Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-06T09:48:43.371Z Has data issue: false hasContentIssue false

1 - Coming adrift: The limits of reconstruction of the cyclic poems

from PART I - APPROACHES TO THE EPIC CYCLE

Published online by Cambridge University Press:  05 August 2015

Jonathan Burgess
Affiliation:
University of Toronto
Marco Fantuzzi
Affiliation:
Columbia University, New York
Christos Tsagalis
Affiliation:
University of Thessaloniki, Greece
Get access

Summary

What is the ‘Epic Cycle’? The Greek is epikos kyklos, which literally means ‘epic circle’. Kyklos in its most primary meaning refers to an object of circular dimensions (e.g. wheel, shield), but it could also be applied metaphorically to a compilation of literary material. The ‘Epic Cycle’, simply put, is a collection of epic verse. Unfortunately the Epic Cycle is now lost, except for various kinds of fragments, testimony and summaries. Our challenge is to sort through this evidence and reconstruct the Epic Cycle as best we can. Many learned and rewarding attempts to do so can be found in this Companion. But all attempts, not least my own, ultimately result from guesswork that depends on arbitrary assumptions.

Models of reconstruction

The Epic Cycle included theogonic beginnings and the heroic wars at Thebes and Troy. The Trojan War and its aftermath have attracted the most attention, both in antiquity and in the modern world, because of its relevance to the Homeric poems. Indeed the Epic Cycle's useful contextualization of the Iliad and the Odyssey has led to the common conception of it as something secondary to ‘Homer’, both in chronology and value. For hermeneutic purposes I will call this the ‘Homer-centric’ model, which has been dominant from antiquity onward. In its starkest form, this model posits that a series of poems were composed on the basis of the Homeric poems, though falling far short of their poetics, in order to surround them with prequels and sequels. A different model, which I will label ‘Systemic,’ would link the Epic Cycle broadly with various material about the Trojan War in ancient literary and artistic traditions. In its starkest form, this model suggests that the Cycle poems represent mythological and epic traditions that were earlier than the Homeric poems. Adherents to both models have dedicated themselves to the scholarly sleuthing required to make sense out of the scanty evidence. But these two models vary widely on their conception of how the Epic Cycle relates to the Homeric poems and what role they generally played in early epic.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×