Springer Netherlands: 27–55.Google Scholar

Ehrlic, H. J. (1979). “Observations on Ethnic and Intergroup Humor”. Ethnicity 6: 383–98.Google Scholar

Eisman, M. (1972). “Are Eyes Apotropaic?”American Journal of Archaeology 76: 210.Google Scholar

Emelina, J. (1991). Le Comique: Essai d’Interprétation Générale. Paris: Sedes.Google Scholar

Engels, D. (1999). Classical Cats, the Rise and Fall of the Sacred Cat. London/New York: Routledge.Google Scholar

Escarpit, R. (1987). L’Humour. Paris: Presses Universitaires de France.Google Scholar

Esposito, A. M. and Tommaso, G. (1993). Museo Archeologico Nazionale di Firenze. Florence: Giunti.Google Scholar

Fairbanks, A. (1928). Museum of Fine Arts Boston. Catalogue of Greek and Etruscan Vases. Cambridge, Mass: Harvard University Press.Google Scholar

Falkner, T. M. (1989). Old Age in Greek and Latin Literature. Albany: SUNY Press.Google Scholar

Fenner, S. E. (1998). Satyrs in Mythological Contexts on Greek Vases. Lincoln. Oxford: Oxford University Press.Google Scholar

Ferrari, G. (1986). “Eye-cup”. Revue Archéologique5–20.Google Scholar

Finley, M. I. (1976). “The Freedom of the Citizen in the Greek World”. Talanta 7: 1–23.Google Scholar

Finnestad, R. B. (1970). “The Smile of the Buddha”, in The Eclipse of Symbolism. New York: Columbia University Press: 52–66.Google Scholar

Fless, F. (2002). Rotfigurige Keramik als Handelsware; Erwerb und Gebrauch Attischer Vasen im Mediterranean und Pontishen Raum während des 4.Jhs.v.Chr. Leidorf: Rahden.Google Scholar

Foley, H. P. (1985). Ritual Irony. Poetry and Sacrifice in Euripides. Ithaca: Cornell University Press.Google Scholar

Foley, H.P. (1994). The Homeric Hymn to Demeter. Princeton: Princeton University Press.Google Scholar

Foster, B. R. (1974). “Humour and Cuneiform Literature”. Journal of Ancient Near Eastern Society 6: 69–85.Google Scholar

Francis, E. D. and Vickers, M. (eds.) (1990). Image and Idea in Fifth-Century Greece. London/New York: Routledge.

Freud, S. (1905). Jokes and their Relation to the Unconscious. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Strachey, J. (ed.). vol. 8. London: Hogarth Press.Google Scholar

Frickenhaus, A. (1912). Lenäenvasen. Berlin: Walter de Gruyter.Google Scholar

Froehner, W. (1876). Anatomie des Vases Antiques. Paris: A. Detaille.Google Scholar

Froning, H., Holscher, T., and Mielsch, H. (eds.) (1992). Kotinos, Festschrift für Erika Simon. Mainz am Rhein: Philipp von Zabern.

Frontisi-Ducroux, F. (1982). “Idoles, Figures, Images: Autour de Dionysos”. Revue Archéologique81–108.Google Scholar

Frontisi-Ducroux, F. (1989). “Le Masque du Dieu ou le Dieu-masque?” in Dionysos: Mito e Mistero. Atti del Convegno Internazionale Comacchio 3–5 novembre 1989. Berti, F. and Gasparri, C. (eds.). Ferrara: 321–36.Google Scholar

Frontisi-Ducroux, F. (1995). Du Masque au Visage, Aspects de l’Identité en Grèce Ancienne, Idées et Recherches. Paris: Flammarion.Google Scholar

Frontisi-Ducroux, F. and Vernant, J.-P. (1997). Dans l’Oeil du Miroir. Paris: Odile Jacob.Google Scholar

Fry, F. (ed.) (1987). Handbook of Humor and Psychotherapy: Advances in the Clinical Use of Humor. Sarasota: Professional Resource Press.

Furtwängler, A. and Morel, C. (eds.) (1883). Die Sammlung Sabouroff. Berlin: A. Asher.Google Scholar

Furtwängler, A. and Reichhold, K. (eds.) (1904–32). Griechische Vasenmalerei: Auswahl Hervorragender Vasenbilder. Munich: F. Bruckmann.Google Scholar

Gardiner, N. (1912). “Panathenaic Amphorae”. JHS 32: 191–2.CrossRefGoogle Scholar

Garland, R. (1995). The Eye of the Beholder, Deformity and Disability in the Graeco-Roman World. London: Duckworth.Google Scholar

Giangrande, G. (1963). “The Origin of the Attic Comedy”. Eranos 61: 1–24.Google Scholar

Giangrande, L. (1972). The Use of Spoudogeloion in Greek and Roman Literature. Berlin: Mouton de Gruyter.Google Scholar

Gilhus, I. S. (1990). “Carnival in Religion, The Feast of Fools in France”. Numen 37(1): 24–52.Google Scholar

Gill, D. (1991). “Pots and Trade: Spacefillers or Objects d’Art?”Journal of Hellenic Studies 111: 29–47.CrossRefGoogle Scholar

Gill, D. (1994). “The Distribution of Greek Vases and Long Distance Trade”, in Classical Greece: Ancient Histories and Modern Archaeologies. Morris, I. (ed.). Cambridge: Cambridge University Press: 175–85.Google Scholar

Gill, D. and Vickers, M. (1989). “Pots and Kettles”. Revue Archéologique297–303.Google Scholar

Godel, R. (1960). Une Grèce Secrète. Paris: Editions “Les Belles Lettres”.Google Scholar

Gombrich, E. H. (1971). “The Mask and the Face”, in Art, Perception, and Reality. Mandelbaum, M. (ed.). Baltimore: John Hopkins University Press.Google Scholar

Gräf, B. and Langlotz, E. (1933). Die Antiken Vasen von der Akropolis zu Athen. Berlin: Mouton de Gruyter.Google Scholar

Grant, M. A. (1924). Ancient Rhetorical Theories of the Laughable: The Greek Rhetoricians and Cicero. University of Wisconsin studies in Language and Literature, no. 21. Madison.

Green, J. (1985a). “Drunk Again. A Study in the Iconography of the Comic Theater”. AJA 89: 465–72.CrossRefGoogle Scholar

Green, J. (1985b). “A Representation of the Birds of Aristophanes”. Greek Vases in the J. Paul Getty Museum 2: 95–118.Google Scholar

Green, J. (1991). “Notes on Phlyax Vases”. NumAntCl 20: 49–56.Google Scholar

Green, J. and Handley, E. (1995). Images of the Greek Theatre. London: Trustees of the British Museum.Google Scholar

Greifenhagen, A. (1957). Griechische Eroten. Berlin: Walter de Gruyter.CrossRefGoogle Scholar

Greifenhagen, A. (1966). Staatliche Museen Berlin. Antikenabteilung. Antike Kunstwerke. Berlin: Walter de Gruyter.Google Scholar

Grmek, M. D. and Gourevitch, D. (1998). Les Maladies dans l’Art Antique. Paris: Fayard.Google Scholar

Grottanelli, C. (1983). “Tricksters, Scapegoats, Champions, Saviors”. History of Religions 23.2: 117–39.CrossRefGoogle Scholar

Guenther, M. (1999). Tricksters and Trancers: Bushman Religion and Society. Bloomington, IN: Indiana University Press.Google Scholar

Hafner, G. (1958). “Herakles-Geras-Ogmios”. JbRGZM 5: 141–51.Google Scholar

Halliwell, S. (1991a). “Comic Satire and Freedom of Speech in Classical Athens”. Journal of Hellenic Studies 111: 48–70.CrossRefGoogle Scholar

