Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-05T09:11:08.771Z Has data issue: false hasContentIssue false

16 - Giulio Regondi (1822/23–1872) and Catharina Pratten, née Pelzer (1824–1895)

Published online by Cambridge University Press:  10 January 2024

Christopher Page
Affiliation:
University of Cambridge
James Westbrook
Affiliation:
University of Cambridge
Get access

Summary

When enthusiasm for the guitar in England was at its peak, two young guitarists arrived in London as child prodigies. Catharina Pelzer, who became known as Madame Sidney Pratten after her marriage in 1854, had moved to London from the Rhineland with her family by 1829. Giulio Regondi arrived soon afterwards, in 1831, having already caused a sensation in Paris. Their careers developed in different ways as the Great Vogue for the guitar receded.

The early years

Until recently, most of the detailed information about Regondi's early childhood derived from the account of a certain Madame Fauche, published just after the musician's death in 1872. However, a fuller picture can be presented by combining that account with new research by Romolo Calandruccio. Seemingly estranged from his birth family in infancy, the young child was adopted and taught the guitar by a Mr Regondi, who forced him to observe what nowadays seems like a harsh regime, practising alone for five hours a day while they lived together in Lyon. His progress on the instrument was astonishing, as attested by his first concert appearance there on 24 April 1828:

A budding little virtuoso made his debut at this concert, he was advertised on the poster as a 6-year-old amateur … The young artist played two pieces on the guitar with a talent that portends a great musician; we admired the dexterity of his little fingers and the precision he put into his playing. This child, endowed with all the graces of his age, enchanted his audience; he sat very seriously in an armchair placed on a table, the audience did not seem to intimidate him in any way. We were told that he was the adopted son of Mr Regondi, guitar teacher, who, having found this innocent creature abandoned under the vault of the Grand-Collège, welcomed him and dedicated to him all the most affectionate care of a father.

Several further concerts were given in Lyon during the next two years; the enthusiastic reviews report that Regondi senior ‘is said to follow in the footsteps of Sor and [C]arulli’. They also note that the child's repertoire included several works by the latter: a concerto and a Grande marche d’Aline.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×