Book contents
- Frontmatter
- Contents
- List of Illustrations
- Notes on Contributors
- Foreword
- Introduction: Arthur and/or the Grail
- 2 The Shape of the Grail in Medieval Art
- 3 The Crusaders' Grail
- 4 Bounds of Imagination: Grail Questing and Chivalric Colonizing in Wolfram von Eschenbach's Parzival
- 5 The Land without the Grail: A Note on Occitania, Rigaut de Barbezieux and Literary History
- 6 Female Desire and the Quest in the Icelandic Legend of Tristram and Ísodd
- 7 Questing in the Middle Dutch Lancelot Compilation
- 8 Keeping Company: Manuscript Contexts for Reading Arthurian Quest Narratives
- 9 Grail and Quest in the Medieval English World of Arthur
- 10 Malory and the Grail: The Importance of Detail
- 11 Glastonbury, the Grail-Bearer and the Sixteenth-Century Antiquaries
- 12 The Grail Quest: Where Next?
- Appendix: The Grail on Film
- Index
- Analysis of grail scenes
- Arthurian Studies
12 - The Grail Quest: Where Next?
Published online by Cambridge University Press: 05 February 2013
- Frontmatter
- Contents
- List of Illustrations
- Notes on Contributors
- Foreword
- Introduction: Arthur and/or the Grail
- 2 The Shape of the Grail in Medieval Art
- 3 The Crusaders' Grail
- 4 Bounds of Imagination: Grail Questing and Chivalric Colonizing in Wolfram von Eschenbach's Parzival
- 5 The Land without the Grail: A Note on Occitania, Rigaut de Barbezieux and Literary History
- 6 Female Desire and the Quest in the Icelandic Legend of Tristram and Ísodd
- 7 Questing in the Middle Dutch Lancelot Compilation
- 8 Keeping Company: Manuscript Contexts for Reading Arthurian Quest Narratives
- 9 Grail and Quest in the Medieval English World of Arthur
- 10 Malory and the Grail: The Importance of Detail
- 11 Glastonbury, the Grail-Bearer and the Sixteenth-Century Antiquaries
- 12 The Grail Quest: Where Next?
- Appendix: The Grail on Film
- Index
- Analysis of grail scenes
- Arthurian Studies
Summary
It seems extraordinary to think that when I finished my book on the Grail five years ago, no one had ever heard of The Da Vinci Code. Perhaps the world was a better place without it, but the book's immense popularity catapulted the Grail into the public consciousness even more effectively than Monty Python and the Holy Grail had done two decades earlier. I would like to take a look at the world of recent Grail scholarship, where I hope that such fantasies have not yet taken root. Let us take as a starting point a book published fifty years ago in Paris. This is the proceedings of a conference on the Grail romances in the literature of the twelfth and thirteenth century, an international colloquy held in Strasbourg in 1954. It was a time when, as Mario Roques declared in his opening address, ‘on the question of the Grail our knowledge has marked time for the past thirty years’. He promised that the discussions would be aimed at showing those then working in the field where to direct their efforts. Now Peter Field, in his contribution to this volume, has pointed out the dangers of presumption in Grail quests, and I make no such sweeping claims for this chapter, which aims only to do a little exploration.
- Type
- Chapter
- Information
- The Grail, the Quest, and the World of Arthur , pp. 173 - 184Publisher: Boydell & BrewerPrint publication year: 2008