Halliwell, S. (1991b). “The Uses of Laughter in Greek Culture”. Classical Quarterly 41: 279–96.CrossRefGoogle Scholar

Halm-Tisserant, M. (1986). “La Représentation du Retour d’Héphaïstos dans l’Olympe: Iconographie Traditionnelle et Innovations Formelles dans l’Atelier de Polygnotos (440/430)”. Antike Kunst 29: 8–22.Google Scholar

Halm-Tisserant, M. (1993). Cannibalisme et Immortalité. Paris: Presses Universitaires de France, Les Belles-Lettres.Google Scholar

Halperin, D. (1990). “The Democratic Body: Prostitution and Citizenship in Classical Athens”, in One Hundred Years of Homosexuality and Other Essays on Greek Love. Halperin, D. (ed.). New York: Routledge: 107–12.Google Scholar

Hamilton, R. (1992). Choes and Anthesteria. Athenian Iconography and Ritual. Michigan: University of Michigan Press.Google Scholar

Hansen, P. A. (1976). “Pithecusan Humor. The Interpretation of the ‘Nestor’s cup’ Reconsidered”. Glotta 54: 25–43.Google Scholar

Hanson, V. D. (1995). The Other Greeks: The Family Farm and the Agrarian Roots of Western Civilization. New York: The Free Press.Google Scholar

Harbsmeier, C. (1986). Some Preliminary Notes on Chinese Jokes and Cartoons. China in the 1980s – and Beyond. Brodsgaard, K. and Arendrup, B. (eds.). London: Curzon Press.Google Scholar

Harvey, D. (1988). “Painted Ladies: Fact, Fiction and Fantasy”, in Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery Copenhagen 31.8.–4.9.87. Christiansen, J. and Melander, T. (eds.). Copenhagen: Ny Carlsberg Glyptoteck, Thorvaldsens Museum: 242–54.Google Scholar

Hedreen, G. (1992). Silens in Attic Black-figure Vase-painting: Myth and Performance. Michigan: University of Michigan Press.CrossRefGoogle Scholar

Hedreen, G. (2002). Capturing Troy: The Narrative Functions of Landscape in Archaic and Early Classical Greek Art. Michigan: University of Michigan Press.CrossRefGoogle Scholar

Hedreen, G. (2006). “‘I Let Go My Force Just Touching Her Hair’: Male Sexuality in Athenian Vase-Paintings of Silens and Iambic Poetry”. Classical Antiquity 25: 277–325.CrossRefGoogle Scholar

Hegmon, M. (1992). “Archaeological Research on Style”. Annual Review of Anthropology 21: 517–36.CrossRefGoogle Scholar

Hemberg, B. (1950). Die Kabiren. Dissertation, University of Uppsala. Uppsala: Almqvist & Wiksells Boktryckeri AB.Google Scholar

Henderson, J. (1975). The Maculate Muse: Obscene Language in Attic Comedy. New Haven/London: Yale University Press.Google Scholar

Henderson, J. (1987). “Older Women in Attic Old Comedy”. TAPA 117: 105–29.Google Scholar

Hendrickson, R. (1983). More Cunning than Man: A Social History of Rats and Men. New York: Kensington.Google Scholar

Hewitt, J. (1927). “Homeric Laughter”. Classical Journal 23: 436–47.Google Scholar

Heydemann, H. (1870). “Humoristische Vasenbilder aus Unteritalien”. BWPr 30: 3–14.Google Scholar

Hill, C. (1993). The Soul of Wit. Joke Theory from Grimm to Freud. Lincoln/London: University of Nebraska Press.Google Scholar

Himmelmann, N. (1971). “Archäologisches zum Problem der Griechischen Sklaverei”. Abh. Mainz 13: 614–57.Google Scholar

Himmelmann, N. (1980). Über Hirten-Genre in der Antiken Kunst. Opladen: Westdeutscher Verlag.CrossRefGoogle Scholar

Hobbes, T. (1999, 1st edn. 1640). The Elements of Law, Natural and Politic: Part I, Human Nature, Part II, De Corpore Politico; with Three Lives. Oxford: Oxford University Press.Google Scholar

Hodges, F. M. (2001). “The Ideal Prepuce in Ancient Greece and Rome: Male Genital Athletics and Their Relation to Lipodermos, Circumcision, Foreskin Restoration and the Kynodesme”. The Bulletin of the History of Medicine 75: 375–405.CrossRefGoogle Scholar

Hoepfner, W. and Schwardner, E. L. (1994). Haus und Stadt im Klassischen Griechland. Munich: Deutscher Kunstverlag.Google Scholar

Hoffmann, H. (1962). Attic Red-Figured Rhyta. Mainz am Rhein: Philipp von Zabern.Google Scholar

Hoffmann, H. (1977). Sexual and Asexual Pursuit: A Structuralist Approach to Greek Vase Painting. London: Royal Anthropological Institute.Google Scholar

Hofstetter-Dolega, E. (1990). Sirenen im Archaischen und Klassischen Griechland. Würzburg: Triltsch.Google Scholar

Hölscher, T. (1974). “Ein Kelchkrater mit Perserkampf”. Antike Kunst 17: 78–85.Google Scholar

Houlihan, P. F. (1991). “A Figured Ostracon with a Humorous Scene of Judgement”. MVSE: Annual of the Museum of Art and Archaeology, University of Missouri – Columbia 25: 30–5.Google Scholar

Houlihan, P.F. (1996). The Animal World of the Pharaohs. Cairo: American University in Cairo Press.Google Scholar

Houlihan, P.F. (2001). Wit and Humour in Ancient Egypt. London: Rubicon.Google Scholar

Hubbard, T. K. (1991). The Mask of Comedy. Aristophanes and the Intertextual Parabasis. Ithaca: Cornell University Press.Google Scholar

Huber, K. (1999). Gravisca, Scavi nel Santuario Greco, La Ceramiche Attiche a Figure Rosse. Bari: Edipuglia.Google Scholar

Hull, D. B. (1964). Hounds and Hunting in Ancient Greece. Chicago: The University of Chicago Press.Google Scholar

Hunter, V. J. (1994). Policing Athens: Social Control in the Attic Lawsuits, 420–320 BC. Princeton: Princeton University Press.Google Scholar

Husband, C. (1988). “Racist Humour and Racist Ideology in British Television, or I Laughed Till You Cried”, in Humour in Society: Resistance and Control. Powell, C. and Paton, G. (eds.). NY: St. Martin’s: 149–78.Google Scholar

Hutcheon, L. (1985). A Theory of Parody: The Teachings of Twentieth-Century Art Forms. New York: Methuen.Google Scholar

Hyers, C. (1974). Zen and the Comic Spirit. London: Barnes & Noble.Google Scholar

Hynes, W. J. (1993). “Mapping the Characteristics of Mythic Tricksters: A Heuristic Guide”, in Mythical Trickster Figures: Contours, Contexts, and Criticisms. Hynes, W. J. and Doty, W. G. (eds.). Tuscaloosa, AL: University of Alabama Press: 33–45.Google Scholar

Hynes, W. J. and Doty, W. G. (eds.) (1993). Mythical Trickster Figures: Contours, Contexts, and Criticisms. Tuscaloosa, AL: University of Alabama Press.

