Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- 1 Haberdashers, barristers, and a young musician: Situating Schalcken in late seventeenth-century London
- 2 Schalcken’s Maecenas and the court of William III
- 3 Self-portraiture as self-promotion
- 4 Schalcken’s London period genre paintings
- 5 Schalcken’s London period history and still-life Paintings
- Conclusion
- Critical Catalogue, lost paintings, and checklist
- Notes
- Bibliography
- Index
Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- 1 Haberdashers, barristers, and a young musician: Situating Schalcken in late seventeenth-century London
- 2 Schalcken’s Maecenas and the court of William III
- 3 Self-portraiture as self-promotion
- 4 Schalcken’s London period genre paintings
- 5 Schalcken’s London period history and still-life Paintings
- Conclusion
- Critical Catalogue, lost paintings, and checklist
- Notes
- Bibliography
- Index
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- Godefridus SchalckenA Dutch Painter in Late Seventeenth-Century London, pp. 261 - 267Publisher: Amsterdam University PressPrint publication year: 2018