Immerwahr, H. R. (1990). Attic Script: A Survey. Oxford: Oxford University Press.Google Scholar

Immerwahr, H.R. (1992). “New Wine in Ancient Wineskins: The Evidence from Attic Vases”. Hesperia 61: 121–32.CrossRefGoogle Scholar

Iozzo, M. (1994). Ceramica ‘Calcidese’: Nuovi Documenti e Problemi Riproposti. Rome: Società Magna Grecia.Google Scholar

Iozzo, M. (1996). Vasi ‘Calcidesi’ del Museo Archeologico Nazionale di Firenze. Pontedera: Bandecchi & Vivaldi.Google Scholar

Jackson, D. A. (1976). “East Greek Influence on Attic vases”. Journal of Hellenic Studies (Supplementary Paper 13): 60–8.Google Scholar

Jahn, O. (1843). Archaeologische Beiträge. Berlin: G. Reimer.Google Scholar

Jahn, O. (1868). “Perseus, Herakles, Satyrn und Vasenbildern das Satyrdrama”. Philologus 27: 1–27.CrossRefGoogle Scholar

Janko, R. (1992, 1st edn 1984). Aristotle on Comedy: Towards a Reconstruction of Poetics II. London: Duckworth.Google Scholar

Janik, V. K. (ed.) (1998). Fools and Jesters in Literature, Art, and History: A Bio-Bibliographical Sourcebook. Westport, CT: Greenwood Press.

Janni, P. (1978). Etnografia e Mito. La Storia dei Pigmei. Rome: Edizione dell’Ateneo.Google Scholar

Jardon, D. (1988). Du Comique dans le Texte Littéraire. Brussels: De Boeck.Google Scholar

Jennings, V. (2001). “Review of R. D. Dawe’s Philogelos (Munich 2000)”. Bryn Mawr Classical Review 04.05.2001 (online: ).Google Scholar

Johnston, A. (1979). Trademarks on Greek Vases. Warminster: Aris and Phillips.Google Scholar

Jordan, J. A. (1988). Attic Black-figured Eye-cups. Ann Arbor, Michigan: University Microfilms International.Google Scholar

Jung, C. G. (1956). “On the Psychology of the Trickster Figure”, in The Trickster: A Study in American Indian Mythology. Radin, P. (ed.). New York, NY: Philosophical Library: 195–211Google Scholar

Jung, C.G. (1959). Four Archetypes: Mother, Rebirth, Spirit, Trickster. Princeton, NJ: Princeton University Press.Google Scholar

Kant, I. (2005, 1st edn 1781). Critique of Judgment. Mineola, NY: Dover Publications Inc.Google Scholar

Karouzou, S. P. (1936). “Herakles Satyricos”. Bulletin de Correspondance Hellénique 60: 152–7; pls. XVII–XXI.CrossRefGoogle Scholar

Karouzou, S.P. (1946). “Choes”. American Journal of Archaeology 50: 122–39.CrossRefGoogle Scholar

Katz, J. and Volk, K. (2000). “‘Mere Bellies’?: A New Look at Theogony 26–8”. Journal of Hellenic Studies 120: 122–31.CrossRefGoogle Scholar

Keck, J. (1990). Zur Lokalisierung der Chalkidischen Vasen. Symposion des Deutschen Archäologen – Verbandes, Mönchengladbach 8–10.1.1988. Schriften des Deutschen Archäologen – Verbandes XI. Tübingen.

Kenner, H. (1960). Weinen und Lachen in der Griechischen Kunst. Vienna: Rohrer.Google Scholar

Kerényi, K. (1956). “The Trickster in Relation to Greek Mythology”, in The Trickster: A Study in American Indian Mythology. Radin (ed, P..). New York, NY: Philosophical Library: 171–91.Google Scholar

Keuls, E. (1988). “The Social Position of Attic Vase Painters and the Birth of Caricature”, in Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery Copenhagen 31.8.–4.9.87. Christiansen, J. and Melander, T. (eds.). Copenhagen: Ny Carlsberg Glyptoteck, Thorvaldsens Museum: 300–13.Google Scholar

Keuls, E. (1993). The Reign of the Phallus: Sexual Politics in Ancient Athens. Berkeley: University of California Press.Google Scholar

Kilinski, K. (1990). Boeotian Black Figure Vase Painting of the Archaic Period. Mainz am Rhein: Philipp von Zabern.Google Scholar

Kilmer, M. F. (1993). Greek Erotica on Attic Red-Figure Vases. London: Duckworth.Google Scholar

King, C. (1983). “Who is that Cloaked Man? Observations on Early Fifth Century B.C. Pictures of the Golden Fleece”. American Journal of Archaeology 87: 385–7.CrossRefGoogle Scholar

Kirkpatrick, J. and Dunn, F. (2002). “Herakles, Cercopes and Paracomedy”. Transactions of the American Philological Association 132: 29–61.CrossRefGoogle Scholar

Klein, A. (1998). The Courage to Laugh: Humor, Hope, and Healing in the Face of Death and Dying. New York: Tarcher/Putnam.Google Scholar

Knauer, E. R. (1986). “OY ΓAP HN AMIΣ: A Chous by the Oionokles Painter”. Greek Vases in the J. Paul Getty Museum 3: 91–100.Google Scholar

Knight, W. F. (1970). Elysion: On Ancient Greek and Roman Beliefs Concerning a Life After Death. New York: Barnes and Noble.Google Scholar

Koch, H. (1992). Es Kundet Dareios der Konig, Vom Leben im Persischen Grossreich. Mainz am Rhein: Philipp von Zabern.Google Scholar

Koch-Harnach, G. (1989). Erotische Symbole: Lotusblüte und Gemeinsamer Mantel auf Antiken Vasen. Berlin: Mann.Google Scholar

Konstan, D. (1995). Greek Comedy and Ideology. Oxford: Oxford University Press.Google Scholar

Korkhonen, A. (1995). “Fools’ Tools and Carnivals – Interpreting the World through Inversion and Misrule in Early Modern England”, in Laughter down the Centuries. Jakel, S. and Timonen, A. (eds.). Turkey: Turun Yliopisto 2: 193–203.Google Scholar

Korshak, Y. (1977). Frontal Faces in Attic Vase Painting of the Archaic Period. Chicago: Ares Publishers.Google Scholar

Kotsidu, H. (1991). Die Musischen Agone der Panathenäen in Archaischer und Klassischer Zeit: Eine Historisch-archäologische Untersuchung. Munich: Tuduv.Google Scholar

Kraiker, W. (1930). “Pheidippos”. AM 55: 167–80; pls. X–XI.Google Scholar

Kunisch, N. (1990). “Die Augen der Augenschalen”. Antike Kunst 33: 20–7.Google Scholar

Kunisch, N., Parakenings, B., and Peifer, U. (1989). Symposion, Griechische Vasen aus dem Antikenmuseum der Ruhr – Universität Bochum. Cologne: Rheinland-Verlag.Google Scholar

Kurke, L. (1997). “Inventing the Hetaira: Sex, Politics and Discursive Conflict in Archaic Greece”. Classical Antiquity 16: 106–50.CrossRefGoogle Scholar

Kurtz, D. C. (1983). The Berlin Painter. Oxford: Oxford University Press.Google Scholar

Lambourne, L. (ed.) (1992). The Art of Laughter. Cartoonists’ and Collectors’ Choice. Oxford: Ashmolean Museum.

Lapalus, E. (1930). “Sur le Sens des Parodies de Thèmes Héroïques dans la Peinture des Vases du Cabirion Thébain”. Revue Archéologique 2: 65–88.Google Scholar

Lateiner, D. (1977). “No Laughing Matter”. Transactions of the American Philological Association 107: 173–82.CrossRefGoogle Scholar

Lateiner, D. (1995). Sardonic Smile, Nonverbal Behaviour in Homeric Epic. Michigan: University of Michigan Press.CrossRefGoogle Scholar

Lawler, L. B. (1964). The Dance in Ancient Greece. London: A&C Black.Google Scholar

Leacock, S. (1937). Humour and Humanity, An Introduction to the Study of Humour. London: T. Butterworth.Google Scholar

Leclercq, E. (1995). La Cérémonie du Rire: Pour une Socio-anthropologie de la Théâtralité des Rapports Sociaux et des Rites. Doctoral Dissertation. Paris.Google Scholar

Lefcourt, H. (1986). Humor and Life Stress: Antidote to Adversity. New York: Springer-Verlag.CrossRefGoogle Scholar

Lehmann, K. (1960). Samothrace. The Inscriptions on Ceramics and Minor Objects. London: Routledge and Kegan Paul.Google Scholar

Lent, J. A. (1994). Comic Art of Europe: An International Comprehensive Bibliography. Westport CT: Greenwood Press.Google Scholar

Lent, J.A. (1996). Comic Art in Africa, Asia, Australia, and Latin America: A Comprehensive, International Bibliography. Westport CT: Greenwood Press.Google Scholar

Lent, J.A. (1999a). “The Horrors of Cartooning in Slim’s Algeria”. The International Journal of Comic Art 1(1): 150–6.Google Scholar

Lent, J.A. (1999b). “Poland’s Malgorzata Tabaka: Frawer of Lyrical Satirical Cartoons”. International Journal of Comic Art 1(2): 66–75.Google Scholar

Lent, J.A. (2002a). “Fear [of] and Loafing [with] Ralph Steadman in Turkey”. International Journal of Comic Art 4(2): 84–123.Google Scholar

Lent, J.A. (2002b). “Larry Alcala and the Depiction of Filipinos As They Are”. International Journal of Comic Art 4(2): 287–91.Google Scholar

Lent, J.A. (2003a). “Cartooning in Malaysia and Singapore: The Same, but Different”. International Journal of Comic Art 5(1): 256–89.Google Scholar

Lent, J.A. (2003b). “Chinese Women Cartoonists: Historical and Contemporary Perspectives”. International Journal of Comic Art 5(2): 351–66.Google Scholar

Lent, J.A. (2004). “India’s Amar Chitra Katha: ‘Fictionalized’ History or the Real Story?”. International Journal of Comic Art 6(1): 56–76.Google Scholar

Lent, J.A. (2005). “Cartooning in Réunion, with Special Reference to the Work of Serge and Appollo”. International Journal of Comic Art 7(1): 462–72.Google Scholar

Lesky, A. (1961). “Griechen Lachen über ihre Götter”. Wiener humanistiche Blätter 4: 30–40.Google Scholar

Levine, D. (1983). “Homeric Laughter and the Unsmiling Suitors”. Classical Journal 78(2): 97–104.Google Scholar

Lévi-Strauss, C. (1966). The Raw and the Cooked. Introduction to a Science of Mythology. London: Penguin.Google Scholar

Lévy, E. (1976). “Les Femmes chez Aristophane”. Ktema 1: 99–112.Google Scholar

Lewis, S. (2002). The Athenian Woman: An Iconographic Handbook. London: Routledge.Google Scholar

Lilja, S. (1976). Dogs in Ancient Greek Poetry. Helsinki: Societas Scientiarum Fennica.Google Scholar

Lissarrague, F. (1984). “Dionysos s’en va-t-en Guerre (Actes du Colloque International de Lausanne, 8–11 fév 1984, Image et Société en Grèce Ancienne)”. Cahiers d’Archéologie Romande 36: 111–20.Google Scholar

Lissarrague, F. (1987). “De la Sexualité des Satyres”. Metis 2: 63–90.CrossRefGoogle Scholar

Lissarrague, F. (1988a). “Héraklès et les Satyres”, in Les Vases à Memoire, les Collections de Céramique Grecque dans le Midi de la France. Dally, E., Landes, C., and Laurens, A.-F. (eds.). Paris: Imago: 142–3; fig. 95.Google Scholar

Lissarrague, F. (1988b), “Les Satyres et le Monde Animal”, in Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery Copenhagen 31.8.–4.9.87. Christiansen, J. and Melander, T. (eds.). Copenhagen: Nationalmuseet, Ny Carlsberg Glyptotek, and Thorvaldsens Museum.Google Scholar

Lissarrague, F. (1989). Un Peintre de Dionysos: Le Peintre de Kléophradès. Dionysos: Mito e Mistero. Atti del Convegno Internazionale Comacchio 3–5 novembre 1989. Berti, F. and Gasparri, C. (eds.). Ferrara.Google Scholar

Lissarrague, F. (1990a). The Aesthetics of the Greek Banquet: Images of Wine and Ritual (Un Flot d’Images). Princeton: Princeton University Press.CrossRefGoogle Scholar

Lissarrague, F. (1990b). L’Autre Guerrier, Archers, Peltastes, Cavaliers dans l’Imagerie Attique. Paris-Rome: La découverte/Ecole Française de Rome.Google Scholar

Lissarrague, F. (1992). “Graphein: Ecrire et Dessiner”, in L’Image en Jeu: de l’Antiquité à Paul Klee, Bron, C. and Kassapoglou, E. (eds.). Paris: Editions Cabedita.Google Scholar

Lissarrague, F. (1993). “On the Wildness of Satyrs”, in Masks of Dionysus. Carpenter, T. and Faraone, C. (eds.). London/Ithaca: Cornell University Press: 209–20.Google Scholar

Lissarrague, F. (1995). “Frauen, Kästchen, Gefässe: Einige Zeichen und Metaphern”, in Pandora, Frauen im Klassischen Griechenland. Reeder, E. D.. (ed.). Mainz am Rhein: Philipp von Zabern.Google Scholar

Lissarrague, F. (1998). “Intrusions au Gynécée”, in Les Mystères du Gynécée. Veyne, P. (ed.). Paris: Gallimard: 155–98.Google Scholar

Lissarrague, F. (2000a). “Aesop, Between Man and Beast: Ancient Portraits and Illustrations”, in Not the Classical Ideal: Athens and the Construction of the Other in Greek Art. Cohen, B. (ed.). Leiden: Brill: 132–49.Google Scholar

Lissarrague, F. (2000b). “Satyres, Sérieux s’Abstenir”, in Le Rire des Grecs. Anthropologie du Rire en Grèce Ancienne. Desclos, M.-L. (ed.). Paris: J. Millon: 109–22.Google Scholar

Loffler-Laurian, A.-M. (1990). Humoresques: Humour, Science et Langage. Paris: Éditions de la Maison des Sciences de l’Homme.Google Scholar

Louis, P. (1975). “Monstres et Monstruosités dans la Biologie d’Aristote”, in Le Monde Grec: Pensée, Littérature, Histoire, Documents. Hommage à Claire Préaux. Bingen, J. (ed.). Bruxelles: Éditions de l’Université de Bruxelles: 277–84.Google Scholar

Loveday, T. and Forster, E. S. (1984). Physiognomonics. The Complete Works of Aristotle. Barnes, J. (ed.). Princeton: Princeton University Press: 1237–50.Google Scholar

Luce, S. (1924). “Studies of the Exploits of Herakles on Vases”. American Journal of Archaeology 28: 296–325.CrossRefGoogle Scholar

Lullies, R. (1940). “Zur Boiotisch Rotfigurigen Vasenmalerei”. AM 65: 1–27.Google Scholar

Maas, P. (1912). “Γελοτοποιοι”. RE 7: coll. 1019–21.Google Scholar

Macdowell, D. M. (1995). Aristophanes and Athens, an Introduction to the Plays. Oxford: Oxford University Press.Google Scholar

Maffre, J.-J. (1975). “Collection Paul Canellopoulos VIII: Vases Béotiens”. Bulletin de Correspondance Hellénique 99: 409–520.CrossRefGoogle Scholar

Magnien, V. (1938). Les Mystères d’Eleusis, leur Origine, le Rituel de leurs Initiations. Paris: Payot.Google Scholar

Mainoldi, C. (1984). L’Image du Loup et du Chien dans la Grèce Ancienne d’Homère à Platon. Paris: Ophrys.Google Scholar

Manfrini-Aragno, I. (1992). “Femmes à la Fontaine, Réalité et Imaginaire”, in L’Image en Jeu: De l’Antiquité à Paul Klee, Bron, C. and Kassapoglou, E. (eds.). Paris: Editions Cabedita: 127–48.Google Scholar

Marconi, C. (1994). Selinunte, Le Metope dell’Heraion. Modena: F. C. Panini Editore.Google Scholar

Martens, D. (1992). Une Esthétique de la Transgression, Le Vase Grec de la Fin de l’Époque Géométrique au Début de l’Époque Classique. Brussels: Académie Royale de Belgique.Google Scholar

Mason, P. (1998). Bacchanal! The Carnival Culture of Trinidad. Philadelphia, PA: Temple University Press.CrossRefGoogle Scholar

Mauron, C. (1964). Psychocritique du Genre Comique: Aristophane, Plaute, Térence, Molière. Paris: Editions José Corti.Google Scholar

McDermott, W. C. (1938). The Ape in Antiquity. Baltimore: John Hopkins Press.Google Scholar

McGlew, J. F. (2002). Citizens on Stage: Comedy and Political Culture in the Athenian Democracy. Michigan: University of Michigan Press.CrossRefGoogle Scholar

McNiven, T. (2000). “Behaving Like an Other: Telltale Gestures in Athenian Vase Painting”, in Not the Classical Ideal: Athens and the Construction of the Other in Greek Art. Cohen, B. (ed.). Leiden: Brill: 71–98.Google Scholar

McPhee, I. (1979). “An Apulian Oinochoe and the Robbery of Herakles”. Antike Kunst 22: 38–42.Google Scholar

Mele, A. (1998). “Calcidica e Calcidesi. Considerazioni sulla tradizione”, in Euboica, L’Eubea e la Presenza Euboica in Calcidica e in Occidente. Bats, M. and d’Agostino, B. (eds.). Naples: Centre Jean Bérard: 217–28.Google Scholar

Melot, M. (1975). L’Oeil qui Rit. Le Pouvoir Comique des Images. Fribourg: Office du Livre.Google Scholar

Mette, H. J. (1959). Die Fragmente der Tragödien des Aischylos. Berlin: Akademie Verlag.Google Scholar

Metzler, D. (1971). Porträt. Und Gesellschaft. Über die Entstehung des Griechischen. Porträts in der Klassik. Münster: privately published.Google Scholar

Miller, D. (1982). “Structures and Strategies: An Aspect of the Relationship between Social Hierarchy and Cultural Change”, in Symbolic and Structural Archaeology. Hodder, I. (ed.). Cambridge: Cambridge University Press: 89–98.Google Scholar

Miller, M. C. (1991). “Foreigners at the Greek Symposium?”, in Dining in a Classical Context. Slater, W. J. (ed.). Michigan: Ann Arbor: 59–81.Google Scholar

Miller, M.C. (1997). Athens and Persia in the Fifth Century BC. A Study in Cultural Receptivity. Cambridge: Cambridge University Press.Google Scholar

Miller, M.C. (2000). “The Myth of Bousiris: Ethnicity and Art”, in Not the Classical Ideal: Athens and the Construction of the Other in Greek Art. Cohen, B. (ed.). Leiden: Brill: 412–42.Google Scholar

Miller, S. G. (2004). Ancient Greek Athletics. New Haven: Yale University Press.Google Scholar

Mills, L. (2002). “Laughter is the Best Medecine”. Active Years 14: 74–77.Google Scholar

Milman, M. (1983). Trompe-l’œil: Painted Architecture. Geneva: A. Skira.Google Scholar

Milne, M. J. (1946–7). “Peleus and Akastos”. Bulletin of the Metropolitan Museum of Art 5: 255–60.CrossRefGoogle Scholar

Milner, D. J. (2005). Understanding Humor in Japan. Wayne State University Press.Google Scholar

Milner, G. B. (1972). “Homo Ridens: Towards a Semiotic Theory of Humour and Laughter”. Semiotica 5: 1–28.CrossRefGoogle Scholar

Mingazzini, P. (1971). Vasi della Collezione Castellani. Rome: L’Erma di Bretschneider.Google Scholar

Miralles, C. (1987). “Le Rire Sardonique”. Métis 2(2): 31–43.CrossRefGoogle Scholar

Mitchell, A. G. (2000). “Une Outre Outrée: Parodie et Jeu Iconographique à Propos d’une Coupe de Leipzig”. KTEMA 25: 115–22.Google Scholar

Mitchell, A.G. (2002). Comic Pictures in Greek Vase-painting: Humour in the Polis and the Dionysian World, in the Sixth and the Fifth Centuries B.C. Division of Life and Environmental Sciences, School of Archaeology, Wolfson College. Oxford, University of Oxford: 2 v. (xiii, 287; xix, 98 leaves).Google Scholar

Mitchell, A.G. (2004). “Humour in Greek Vase-painting”. Revue Archéologique 3–32.Google Scholar

Mitchell, A.G. (2007). “Ancient Greek Visual Puns: A Case Study in Visual Humor”, in New Approaches to the Linguistics of Humor. Attardo, S. and Popa, D. (eds.). Academic Printing House of Dunarea de Jos, University of Galati (Romania): 197–216.

Mitchell, A.G. (2008a). “Greek and Roman Art”, in In Our Own Image. Gods and Mortals in Ancient Art. Wace, R. (ed.). Norwich: Balding and Mansell.Google Scholar

Mitchell, A.G. (2008b). Bryn Mawr Classical Review, September, n.55 (online version: ).

Möllendorff, P. von. 1995. Grundlagen einer Ästhetik der Alten Komödie. Untersuchungen zu Aristophanes und Michail Bachtin. Classica Monacensia, Band 9. Tübingen: Gunter Narr Verlag.Google Scholar

Moon, W. (ed.) (1983). Ancient Greek Art and Iconography. Madison: The University of Wisconsin Press.

Moreau, R. E. (1944). “Joking Relationships in Tanganyika”. Africa 14: 386–400.CrossRefGoogle Scholar

Moret, J.-M. (1975). L’Ilioupersis dans la Céramique Italiote. Les Mythes et leur Expression Figurée au IVe Siècle. Geneva: Institut Suisse de Rome.Google Scholar

Moret, J.-M. (1984). Oedipe, La Sphinx et les Thébains, Essai de Mythologie Iconographique. Geneva: Institut Suisse de Rome.Google Scholar

Moret, J.-M. (1991). “Circé Tisseuse sur les Vases du Cabirion”. Revue Archéologique 227–66.Google Scholar

Morreal, J. (1983). Taking Laughter Seriously. Albany: State University of New York Press.Google Scholar

Morreal, J. (ed.) (1987). The Philosophy of Laughter and Humor. Albany: State University of New York Press.Google Scholar

Morris, C. (1744). An Essay Towards Fixing the True Standards of Wit, Humour, Raillery, Satire and Ridicule. London: J. Roberts, at the Oxford Arms, in Warwick Lane; and W. Bickerton, in the Temple Exchange, near the Inner Temple Gate, Fleet Street.Google Scholar

Morrison, J. S. (1968). Greek Oared Ships, 900–322. Cambridge: Cambridge University Press.Google Scholar

Motte, A. (1996). “Le Thème des Enfances Divines dans le Mythe Grec”. Les Etudes Classiques 64: 109–25.Google Scholar

Murray, O. (ed.) (1990). Sympotica, A Symposium on the Symposion. Oxford: Oxford University Press.

Narcy, M. (2000). “Le Comique, l’Ironie, Socrate”, in Le Rire des Grecs. Anthropologie du Rire en Grèce Ancienne. Desclos, M.-L. (ed.). Paris: Jerome Millon: 289–92.Google Scholar

Nash, W. (1985). The Language of Humor: Style and Technique in Discourse. London/New York: Longman.Google Scholar

Neumann, G. (1965). Gesten und Gebärden in der Griechischen Kunst. Berlin: Walter de Gruyter & Co.CrossRefGoogle Scholar

Nezlek, J. B. (2001). “Use of Humor as a Coping Mechanism: Psychological Adjustment, and Social Interaction”. HUMOR: International Journal of Humor Research 14(4): 395–414.CrossRefGoogle Scholar

Nicholls, R. (1982). “The Drunken Herakles; A New Angle on an Unstable Subject”. Hesperia 51: 321–8.CrossRefGoogle Scholar

Nilsen, D. L. F. (1983). “Stereotypical Humor”. American Humor 10.2: 5–11.Google Scholar

Nilsen, D.L.F. (1993). “Ethnic Humor”, in Humor Scholarship: A Research Bibliography. Nilsen, D. L. F. (ed.). Westport, CT:Greenwood Press: 219–32.Google Scholar

Noël, D. (1982). “Du Vin pour Héraklès!” Image et Céramique Grecque, Actes du Colloque de Rouen, 25–26/11 1982. Lissarrague, F. and Thelamon, F. (eds.). Rouen: Presses Universitaires de Rouen: 141–50.Google Scholar

Nohain, J. (1965). Histoire du Rire à Travers le Monde. Paris: Hachette.Google Scholar

Oakley, J. H. (ed.) (1997). Athenian Potters and Painters, The Conference Proceedings. Oxford: Oxford University Press.

Oakley, J.H. (2000). “Some ‘other’ members of the Athenian Household: Maids and their Mistresses in Fifth-century Athenian Art”, in Not the Classical Ideal: Athens and the Construction of the Other in Greek Art. Cohen, B. (ed.). Leiden: Brill: 227–48.

O’Higgins, L. (2003). Women and Humor in Classical Greece. Cambridge: Cambridge University Press.Google Scholar

Olbrechts-Tyteca, L. (1974). Le Comique du Discours. Brussels: Edition de l’Université de Bruxelles.Google Scholar

Ollivier-Beauregard, R. (1894). La Caricature Égyptienne, Historique, Politique et Morale. Paris: Thorin.Google Scholar

Olmos, R. and Balmaseda, L.-J. (1977–8). “El Tema de “Las Muchachas en la fuente” en unas Hidrias Aticas del Museo Arqueologico Nacional”. AEA 50–1: 15–32.Google Scholar

Orellana, B. (1985). A Philosophy of Humour. Faculty of Philosophy. Oxford: Oxford University Press.Google Scholar

Osborne, R. (1985). “The Erection and Mutilation of the Hermai”. Proceedings of the Cambridge Philosophical Society 211: 48–73.Google Scholar

Osborne, R. (1998). Archaic and Classical Greek Art. Oxford: Oxford University Press.Google Scholar

Padgett, J. (2000). “The Stable Hands of Dionysos: Satyrs and Donkeys as Symbols of Social Marginalization in Attic Vase Painting”, in Not the Classical Ideal: Athens and the Construction of the Other in Greek Art. Cohen, B. (ed.). Leiden: Brill: 43–70.Google Scholar

Papastamos, D. (1970). Die Melischen Amphoren. Münster: Verlag Aschendorff.Google Scholar

Parkin, J. (1997). Humour Theorists of the Twentieth Century. Lampeter (UK): Edwin Mellen Press.Google Scholar

Paspalas, S. A. (2000). “A Persianizing Cup from Lydia”. Oxford Journal of Archaeology 19(2): 135–74.CrossRefGoogle Scholar

Paton, G. (1988). Humour in Society: Resistance and Control. New York: St. Martin’s Press.Google Scholar

Paton, G., Powell, C., and Wagg, S. (1996). The Social Faces of Humour: Practices and Issues. Aldershot (UK): Arena.Google Scholar

Pelton, R. D. (1980). The Trickster in West Africa: A Study of Mythic Irony and Sacred Delight. Berkeley: University of California Press.Google Scholar

Perry, B. E. (1952). Aesopica. Urbana: University of Illinois Press.Google Scholar

Peschel, I. (1987). Die Hetäre bei Symposion und Komos, in der Attisch-rotfigurigen Vasenmalerei. Frankfurt am Main.Google Scholar

Pfisterer-Haas, S. (1993). Staatliche Antikensammlungen am Königsplatz München (trad. A. Shapiro). Munich.Google Scholar

Pfuhl, E. (1923). Malerei und Zeichnung der Griechen. München: F. Bruckmann.Google Scholar

Pfuhl, E. (1924). Meisterwerke griechischer Zeichnung und Malerei. München: F. Bruckmann.Google Scholar

Picard, C. (1964). “Humour Chypriote”. Revue Archéologique 1: 58–60.Google Scholar

Pickard-Cambridge, A. (1962). Dithyramb, Tragedy and Comedy. 2nd edn. revised Webster, T. B. L.. Oxford: Oxford University Press.Google Scholar

Pickard-Cambridge, A. (1968). The Dramatic Festivals of Athens. 2nd edn. revised Gould, J. and Lewis, D. M.. Oxford: Oxford University Press.Google Scholar

Piddington, R. (1933). The Psychology of Laughter: A Study in Social Adaptation. London: Figurehead.Google Scholar

Plebe, A. (1952). La Teoria del Comico da Aristotele a Plutarco. Turin: Pubblicazioni della Facoltà di lettere e filosofia, Università di Torino.Google Scholar

Pomeroy, S. (1975). Goddesses, Whores, Wives and Slaves. New York: Schocken.Google Scholar

Pontius, A. (1983). “Icono-diagnosis, A Medical-humanistic Approach. Detecting Crouzon’s Malformation in Cook Islands’ Prehistoric Art”. Perspectives in Biology and Medecine 27: 107–20.CrossRefGoogle ScholarPubMed

Pottier, E. (1897–1922). Vases Antiques du Louvre. Paris: Hachette.Google Scholar

Powell, J. E. (1937). “Puns in Herodotus”. Classical Review 51: 103–5.CrossRefGoogle Scholar

Raaflaub, K. A., Ober, J., and Wallace, R. W. (2007). Origins of Democracy in Ancient Greece. With Chapters by Paul Cartledge and Cynthia Farrar. Berkeley: University of California Press.CrossRefGoogle Scholar

Radermacher, L. (1947). Weinen und Lachen, Studien über antikes Lebensgefühl. Vienna: R. M. Rohrer.Google Scholar

Rao, A. (1995). “Immortal Picture-Stories: Comic Art in Early Indian Art”, in Asian Popular Culture. Lent, J. A. (ed.). Boulder, CO: Westview Press: 159–74.Google Scholar

Rapp, A. (1951). “A Greek Joe Miller”. Classical Journal 46: 286–90 and 318.Google Scholar

Raubitschek, I. K. (1972). “The Eye Cup”. American Journal of Archaeology 76: 217.Google Scholar

Razeto, F. (1985). Archaeological Museum Florence. Florence: Becocci.Google Scholar

Reckford, K. (1987). Aristophanes’ Old-and-New Comedy. Chapel Hill and London: University of North Carolina Press.Google Scholar

Reins, C. W. (1972). “Laughter in Biblical and Rabbinic Literature”. Judaism 21: 176–83.Google Scholar

Reinsberg, C. (1989). Ehe, Hetarentum und Knabenliebe im antiken Griechenland. Munich: Beck.Google Scholar

Resnick, C. W. (1987). “‘Risus Monasticus’; Laughter and Medieval Monastic Culture”. Revue Bénédictine 97(1–2): 90–100.CrossRefGoogle Scholar

Reusser, C. (2003a). “La Céramique Attique dans les Habitats Étrusques”, in Le Vase Grec et ses Destins. Rouillard, P. and Verbanck-Piérard, A. (eds.). Munich: Biering & Brinkmann: 157–60.Google Scholar

Reusser, C. (2003b). “La Céramique Attique dans les Sanctuaires Étrusques”, in Le Vase Grec et ses Destins. Rouillard, P. and Verbanck-Piérard, A. (eds.). Munich: Biering & Brinkmann: 161–6.Google Scholar

Reusser, C. (2003c). “La Céramique Attique dans les Tombes Étrusques”, in Le Vase Grec et ses Destins. Rouillard, P. and Verbanck-Piérard, A. (eds.). Munich: Biering & Brinkmann: 167–78.Google Scholar

Rhodes, P. J. (2003). “Nothing to Do with Democracy: Athenian Drama and the Polis”. Journal of Hellenic Studies 123: 104–19.CrossRefGoogle Scholar

Richardson, E. (1933). Old Age among the Ancient Greeks. Baltimore: John Hopkins University Press.Google Scholar

Richlin, A. (1992). The Garden of Priapus. Sexuality and Aggression in Roman Humor. Oxford: Oxford University Press Inc., US.Google Scholar

Richter, G. (1935). “Jason and the Golden Fleece”. American Journal of Archaeology 39: 182–4.CrossRefGoogle Scholar

Richter, G. and Milne, M. (1935). Shapes and Names of Athenian Vases. New York: Metropolitan Museum of Art.Google Scholar

Richter, G. M. A. and Hall, F. (1936). Red-figured Athenian Vases in the Metropolitan Museum of Art. New Haven: Yale University Press.Google Scholar

Robertson, M. (1980). “An Unrecognized Cup by the Kleophrades Painter”, in Stele. Tomos eis Mnemen Nikolaou Kontoleontos. Schefold, K. and Pouilloux, J. (eds.). Athens: 127–8.

Robertson, M. (1985). Beazley and Attic Vase-painting. Beazley and Oxford. Kurtz, D.. Oxford: Oxford University Press: 19–30.Google Scholar

Robertson, M. (1992). The Art of Vase-painting in Classical Athens. Cambridge: Cambridge University Press.

Robinson, D. M. and Fluck, E. J. (1937). A Study of the Greek Love-Names Including a Discussion of Paederasty and a Prosopographia. Baltimore: John Hopkins University Press.Google Scholar

Rodenwaldt, G. (1932). “Spinnen Hetären”. Archäologischer Anzeiger7–22.Google Scholar

Rothbart, M. K. (1976). “Incongruity, Problem-solving and Laughter” in Humour and Laughter: Theory, Research and Applications. Chapman, A., , A. and Foot, H. (eds.). Chichester, England: Wiley: 37–54.Google Scholar

Rouillard, P. and Verbanck-Piérard, A. (eds.) (2003). Le Vase Grec et ses Destins. Munich: Biering & Brinkmann.Google Scholar

Roux, G. (1981). “Samothrace, le Sanctuaire des Grands Dieux et ses Mystères”, in Bulletin de l’Association Guillaume-Budé. Paris: Presses Universitaires de France: 2–23.Google Scholar

Rumpf, A. (1927). Chalkidische Vasen. Berlin: Walter de Gruyter.Google Scholar

Rumpf, A. (1953). Malerei und Zeichnung. Munich: C.H. Beck’sche Verlagsbuchhandlung.Google Scholar

Sanders, B. (1996). Sudden Glory. Laughter as Subversive History. Boston: Beacon Press.Google Scholar

Sangsue, D. (1994). La Parodie. Paris: Hachette.Google Scholar

Santarcangeli, P. (1989). Homo Ridens, Estetica, Filologia, Psicologia, Storia del Comico. Florence: Olschki.Google Scholar

Schachter, A. (1986). Cults of Boiotia. Herakels to Poseidon, British Institute of Classical Studies 38.2. London: 66–110.Google Scholar

Schachter, A. (2003). “Evolutions of a Mystery Cult: The Theban Kabiroi”, in Greek Mysteries: The Archaeology and Ritual of Ancient Greek Secret Cults. Cosmopoulos, M. (ed.). London: Routledge.Google Scholar

Schäfer, A. (1997). Unterhaltung beim Griechischen Symposion. Mainz am Rhein: Philipp von Zabern.Google Scholar

Schauenburg, K. (1975). “EYPYMEΔON EIMI”. AM 90: 97–121; pls. 25(–42).Google Scholar

Schilardi, D. U. (1977). The Thespian Polyandrion (424 B.C.): The Excavations and Finds from a Thespian State Burial. Dissertation Princeton University. Princeton. 3 vols.Google Scholar

Schmidt, M. (2000). “Medea at Work”, in Periplous: Papers on Classical Art and Archaeology Presented to Sir John Boardman. Tsetskhladze, G., Prag, J., and Snodgrass, A. (eds.). London: Thames & Hudson: 263–70.

Schmidt, S. R. (1994). “Effects of Humor on Sentence Memory”. Journal of Experimental Psychology: Learning, Memory and Cognition 20(4): 953–67.Google ScholarPubMed

Schmitt-Pantel, P. (1992). La Cité au Banquet: Histoire des Repas Publics dans les Cités Grecques. Rome: Ecole Française de Rome.Google Scholar

Seeberg, A. (1965). “Hephaistos Rides Again”. JHS 85: 102–9.CrossRefGoogle Scholar

Seidensticker, B. (1989). Satyrspiele. Darmstadt: Wissenschaftliche Buchgesellschaft.Google Scholar

Seidensticker, B., Krumeich, R., and Pechstein, N. (eds.) (1999). Das Griechische Satyrspiel. Darmstadt: Wissenschaftliche Buchgesellschaft.Google Scholar

Shapiro, H. A. (1989). Art and Cult under the Tyrants in Athens. Mainz am Rhein: Philipp von Zabern.Google Scholar

Shapiro, H.A. (1992a). “Eros in Love. Pederasty and Pornography in Greece”, in Pornography and Representation in Greece and Rome. Richlin, A. (ed.). Oxford: Oxford University Press: 53–72.Google Scholar

Shapiro, H.A. (1992b). “The Panathenaic Festival in Ancient Athens”, in Goddess and Polis. The Panathenaic Festival in Ancient Athens. Neils, J. (ed.). Princeton: Princeton University Press: 53–75.

Shapiro, H.A. (1993). Personifications in Greek Art, The Representation of Abstract Concepts 600–400 BC. Zurich: Akanthus.Google Scholar

Shapiro, H.A. (1997). “Correlating Shape and Subject: The Case of the Archaic Pelike”, in Athenian Potters and Painters. Oakley, J. (ed.). Oxford: Oxford University Press.Google Scholar

Sichterman, H. and Koch, G. (1975). Griechische Mythen auf Römischen Sarkophagen. Tübingen: Wasmuth.Google Scholar

Sifakis, G. M. (1971). Parabasis and Animal Choruses, A Contribution to the History of Attic Comedy. London: Athlone Press.Google Scholar

Simon, E. (1975). Führer durch die Antikenabteilung des Martin von Wagner-Museums. Mainz am Rhein: Philipp von Zabern.Google Scholar

Simon, E. (1976). Die Griechischen Vasen. Munich: Hirmer Verlag.Google Scholar

Simon, E. (1982). “Satyr-plays on Vases in the Time of Aeschylus”, in The Eye of Greece. Kurtz, D. C. and Sparkes, K. (eds.). Oxford: Oxford University Press: 123–48.Google Scholar

Slater, W. J. (1991). Dining in a Classical Context. Michigan: University of Michigan Press.CrossRefGoogle Scholar

Sluiter, R. and Rosen, M. (eds.) (2004). Free Speech in Classical Antiquity. Mnemosyne. Leiden: Brill.CrossRef

Smadja, E. (1993). Le Rire. Paris: Presses Universitaires de France.Google Scholar

Smith, A. C. (1999). “Eurymedon and the Evolution of Political Personifications in the Early Classical Period”. Journal of Hellenic Studies 119: 128–41.CrossRefGoogle Scholar

Smith, C. (1883). “Vase with Representation of Herakles and Geras”. Journal of Hellenic Studies 4: 96–110.CrossRefGoogle Scholar

Snowden, F. (1970). Blacks in Antiquity: Ethiopians in the Greco-Roman Experience. Cambridge, MA: Harvard University Press.Google Scholar

Snowden, F. (1976). “Iconographical Evidence on the Black Populations in Greco-Roman Antiquity”, in The Image of the Black in Western Art. Bugner, L. (ed.). Houston: Menil Foundation: 133–246.Google Scholar

Solomon, J. C. (1996). “Humor and Aging Well: A Laughing Matter or a Matter of Laughing?”American Behavioral Scientist 39(3): 249–71.CrossRefGoogle Scholar

Sommerstein, A. (1986). “The Decree of Syrakosios”. Classical Quarterly 36: 101–8.CrossRefGoogle Scholar

Sourvinou-Inwood, C. (1996). “Reading” Greek Death: To the End of the Classical Period. Oxford: Oxford University Press.Google Scholar

Sparkes, B. (1975). “Illustrating Aristophanes”. Journal of Hellenic Studies 95: 122–35.CrossRefGoogle Scholar

Sparkes, B. (1976). “Treading the Grapes”. BABesch 51: 47–64; figs. 1–27.Google Scholar

Sparkes, B. (1977). Pots and Pans of Classical Athens (6th edn). Princeton: American School of Classical Studies at Athens.Google Scholar

Sparkes, B. (1996). The Red and the Black: Studies in Greek Pottery. London: Routledge.Google Scholar

Stanford, W. (1958). The Odyssey of Homer. London: Macmillan.Google Scholar

Steinhart, M. (1995). Das Motiv des Auges in der Griechischen Bildkunst. Mainz am Rhein: Philipp von Zabern.Google Scholar

Steinrueck, M. (2000). “Comparaison du Sublime chez Pseudo-Longin et du Ridicule chez Archiloque”, in Le Rire des Grecs. Anthropologie du Rire en Grèce Ancienne. Desclos, M.-L. (ed.). Paris: Jerome Millon: 57–63.Google Scholar

Stewart, A. (1997). Art, Desire, and the Body in Ancient Greece. Cambridge: Cambridge University Press.Google Scholar

Stopsky, F. (1992). Humor in the Classroom: A New Approach to Critical Thinking. Lowell, MA: Discovery Enterprises.Google Scholar

Sutton, D. F. (1980). The Greek Satyr Play. Meisenheim am Glan: Hain.Google Scholar

Sutton, D.F. (1984). “Scenes from the Greek Satyr Plays Illustrated in Greek Vase-painting”. Ancient World 9: 119–26.Google Scholar

Sutton, D.F. (1994). The Catharsis of Comedy. Lanham, MD: Rowman & Littlefield Publishers, Inc.Google Scholar

Sutton, R. F.. (1981). The Interaction between Men and Women Portrayed on Attic Red-figure Pottery. University of North Carolina at Chapel Hill. UMI.

Swabey, M. C. (1961). Comic Laughter: A Philosophical Survey. New Haven: Yale University Press.Google Scholar

Swaddling, J. (1999). The Ancient Olympic Games. London: British Museum Press.Google Scholar

Sweet, W. E. (1987). Sport and Recreation in Ancient Greece, A Source Book with Translations. Oxford: Oxford University Press.Google Scholar

Sykes, A. J. M. (1966). “Joking Relationships in an Industrial Setting”. American Anthropologist 68(1): 189–93.CrossRefGoogle Scholar

Szafran, A. W. (1994). Freud et le Rire. Paris: Métailié.Google Scholar

Taaffe, L. (1993). Aristophanes and Women. London: Routledge.Google Scholar

Taillardat, J. (1965). Les Images d’Aristophane: Etudes de Langue et de Style. Paris: Les Belles Lettres.Google Scholar

Taplin, O. (1987). “Classical Phallology, Iconographic Parody and Potted Aristophanes”. Dioniso 57: 95–108.Google Scholar

Taplin, O. (1991a). “Auletai and Auletrides in Greek Comedy and Comic Vase-paintings”. NumAntCl 20: 31–48.Google Scholar

Taplin, O. (1991b). Paratragedy in Comedy and in Comic Vase-paintings. Griechische Klassik. Vorträge bei der Interdisziplinären Tagung des Deutschen Archäologenverbandes und der Mommsengesellschaft vom 24.–27.10.1991 in Blaubeuren, Blauberen.

Taplin, O. (1993). Comic Angels, and Other Approaches to Greek Drama through Vase-paintings. Oxford: Clarendon Press.Google Scholar

Taplin, O. (1994). “Paratragedy in Comedy and in Comic Vase-paintings”, in Griechische Klassik. Pöhlmann, E. and Gauer, W. (eds.). Tübingen: 111–14.Google Scholar

Taplin, O. (2007). Pots and Plays. Interactions between Tragedy and Greek Vase-painting of the Fourth Century B.C. Los Angeles: Getty Publications.Google Scholar

Tarin, A. (1991). “Les Divertissements en Grèce et à Rome”, in Jouer dans l’Antiquité. May, R., Néraudau, J.-P., and Manson, M. (eds.). Marseille: Musées de Marseille: 110–22.Google Scholar

Thierfelder, A. (1968). Philogelos. Der Lachfreund von Hierokles und Philagrios. Munich: Heimeran.Google Scholar

Thompson, D. (1971). An Ancient Shopping Center, The Athenian Agora. Princeton: Princeton University Press.Google Scholar

Thompson, D. A. (1895). A Glossary of Greek Birds. Oxford: Oxford University Press.CrossRefGoogle Scholar

Threatte, L. (1980). The Grammar of Attic Inscriptions. New York: Walter de Gruyter.Google Scholar

Tietze-Conrat, E. (1957). Dwarfs and Jesters in Art. New York: Phaidon.Google Scholar

Tiverios, M. A. (1974). “ΠANATHNAIKA”. ArchD 29A: 142–51.Google Scholar

Todorov, T. (1978). Les Genres du Discours. Paris: Seuil.Google Scholar

Tosto, V. (1999). The Black-figure Pottery Signed “Nikosthenes Epoiesen”. Amsterdam: Allard Pierson Museum.Google Scholar

Tottenham, C. (1927). The Psychology of Laughter. Liverpool: Liverpool University Press.Google Scholar

Trendall, A. (1967). Phlyax Vases. London: Institute of Classical Studies.Google Scholar

Ure, A. D. (1953). “Boeotian Vases with Women’s Heads”. American Journal of Archaeology 57: 245–9.CrossRefGoogle Scholar

Ure, P. (1927). Sixth and Fifth Century Pottery from Excavations Made at Rhitsona. Oxford: Oxford University Press.Google Scholar

Vallet, G. (1958). Rhégion et Zancle. Histoire, Commerce et Civilisation des Cités Chalcidiennes du Détroit de Messine. Paris: Bibliothèque des Ecoles Françaises d’Athènes et de Rome.Google Scholar

van de Walle, B. (1967). L’Humour dans la Littérature et l’Art de l’Ancienne Egypte. Leiden: Brill.Google Scholar